How Richard Riemerschmid’s designs of everyday―but “extraordinary”―objects recalibrate our understanding of modernism.At the beginning of the twentieth century, German artist Richard Riemerschmid (1868–1957) was known as a symbolist painter and, by the advent of World War I, had become an important modern architect. This, however, the first English-language book on Riemerschmid, celebrates his understudied legacy as a designer of everyday objects―furniture, tableware, clothing―that were imbued with an extraordinary sense of vitality and even personality. Freyja Hartzell makes a case for the importance of Riemerschmid's designed objects in the development of modern design―and for the power of everyday things to change the way we live our lives, understand history, and design our future. Hartzell offers for the first time an interpretive history of Riemerschmid's design practice embedded in a fresh examination of modernism told by the objects themselves. Hartzell explores Riemerschmid's
Jensen (history, Oxford U.) explores the wide variety of uses for which early modern writers in England appropriated writers and other figures of the Roman republic. She covers education and Roman his
