Foreignness and Selfhood:Sino-British Encounters in English Literature of the Eighteenth Century
商品資訊
系列名:Routledge Studies in Chinese Comparative Literatur
ISBN13:9781032248028
出版社:PBKTYFRL
作者:Mengmeng Yan
出版日:2022/05/03
裝訂/頁數:精裝/176頁
規格:15.6cm*23.4cm (高/寬)
定價
:NT$ 8700 元優惠價
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商品簡介
商品簡介
In inviting a rethinking of ideas of foreignness and selfhood, this book explores Sino-British encounters in eighteenth-century English literature, providing detailed critical and literary analysis of individual texts pertaining to China from this period.
The author provides a synthesis of approaches to China in eighteenth-century English literature, involving fictional writing related to China, adaptations of Chinese source texts, and translations of Chinese literary works. By discussing various writings about tea and tea-drinking, Arthur Murphys The Orphan of China (1759), Oliver Goldsmiths The Citizen of the World (176062), and Thomas Percys Hau Kiou Choaan (1761), she highlights the significance of reading these texts not simply as documents of a historical kind, but as texts that are worthy of literary and artistic attention on the basis of their rich variety in genre, style, and themes. The author proposes that Chinese and British cultures are not antithetical entities: they exist in relation to one another and create possibilities in the continuing appreciation of diversity amidst a drive to universality.
This study will be primarily helpful to university students and professors of English literature, comparative literature, and history worldwide.
The author provides a synthesis of approaches to China in eighteenth-century English literature, involving fictional writing related to China, adaptations of Chinese source texts, and translations of Chinese literary works. By discussing various writings about tea and tea-drinking, Arthur Murphys The Orphan of China (1759), Oliver Goldsmiths The Citizen of the World (176062), and Thomas Percys Hau Kiou Choaan (1761), she highlights the significance of reading these texts not simply as documents of a historical kind, but as texts that are worthy of literary and artistic attention on the basis of their rich variety in genre, style, and themes. The author proposes that Chinese and British cultures are not antithetical entities: they exist in relation to one another and create possibilities in the continuing appreciation of diversity amidst a drive to universality.
This study will be primarily helpful to university students and professors of English literature, comparative literature, and history worldwide.
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