Fern嫕dez's interactive steel installations contribute to the strong history of Venezuelan conceptual sculpture
This is the first monograph for Venezuelan artist Magdalena Fern嫕dez (born 1964), whose work strikes a balance between modernization and the natural world. It charts her career from the early 1990s, when she produced a series of austere structures and photographs in Italy, to her recent videos and large-scale installations in the landscapes of Mexico.
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