This book tracks dramaturgical affinities between some of Bernard Shaw's late "extravagant" plays and those of No螔 Coward, in particular their recasting of one another's style and the tradition of manners comedy. While Coward's first play (The Young Idea) all but plagiarizes You Never Can Tell and Shaw responds with his own depictions of the idle rich, their experimental plays in the 1930s also ambitiously engage issues of race and Empire, topics further outside their respective idioms.
"Christopher Wixson mines Shaw's rarely-explored engagement with the work of No螔 Coward, examining both writers' highly experimental plays from the 1930s in light of such important issues as postwar disillusionment, racial difference, and post-coloniality." Michel Pharand, Queen's University外文書商品之書封，為出版社提供之樣本。實際出貨商品，以出版社所提供之現有版本為主。部份書籍，因出版社供應狀況特殊，匯率將依實際狀況做調整。
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