Theatermakers in the United States have long been drawn to madness as a source of dramatic spectacle. During the Broadway musical's "golden age," creative teams used the currently in-vogue psychoanalytic ideas about mental life to construct troubled characters at odds with themselves and their worlds. As the clinical and cultural profile of madness transformed over the twentieth century, musicals continued to delve into the experience of those living with mental pain, trauma, and unhappiness.
Seriously Mad offers a dynamic account of stage musicals' engagement with historically significant theories about mental distress, illness, disability, and human variance in the United States. By exploring who is considered mad and what constitutes madness at different moments in U.S. history, Aleksei Grinenko shows how, in attempts to bring the musicals closer to "highbrow" sophistication, theater dramatized serious medical conditions and social problems. Among the many Broadway productions discussed are "Next to Normal," "A Strange Loop" "Sweeney Todd," "Man of La Mancha," "Dear World," "Anyone Can Whistle," "Gypsy," "Oklahoma!," and "Lady in the Dark."外文書商品之書封，為出版社提供之樣本。實際出貨商品，以出版社所提供之現有版本為主。部份書籍，因出版社供應狀況特殊，匯率將依實際狀況做調整。
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