In her second poetry collection, Emily K. Michael invokes restorative themes: birdsong, domestic warmth, and family memories. At Every Stage I've Been asserts the poet's right to define herself against expectations. Whether revisiting the theatrical efforts of childhood or a new aspect of romance, these poems negotiate the conflict of external pressures and the joy of inner triumphs.
Michael's nod to the power of myth in everyday spaces occurs in poems like "Social Mobility" and "Everyone Says." She charts the intensity of grief and repose in "Humming," "Coming Home," and "Consolations." And she meets the difficulty of her blindness in "Lingua Franca" and "Why I Prefer Sandwiches."
Poems from this collection have been featured in Nine Mile Magazine, Tupelo Quarterly, Welcome to the Resistance, Split This Rock, and Wordgathering: A Journal of Disability Poetry and Literature. "Backyard By Ear" was carved into an accessible picnic table in the POETCHRY exhibit in Ontario, CA.
These poems vibrate with local birds, cherished dogs, and faithful companions. This is a work of renewal and rejoicing.
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