Explores Katherine Mansfields engagement in the periodical culture of the early twentieth century
This book considers Mansfields ambivalent position as a colonial woman writer by examining her contributions to the political weekly The New Age, the avant-garde little magazine Rhythm and the literary journal The Athenaeum. Contextualising Mansfields work against the editorial strategies and professional cultures of each periodical, the book deepens and complicates older critical assumptions about the trajectory of Mansfields development as a writer.
Key Features
Provides the first sustained scholarly examination of Mansfields engagement with and relation to early twentieth-century periodical cultureForegrounds the original material contexts in which Mansfield produced the majority of her work, emphasising a dialogic or conversational model for modernismInterrogates Mansfields ambivalent self-positioning within English literary circles as a colonial-metropolitan modernist and outsiderIntegrates ideas of the recent transnational turn across literary studies into the field of periodical scholarship
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