Why has democracy flourished in the Federal Republic of Germany despite that country's troubled past? Exhaustive research in German historical archives illuminates the pivotal role played by the veterans of the Christian trade unions of the Weimar Republic, the only group to participate in both of Germany's most successful political experiments after 1945, a 'Christian Democratic' party to unite Catholics and Protestants, and unified labor unions for workers of all political outlooks. They perceived that feuds between the religious confessions and competition among three rival labor federations had greatly facilitated Hitler's rise, and they resolved to bridge both chasms. Playing an influential role on the left wing of the CDU from the 1950s to the 1970s, Christian laborites alleviated class conflict through new welfare programs and laws to grant workers a powerful voice in management decisions. They took the lead in forging the distinctive 'German Model' for labor relations.
An octogenarian bookseller living alone in London has found a description of his father, as a young doctor in 1920s Breslau, in a story about Weimar Germany. Perhaps his own story might be worth telli
In the Nazi genocide of European Jews, words preceded, accompanied, and made mass murder possible. Using a multilayered approach to connect official language to everyday life, historian Thomas Pegelow Kaplan analyzes the role of language in genocide. This study seeks to comprehend how the perpetrators constructed difference, race, and their perceived enemies; how Nazi agencies communicated to the public through the nation's press; and how Germans of Jewish ancestry received, contested, and struggled for survival and self against remarkable odds. The Language of Nazi Genocide covers the historical periods of the late Weimar Republic, the Nazi regime, and early postwar Germany. However, by addressing the architecture of conceptual separation between groups and the means by which social aggression is disseminated, this study offers a model for comparative studies of linguistic violence, hate speech, and genocide in the modern world.
Hannah Arendt and Leo Strauss - two major political thinkers of the twentieth century, both of German-Jewish background and forced into exile in America - were never friends or intellectual interlocutors. Yet they shared a radical critique of contemporary idioms of politically oriented discourses and a lifelong effort to modify reflective approaches to political experience. Liisi Keedus reveals how Arendt's and Strauss's thinking about political modernity was the product of a common intellectual formation in Weimar Germany, by examining the cross-disciplinary debates guiding their early work. Through a historical reconstruction of their shared interrogative horizons - comprising questions regarding the possibility of an ethically engaged political philosophy after two world wars, the political fate of Jewry, the implications of modern conceptions of freedom, and the relation between theoria and praxis - Keedus unravels striking similarities, as well as genuine antagonisms, between the
This examination of Hitler’s stormtroopers provides vital insights into the collapse of the Weimar Republic and the establishment of the Nazi state. Drawing on a wide range of archival sources and ext
How do democracies form and what makes them die? Daniel Ziblatt revisits this timely and classic question in a wide-ranging historical narrative that traces the evolution of modern political democracy in Europe from its modest beginnings in 1830s Britain to Adolf Hitler's 1933 seizure of power in Weimar Germany. Based on rich historical and quantitative evidence, the book offers a major reinterpretation of European history and the question of how stable political democracy is achieved. The barriers to inclusive political rule, Ziblatt finds, were not inevitably overcome by unstoppable tides of socioeconomic change, a simple triumph of a growing middle class, or even by working class collective action. Instead, political democracy's fate surprisingly hinged on how conservative political parties – the historical defenders of power, wealth, and privilege – recast themselves and coped with the rise of their own radical right. With striking modern parallels, the book has vital implications
There is growing interest in Europe and the United States in the work of the major German social-political philosopher Karl Korsch. Korsch participated in the turbulent struggles in Weimar Germany and
In Weimar Germany and under the Third Reich, views on class, war, masculinity, and social deviance were shaped by debates about—but not with—the survivors of the World War I. This volume
After World War I, German citizens sought not merely relief from the political, economic, social, and cultural upheaval which wracked Weimar Germany, but also mental salvation. With promises of order,
Bertolt Brecht in Context examines Brecht's significance and contributions as a writer and the most influential playwright of the twentieth century. It explores the specific context from which he emerged in imperial Germany during the late nineteenth and early twentieth centuries, as well as Brecht's response to the turbulent German history of the twentieth century: World Wars One and Two, the Weimar Republic, the Nazi dictatorship, the experience of exile, and ultimately the division of Germany into two competing political blocs divided by the postwar Iron Curtain. Throughout this turbulence, and in spite of it, Brecht managed to remain extraordinarily productive, revolutionizing the theater of the twentieth century and developing a new approach to language and performance. Because of his unparalleled radicalism and influence, Brecht remains controversial to this day. This book – with a Foreword by Mark Ravenhill – lays out in clear and accessible language the shape of Brecht's contri
Why has democracy flourished in the Federal Republic of Germany despite that country's troubled past? Exhaustive research in German historical archives illuminates the pivotal role played by the veterans of the Christian trade unions of the Weimar Republic, the only group to participate in both of Germany's most successful political experiments after 1945, a 'Christian Democratic' party to unite Catholics and Protestants, and unified labor unions for workers of all political outlooks. They perceived that feuds between the religious confessions and competition among three rival labor federations had greatly facilitated Hitler's rise, and they resolved to bridge both chasms. Playing an influential role on the left wing of the CDU from the 1950s to the 1970s, Christian laborites alleviated class conflict through new welfare programs and laws to grant workers a powerful voice in management decisions. They took the lead in forging the distinctive 'German Model' for labor relations.
Jeanne Mammen’s watercolour images of the gender-bending ‘new woman’ and her candid portrayals of Berlin’s thriving nightlife appeared in some of the most influential magazines of the Weimar Republic and are still considered characteristic of much of the ‘glitter’ of that era. This book charts how, once the Nazis came into power, Mammen instead created ‘degenerate’ paintings and collages, translated prohibited French literature and sculpted in clay and plaster―all while hidden away in her tiny studio apartment in the heart of Berlin’s fashionable west end. What was it like as a woman artist to produce modern art in Nazi Germany? Can artworks that were never exhibited in public still make valid claims to protest? Camilla Smith examines a wide range of Mammen’s dissenting artworks, ranging from those created in solitude during inner emigration to her collaboration with artist cabarets after the Second World War. Smith's engaging analysis compares Mammen's popular Weimar work to her artis
Richard Strauss' fifteen operas, which span the years 1893 to 1941, make up the largest German operatic legacy since Wagner's operas of the nineteenth century. Many of Strauss's works were based on texts by Europe's finest writers: Oscar Wilde, Hugo von Hofmannsthal and Stefan Zweig, among others, and they also overlap some of the most important and tumultuous stretches of German history, such as the founding and demise of a German empire, the rise and fall of the Weimar Republic, the period of National Socialism, and the post-war years, which saw a divided East and West Germany. In the first book to discuss all Strauss's operas, Bryan Gilliam sets each work in its historical, aesthetic, philosophical, and literary context to reveal what made the composer's legacy unique. Addressing Wagner's cultural influence upon this legacy, Gilliam also offers new insights into the thematic and harmonic features that recur in Strauss's compositions.
Towards the end of the nineteenth century, Germany's bourgeois elites became enthralled by the civilization of Renaissance Italy. As their own country entered a phase of critical socioeconomic changes, German historians and writers reinvented the Italian Renaissance as the onset of a heroic modernity: a glorious dawn that ushered in an age of secular individualism, imbued with ruthless vitality and a neo-pagan zest for beauty. The Italian Renaissance in the German Historical Imagination is the first comprehensive account of the debates that shaped the German idea of the Renaissance in the seven decades following Jacob Burckhardt's seminal study of 1860. Based on a wealth of archival material and enhanced by more than one hundred illustrations, it provides a new perspective on the historical thought of Imperial and Weimar Germany, and the formation of a concept that is still with us today.
Thomas Mann’s Los Angeles is an illustrated book that explores Nobel-prizewinning author Thomas Mann life during his exile in Los Angeles.After fleeing Nazi Germany, writer and Nobel Prizewinner Thomas Mann found refuge for himself and his family in the Pacific Palisades, a quiet residential neighborhood in Los Angeles between Santa Monica and the Pacific Ocean. Mann was one of many European intellectuals who fled to Los Angeles, forming a community known as the “Weimar on the Pacific.” Thomas Mann’s Los Angeles: Stories from Exile 1940-1952 explores Mann’s connections to the city and the network of intellectuals he found there, including writers such as Christopher Isherwood and Aldous Huxley and musicians such as Igor Stravinsky and Arnold Schoenberg. Short texts accompanied by maps, a rich selection of historic images, contemporary photographs and vivid anecdotes guide the reader through this fascinating community. Stories from both scholars well-known writers such as the New Yorker
