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What might the collections of Western art galleries look like today if a global understanding of art had informed their development? Subjecting its collection to a critical revision, the National Gallery in Berlin investigates, looking at artworks from non-European centers of modernism and exploring the untold stories and overlooked connections behind them. Accompanying a large-scale exhibition featuring artworks from all over the world, this catalog considers exchanges like the Dadaist Tomoyoshi Murayamas sojourn to Berlin in the 1920s, the painter Heinrich Vogelers turn to the Soviet Union in the 1930s, and the famous Fluxus artist Joseph Beuyss collaborations with Argentinian ecologist Nicolás García Uriburu in the 1980s. Marking a paradigm shift in a globalizing present, this revised narrative of art fro
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Udo Kittelmann is a German curator and museum director of the National Gallery in Berlin and the author of numerous books and other publications about contemporary and modern art.
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