Pity

Two bombs in one day is a foul coincidence
Don't forget the lightning strike

A normal day. A person stands in the market square watching the world go by.
What happens next verges on the ridiculous.

There's ice cream. Sunshine. Shops. Some dogs. A wedding. Bombs. Candles. Blood. Lightning. Sandwiches. Snipers. Looting. Gunshots. Babies. Actors. Azaleas. Famine. Fountains. Statues. Atrocities. And tanks. (Probably).

Rory Mullarkey's new play asks whether things really are getting worse. And if we care.

Stockport native Rory Mullarkey graduated in 2009 from Cambridge, after which he studied at the State Theatrical Arts Academy of St. Petersburg. A translator of Russian Drama, Mullarkey's translations have been produced by the ADC Theatre, The Royal Court and the Free Theatre of Belarus. Plays include Single Sex (Royal Exchange); Remembrance Day (Royal Court), Tourism (Headlong) and Come To Where I'm From (Paines Plough). Mullarkey spent 2010 as Writer-on-Attachment at the Royal Court Theatre, London, and 2011 as the Pearson Writer in Residence at the Royal Exchange, Manchester. His The Grandfathers was programmed as part of the National Theatre's 2012 Connections: Plays for Young People. In 2014, Rory Mullarkey won the Harold Pinter Playwriting Prize, the George Devine Award (jointly with Alice Birch) and the James Tait Black Prize for Drama for his play Cannibals, published by Methuen Drama.