Drama. Poetry. Translated from the Russian by C Dylan Bassett and Emma Winsor Wood. People disappear without explanation. The government takes hostages. War and death occur without reason or meaning.
Drama. Poetry. PSALMS FOR THE WRECKAGE collects Joshua Young's trilogy of scripts in verse—To the Chapel of Light (Mud Luscious Press, 2012), WHEN THE WOLVES QUIT (Gold Wake Press, 2012), and a
Drama. LGBTQIA Studies. Women's Studies. Latino/Latina Studies. YOUR HEALING IS KILLING ME is a performance manifesto based on lessons learned in San Antonio free health clinics and New York acupunctu
Drama. Poetry. A one-act play in which apologies must be made to Chekhov. A one-act play in which there is a blueprint, & that blueprint is ignored entirely. A one-act play in which a decision is made
Drama. Poetry. California Interest. Somewhere between monologue and stage direction, the one-act plays in THE INVENTION OF MONSTERS / PLAYS FOR THE THEATRE center around what it means to be ill-cast i
Drama. Poetry. California Interest. Women's Studies. LGBTQIA Studies. Honey, our protagonist, is on the run from both her past and her present; avoiding questions about love, bodies, language, and the
Drama. It's the first debate of the 2004 presidential campaign and President George W. Bush is determined to kill PBS news anchor Jim Lehrer live on stage. His opponent, Senator Kerry, agrees Lehrer s
Drama. Poetry. ARCADIA, INDIANA is a mutant tragedy, a five act-sonnet sequence, staged in the trash-choked landscape of pastoral fantasy. It plays with narrative, labor, sexuality, and form, starting
Drama. Poetry. A full-length debut on communication, intimacy, and despair as told through poetry, dreamscapes, and scenes from an existential sitcom, Adam Lauver's THE LAST THING I'LL EVER WRITE (PAR
Drama. Poetry. Music. Dance. Performance Studies. Environmental Studies. Emerging from a densely layered collaboration between performers, audience, visual environment, and sound, IN WHICH _______ AND
