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En Fantasy, chroniques d'un autre temps, sources et documents pseudo-historiques tiennent autant de place que les l嶲endes et les mythes. Mais qui dit chronique, dit interrogation sur la mani鋨e dont les faits du pass?sont collect廥 et consign廥. Qui parle, qui 嶰rit l'histoire ? L'historiographie des mondes imaginaires de la Fantasy est-elle plus fiable que celel 幨abor嶪 par nos historiens ? Les personnages peuvent-ils se fier pleinement aux sources leur permettant d'acc嶮er au pass?de leur univers, ou doivent-ils adopter une d幦arche critique vis-?vis de ces sources et reconstituer le processus ayant conduit ?leur 幨aboration ? Autant de questions auquel le 20e num廨o de Fantasy Art and Studies tente de r廧ondre, en reproduisant une partie des communications du colloque Comment on 嶰rit l'histoire fictive ? Historiographies et litt廨atures de l'imaginaire (20 et 21 f憝rier 2026, auxquelles r廧ondent en dialogue trois nouvelles in嶮ites et une bande dessin嶪 de Guillaume Labrude. Un num廨o illustr?par Ga螔leC., Philippe Chevillard, Guillaume Labrude et V廨onique Thill. --- In Fantasy, chronicles of another time, pseudo-historical sources and documents play just as significant a role as legends and myths. But the very notion of a chronicle raises questions about how the facts of the past are gathered and recorded. Who speaks, who writes history? Is the historiography of the fictive worlds of Fantasy more relaible than the one produced by our historians? Can characters place their full trust in the sources that give them access to their world's past, or must they adopt a critical approach to these sources and reconstruct the process that led to their creation? These are just some of the questions that the 20th issue of Fantasy Art and Studies seeks to answer, by reproducing a selection of papers from the symposium How to write fictional history? Historiographies in Imaginative Fiction (20 and 21 February 2026), to which three previously unpublished short
