Global Studies is a unique series designed to provide comprehensive background information and selected world press articles on the regions and countries of the world. Each Global Studies volume inclu
What is Iran? What are its domestic politics? Its history? Its international relations? Here, Arshin Adib-Moghaddam sheds fresh light on these questions, offering a general introduction to everything there is to know about this country. Uniquely, he uses musical pieces as a way to offer a holistic understanding of the full spectrum of Iranian affairs. As a result, even the general reader is invited to traverse a wide array of topics in an interactive format which merges approaches from the social sciences with philosophy, poetry and art. These topics include a variety of themes, issues and personalities: from Trump, Khomeini, the Shah, Saddam Hussein and Qasem Soleimani, to Israel, Syria, Latin America, China and the Gulf monarchies. Ultimately, this book demonstrates in clear and accessible prose the impact of Iranian politics on a global scale, and offers solutions to the various crises enveloping the country in the region and beyond.
Between the 1963 'White Revolution' and the 1979 Iranian Revolution, the position of women in Iran experienced a number of fundamental shifts. Policies and reforms were introduced, including land, suffrage, education and dress reforms which the Pahlavi regime claimed would advance the position of women and would lead to a swift modernisation of the country. In this book, Liora Hendelman-Baavur examines these changes, looking at the interactions between global aspects of modernity and notions of identity in Iranian popular culture. By focusing on the history of Iran's popular print media, with emphasis on women's commercial magazines, Hendelman-Baavur challenges familiar western assumptions about the complexities of Iranian popular culture. Her analysis situates Iranian women's magazines within their broader economic, social, political and cultural context, demonstrating how representations of the modern woman in Iranian popular culture were influenced by the intricate nature of
The revolutions that began to sweep across countries in North Africa and the Middle East in December 2010 – like other revolutions in diverse modern historical contexts – have often been articulated, internally and externally, in black and white terms of success or failure, liberation or constraint, for or against, friend or enemy. These internal and external clichés are perpetuated by what Jellel Gasteli has called 'icons of revolutionary exoticism'. Paying particular attention to works from the Tunisian Revolution of 2011, this book examines a diverse body of art including photography, sculpture, graffiti, performance, video and installation by over twenty-five artists. Examining how art can evoke the idea of revolution, Art and the Arab Spring reveals a new way of understanding these revolutions, their profound cultural impact, and of the meaning of the term 'revolution' itself.
Claims over women's liberation vocalized by Tunisia's first president, Habib Bourguiba began with legal reforms related to family law in 1956. In this book, Amy Aisen Kallander uses this political appropriation of women's rights to look at the importance of women to post-colonial state-building projects in Tunisia and how this relates to other state-feminist projects across the Middle East and during the Cold War. Here we see how the notion of modern womanhood was central to a range of issues from economic development (via family planning) to intellectual life and the growth of Tunisian academia. Looking at political discourse, the women's press, fashion, and ideas about love, the book traces how this concept was reformulated by women through transnational feminist organizing and in the press in ways that proposed alternatives to the dominant constructions of state feminism.
The Iranian revolution of 1979 not only had an impact on regional and international affairs, but was made possible by the world and time in which it unfolded. This multi-disciplinary volume presents this revolution within its transnational and global contexts. Moving deftly from the personal to the global and from the provincial to the national, it draws attention to the multiplicity of spaces of the revolution such as streets, schools, prisons, personal lives, and histories such as the Cold War and Global 1960s and 70s. With a broad range of approaches, Global 1979 conceives of the Iranian Revolution not as exceptional or anachronistic, but as an uprising constituted by multiple, interwoven geographies and histories, which disrupt static and bounded notions of the local, national, regional, and global.
The Iranian revolution of 1979 not only had an impact on regional and international affairs, but was made possible by the world and time in which it unfolded. This multi-disciplinary volume presents this revolution within its transnational and global contexts. Moving deftly from the personal to the global and from the provincial to the national, it draws attention to the multiplicity of spaces of the revolution such as streets, schools, prisons, personal lives, and histories such as the Cold War and Global 1960s and 70s. With a broad range of approaches, Global 1979 conceives of the Iranian Revolution not as exceptional or anachronistic, but as an uprising constituted by multiple, interwoven geographies and histories, which disrupt static and bounded notions of the local, national, regional, and global.
Proposing a methodology that brings feminist theories of embodiment to bear on the Iranian literary and cinematic tradition, this study examines temporary marriage in Iran, not just as an institution but also as a set of practices, identities and meanings that have transformed over the course of the twentieth- and twenty-first centuries. Based on analysis of novels and short stories from the Pahlavi era, and cinematic works produced after the Islamic Revolution, Claudia Yaghoobi looks at the representation of the sigheh women, or those who entered into temporary marriages. Each work reflects the manner in which the practice of sigheh impacts women by calling into question how sexuality works as a form of political analysis and power, revealing how a sigheh woman's sexual bodily autonomy is used as ammunition against what governments deem inappropriate gendered expression. While focusing mainly on modern Iranian cultural productions, Yaghoobi moves beyond the literary and cinematic real
Exploring the intersections of visual culture, design and politics in Beirut from the late 1950s to the mid-1970s, this compelling interdisciplinary study critically examines a global conjuncture in Lebanon's history, marked by anticolonial struggle and complicated by a Cold War order. Against a celebratory reminiscence of the 'golden years', Beirut's long 1960s is conceived of as a liminal juncture, an anxious time and space when the city held out promises at once politically radical and radically cosmopolitan. Zeina Maasri examines the transnational circuits that animated Arab modernist pursuits, shedding light on key cultural transformations that saw Beirut develop as a Mediterranean site of tourism and leisure, a nexus between modern art and pan-Arab publishing and, through the rise of the Palestinian Resistance, a node in revolutionary anti-imperialism. Drawing on uncharted archives of printed media this book expands the scope of historical analysis of the postcolonial Arab East.
This study presents an alternative story of the 2011 Egyptian revolution by revisiting Egypt's moment of decolonisation in the mid-twentieth century. Anticolonial Afterlives in Egypt explores the country's first postcolonial project, arguing that the enduring afterlives of anticolonial politics, connected to questions of nationalism, military rule, capitalist development and violence, are central to understanding political events in Egypt today. Through an imagined conversation between Antonio Gramsci and Frantz Fanon, two foundational theorists of anti-capitalism and anticolonialism, Anticolonial Afterlives in Egypt focuses on issues of resistance, revolution, mastery and liberation to show how the Nasserist project, created by Gamal Abdel Nasser and the Free Officers in 1952, remains the only instance of hegemony in modern Egyptian history. In suggesting that Nasserism was made possible through local, regional and global anticolonial politics, even as it reproduced colonial ways of
During the Iranian Revolution of 1978/9, the influence of public intellectuals was widespread. Many espoused a vision of Iran freed from the influences of 'Westtoxification', inspired by Heideggerian concepts of anti-Western nativism. By following the intellectual journey of the Iranian philosopher Ahmad Fardid, Ali Mirsepassi offers in this book an account of the rise of political Islam in modern Iran. Through his controversial persona and numerous public and private appearances before, during and particularly after the Revolution, Fardid popularised an Islamist vision militantly hostile to the modern world that remains a fundamental part of the political philosophy of the Islamic Republic to this day. By also bringing elements of Fardid's post-revolutionary thought, as well as a critical analysis of Foucault's writings on 'the politics of spirituality', Mirsepassi offers an essential read for all those studying the evolution of political thought and philosophy in modern Iran and beyo
