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Manifests thematic and emotional investments centering on loss, struggle, and hope, on the unsayable and language the language of anguish. This book repeats themes and images throughout, a recontextua

?What is patriarchal poetry? How can it be both attractive and tempting and yet be so hegemonic that it is invisible? How does it combine various mixes of masculinity, femininity, effeminacy, and erot

Poetry. "For those of us who fell in love with the putative end of DuPlessis's lifework, Drafts—'Volta! Volta!'—it's a serious pleasure to discover that it has indeed taken a turn, the serial poem plu

Poetry. "One of our greatest and most consummate poets, Rachel Blau DuPlessis, offers 80 poems in this collection, closely observing her Self and the planet she inhabits. She asks urgent existential q

In Drafts 1-38, Toll, Rachel Blau DuPlessis has built a work which mimics memory and its losses, and which plays with the textures of memory, including its unexpectedness, its flashes and disappearanc

Objectivist poet George Oppen (1908–1984), along with his contemporaries Lorine Niedecker, Charles Reznikoff, and Carl Rakoski, provide an important bridge between the vanguard modernist American poet

Feminist issues in avant garde poetry. ? In her now-classic The Pink Guitar, Rachel Blau DuPlessis examined a number of modern and contemporary poets and artists to explore the possibility of finding

Poet George Oppen (1908-1984) and artist and writer Mary Oppen (1908-1990) were striking, exemplary, and somewhat mysterious cultural figures of the last decades of the twentieth century. To a younger

In Genders, Races and Religious Cultures in Modern American Poetries, Rachel Blau Duplessis shows how, through poetic language, modernist writers represented the debates and ideologies concerning New Woman, New Negro and New Jew in the early twentieth century. From the poetic text emerge such social issues of modernity as debates on suffrage, sexuality, manhood, and African-American and Jewish subjectivities. By a reading method she calls 'social philology' - a form of close reading inflected with the approaches of cultural studies - Duplessis engages with the work of such canonical poets as Wallace Stevens, Ezra Pound, T. S. Eliot, William Carlos Williams, Gertrude Stein, Marianne Moore and H. D., as well as Mina Loy, Countee Cullen, Alfred Kreymborg and Langston Hughes, writers, she claims, still marginalized by existing constructions of modernism. This book is an ambitious attempt to remap our understanding of modern poetries and poetics, and the relationship between early

Nothing to do with Ayn Rand's philosophy. A collection of 16 core texts examining objectivist poets, who practice a nonsymbolist, postimagist poetics characterized by a historical, realist, anti-mytho

Signets brings together the best essays of H.D. (Hilda Doolittle). Susan Stanford Friedman and Rachel Blau DuPlessis have gathered the most influential and generative studies of H. D.’s work and co

The women of The Feminist Memoir Project give voice to the spirit, the drive, and the claims of the Women's Liberation Movement they helped shape, beginning in the late 1960s. These thirty-two writers

An influential feminist study of poetry and writing. The Pink Guitar is a landmark study of women's writing and poetics--and representations of women artists--in the 20th century. It probes the work o

This first critical volume devoted to the full range of women's postmodern works includes some of the most respected writers and critics in the contemporary avant-garde. We Who Love to Be Astonished c

The Grand Permission is a book of deeply enriching and articulate meditations on motherhood and the composition of poetry by practicing poets. The 32 contributors write with originality and commitment

This book presents the possibility of a robust dialogue for all who are committed to critique and enhance the problem of graven images and yet know that even the absent God must be accounted for in co