Materiality and the Study of Religion ― The Stuff of the Sacred

Material culture has emerged in recent decades as a significant theoretical concern for the study of religion. This book contributes to and evaluates this material turn, presenting thirteen chapters of new empirical research and theoretical reflection from some of the leading international scholars of material religion. Following a model for material analysis proposed in the first chapter by David Morgan, the contributors trace the life cycle of religious materiality through three phases: the production of religious objects, their classification as religious (or non-religious), and their circulation and use in material culture.

The chapters in this volume consider how objects become and cease to be sacred, how materiality can be used to contest access to public space and resources, and how religion is embodied and performed by individuals in their everyday lives. Contributors discuss the significance of the materiality of religion across different religious traditions and diverse geographical regions, paying close attention to gender, age, ethnicity, memory and politics. The volume closes with an afterword by Manuel Vásquez.

Tim Hutchings is a postdoctoral researcher in the Institute for Media Studies at Stockholm University, Sweden. He is a sociologist of digital religion, and his research has included studies of online churches, digital Bibles, evangelism and pilgrimage. His current work focuses on death, grief and memory in digital environments, as part of the Existential Terrains research program (et.ims.su.se) funded by the Knut and Alice Wallenberg Foundation, the Marcus and Amalia Wallenberg Foundation and Stockholm University. He is the editor of the Journal of Religion, Media and Digital Culture (jrmdc.com).

Joanne McKenzie is currently undertaking doctoral research in the Department of Theology and Religion at Durham University, UK. The project is focused on how social class shapes contemporary English evangelicalism and is funded by the Arts and Humanities Research Council.