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The artistic language of Penck (1936-2017) - characterised by brusquely and expressively painted signs and 'primitive' symbols - is instantly recognisable. This publication introduces his art to an audience that may be yet unfamiliar with two of his most dominant themes: The Cold War and political conflict, and love and sexuality. Penck is represented here with iconic paintings that are charged with great vitality, along with a selection of expressive colourful prints and drawings, and key sculptures in small size. To celebrate the 30-year-anniversary of the fall of the Berlin wall, the works date from the 1960s to 1990. Penck was born as Ralf Winkler in Dresden, East Germany. At 16, he made the first of many applications to art academies but the political overtones and un-academic style were rejected. With the aid of West German friends - notably, fellow artist Georg Baselitz and art dealer Michael Werner - his 'banned' art was smuggled to Cologne and in 1972 was shown at documenta 5 (and later at documenta 6, 7 and 9). His interest in political and interpersonal systems as well as 'primitive' art led to the development of his Standart paintings. In 1980 he moved near Cologne, then to London, Dusseldorf, and Dublin. His prolific artistic output was driven primarily by his desire to create a universal language that addresses the social and political issues facing modern man. Penck first received international recognition in the context of Neo-Expressionism, and became a major figure in the iconic exhibition New Art (Tate, London, 1983). His work is represented in the Museum of Modern Art, New York, Tate, London, and Pinakothek der Moderne, Munich.
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