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“A daughter gets caught in her Aboriginal Australian family's complicated legacy in Indigenous Australian writer Lucashenko's darkly funny U.S. debut. . . . With strong voices and kinetic prose, Lucashenko's engrossing narrative speaks to the ongoing traumas of indigenous life in Australia. This deserves to make a splash.”―Publishers Weekly
“Melissa Lucashenko is one of Australia's most prolific contemporary writers, producing funny and gritty realist novels. The Miles Franklin award–winning Too Much Lip . . . is no exception.” ―The Australian
You can go as far away as you like, but the past always comes along for the ride.
Wise-cracking Kerry Salter has spent her adulthood avoiding two things: her hometown and prison. A tough, generous, reckless woman accused of having too much lip, Kerry uses anger to fight the avalanche of bullshit the world spews. But now her pop is dying, and she's an inch away from the lockup, so she heads south on a stolen Harley for one last visit.
Kerry plans to spend twenty-four hours, tops, across the border. She quickly discovers, though, that Bundjalung country has a funny way of latching on to people―not to mention her chaotic family and the threat of a proposal to develop a prison on Granny Ava's Island, the family's spiritual home. On top of that, love may have found Kerry again when a good-looking white fella appears out of nowhere with eyes only for her.
As the fight mounts to stop the development, old wounds open. Surrounded by the ghosts of their elders and the memories of their ancestors, the Salters are driven by the deep need to make peace with their past while scrabbling to make sense of their present. Kerry just hopes they can come together in time to save Granny Ava's legacy and preserve their ancestral land.
