This anthology explores the role that art and material goods played in diplomatic relations and political exchanges between Asia, Africa, and Europe in the early modern world. The authors challenge the idea that there was a European primacy in the practice of gift giving through a wide panoramic review of imperial encounters between Europeans (including the Portuguese, French, Dutch, and English) and Asian empires (including Ottoman, Persian, Mughal, Sri Lankan, Chinese, and Japanese cases). They examine how those exchanges influenced the global production and circulation of art and material culture, and explore the types of gifts exchanged, the chosen materials, and the manner of their presentation. Global Gifts establishes new parameters for the study of the material and aesthetic culture of Eurasian relations before 1800, exploring the meaning of artistic objects in global diplomacy and the existence of economic and aesthetic values mutually intelligible across cultural boundaries.
The phenomenon known as metaphor is an extremely complex mental event - we cannot capture its complexity if we tie ourselves to existing standard views on metaphor. This book offers fresh insight into metaphor, updating an established theory, conceptual metaphor theory (CMT), in the context of current cognitive linguistic theory, and clarifying many of the issues that researchers in the study of metaphor have raised against conceptual metaphor theory. Starting with an introduction to CMT, the subsequent chapters set out propositions for Extended Conceptual Metaphor Theory, including a discussion on whether literal language exists at all, whether conceptual metaphors are both conceptual and contextual, and whether they are both offline and online. Providing a fresh take on a constantly developing field, this study will enrich the work of researchers in areas ranging from metaphorical cognition to literary studies.
This anthology explores the role that art and material goods played in diplomatic relations and political exchanges between Asia, Africa, and Europe in the early modern world. The authors challenge the idea that there was a European primacy in the practice of gift giving through a wide panoramic review of imperial encounters between Europeans (including the Portuguese, French, Dutch, and English) and Asian empires (including Ottoman, Persian, Mughal, Sri Lankan, Chinese, and Japanese cases). They examine how those exchanges influenced the global production and circulation of art and material culture, and explore the types of gifts exchanged, the chosen materials, and the manner of their presentation. Global Gifts establishes new parameters for the study of the material and aesthetic culture of Eurasian relations before 1800, exploring the meaning of artistic objects in global diplomacy and the existence of economic and aesthetic values mutually intelligible across cultural boundaries.
