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Giuliano Di Bacco (EDT)/ Yolanda Plumley (EDT) (1)
Yolanda Plumley (1)
Yolanda Plumley (EDT)/ Anne Stone (EDT) (1)
Yolanda Plumley (EDT)/ Giuliano Di Bacco (EDT)/ Stefano Jossa (EDT) (1)
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Oxford Univ Press USA (1)
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The Art of Grafted Song ─ Citation and Allusion in the Age of Machaut
作者:Yolanda Plumley  出版社:Oxford Univ Press USA  出版日:2013/12/03 裝訂:精裝
Just as our society delights in citations, quotations, and allusions in myriad contexts, not least in popular song, late medieval poets and composers knew well that such references could greatly enric
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02-25006600[分機130、131]。
A Late Medieval Songbook and its Context ― New Perspectives on the Chantilly Codex (Bibliotheque du Chateau de Chantilly, Ms. 564)
作者:Yolanda Plumley (EDT); Anne Stone (EDT)  出版社:Isd  出版日:2009/12/30 裝訂:平裝
The 15 papers of this beautifully produced volume were first presented at a conference called New Perspectives on the Chantilly Codex, held in September 2001 in Tours, France. Centering on the rich co
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02-25006600[分機130、131]。
Citation, Intertextuality and Memory in the Middle Ages and Renaissance ─ Cross-Disciplinary Perspectives on Medieval Culture
作者:Giuliano Di Bacco (EDT); Yolanda Plumley (EDT)  出版社:Univ of Chicago Pr  出版日:2014/02/15 裝訂:精裝
From the Middle Ages onward, writers, artists, and composers have evoked canonical works from the distant or more recent past, in some cases in order to demonstrate respect for tradition, in others me
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02-25006600[分機130、131]。
Citation, Intertextuality and Memory in the Middle Ages and Renaissance ─ Text, Music and Image from Machaut to Ariosto
作者:Yolanda Plumley (EDT); Giuliano Di Bacco (EDT); Stefano Jossa (EDT)  出版社:Univ of Exeter Pr  出版日:2011/09/15 裝訂:平裝
From the Middle Ages onwards, writers, artists and composers became self-consciously aware of the vast potential for external references to enrich their works. By evoking canonical texts and their pro
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02-25006600[分機130、131]。

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