New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 77 include: 'First-Class Evening Entertainments': Spectacle and Social Control in a Mid-Victorian Music Hall'; The 'Wicked City' Motif on the American Stage before the Civil War; An Eighteenth-Century Performance Analysis: Böttiger on Iffland; Practice as Research in Performance: a Personal Response; Jeremy Sandford: a Docu-Retrospect; British Radio Dramaturgy and the Effects of the New Conservatism; 'Out Vile Jelly': Sarah Kane's Blasted and Shakespeare's King Lear; 'Me and My Mates': the State of English Playwriting, 2003.
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 76 include: Street Scene: Berlin's Strasse des 17 Juni and the Performance of (Dis)unity; Whose Method? Culture, Commerce, and American Performer Training; Hanswurst, Harlequin, and Opera Comique: Performances in the Theatre at Krumlov; Against Inclusivity: a Happy Heresy about Theory and Practice; The Lord Chamberlain and the Containment of Americanization in the British Theatre of the 1920s; The Sri Lankan Ritual of Devol Madu: Problematizing Dharma in Ethnic Conflict; Shakespeare in the Age of Mechanical Reproduction: Theatrical Practice and Mass Culture.
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 78 include: Beauty and the Market: Actress Postcards and their Senders in Early Twentieth-Century Australia; Ancestral and Authorial Voices in Lloyd Newson and DV8's 'Strange Fish'; Stanislavsky's Second Thoughts on 'The Seagull'; 'Lion Griefs': the Wild Animal Act as Theatre; Augusto Boal and the Woman in Lima: a Poetic Encounter; Tumbling Ticks: Presentational Structure and 'The Taming of the Shrew'; Accumulation, Loss, and Deferral; Charles Campbell and Steve Epley's Site-Specific Performance 'You Are Here'; NTQ Book Reviews.
This is edition number 34 of the New Theatre Quarterly, which provides a lively international forum for discussion of topics of current interest in theatre studies, whether from the perspective of the
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical question
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical question
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical question
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical question
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical question
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical question
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical question
