商品簡介
The aim of this book is to analyse the various identities of the intellectual S廨gio Buarque de Holanda, firstly by showing his participation in the Modern Art Week in S緌 Paulo in 1922. Even though he lived in Rio de Janeiro, S廨gio became one of the great defenders of S緌 Paulo Modernism, even representing the magazines Klaxon and Est彋ica in Rio de Janeiro. This opens up a discussion about whether S廨gio was a modernist from Rio or S緌 Paulo. Showing how the project undertaken by the S緌 Paulo elites succeeded in placing S緌 Paulo as the 'founding landmark' of the Brazilian modernist movement. Finally, this article analyses how, from the 1950s onwards, when he joined the teaching staff at USP, S廨gio Buarque became very close to the Annales and created a Ususpian identity. He dealt with themes such as the history of mentalities, material culture and interdisciplinarity in works such as Vis緌 do Para疄o and Caminhos e Fronteiras. We can see a significant change in the game of identities analysed by Stuart Hall, where the postmodern subject is fragmented, without a fixed identity. In this way, S廨gio moves closer to the French historiography of the Annales.
