Looking closely at the work of the three writers, Slade (philosophy, U. of Dayton, Ohio) argues that the contemporary thought of the sublime attends to the demands of the historical situation in its e
An intimate portrait of one of America's most beloved writers is revealed in this 1889 work from editor Ednah Dow Cheney. Originally published just a year after Louisa May Alcott's death at the age o
This wide-ranging study of the late poetry and prose of Virginia Woolf, T. S. Eliot, Gertrude Stein, and Wyndham Lewis brings together works from the 1930s and 1940s - writings composed by authors self-consciously entering middle to old age and living through years when civilization seemed intent on tearing itself to pieces for the second time in their adult lives. Profoundly revising their earlier work, these artists asked how their writing might prove significant in a time that Woolf described, in a diary entry from 1938, as '1914 but without even the illusion of 1914. All slipping consciously into a pit'. This late modern writing explores mortality, the frailties of culture, and the potential consolations and culpabilities of aesthetic form. Such writing is at times horrifying and objectionable and at others deeply moving, different from the earlier works which first won these writers their fame.
Prodigiously learned, alive to the massive social changes of her time, defiant of many Victorian orthodoxies, George Eliot has always challenged her readers. She is at once chronicler and analyst, novelist of nostalgia and monumental thinker. In her great novel Middlemarch she writes of 'that tempting range of relevancies called the universe'. This volume identifies a range of 'relevancies' that inform both her fictional and her non-fictional writings. The range and scale of her achievement are brought into focus by cogent essays on the many contexts - historical, intellectual, political, social, cultural - to her work. In addition there are discussions of her critical history and legacy, as well as of the material conditions of production and distribution of her novels and her journalism. The volume enables fuller understanding and appreciation, from a twenty-first-century standpoint, of the life and work of one of the nineteenth century's major writers.
Paul Keen explores how a consumer revolution which reached its peak in the second half of the eighteenth century shaped debates about the role of literature in a polite modern nation, and tells the story of the resourcefulness with which many writers responded to these pressures. From dream reveries which mocked their own entrepreneurial commitments, such as Oliver Goldsmith's account of selling his work at a 'Fashion Fair' on the frozen Thames, to the Microcosm's mock plan to establish 'a licensed warehouse for wit', writers insistently tied their literary achievements to a sophisticated understanding of the uncertain complexities of a modern transactional society. This book combines a new understanding of late eighteenth-century literature with the materialist and sociological imperatives of book history and theoretically inflected approaches to cultural history.
What is at stake in literature? Can we identify the fire that our stories have lost, but that they strive, at all costs, to rediscover? And what is the philosopher's stone that writers, with the passion of alchemists, struggle to forge in their word furnaces? For Giorgio Agamben, who suggests that the parable is the secret model of all narrative, every act of creation tenaciously resists creation, thereby giving each work its strength and grace. The ten essays brought together here cover works by figures ranging from Aristotle to Paul Klee and illustrate what urgently drives Agamben's current research. As is often the case with his writings, their especial focus is the mystery of literature, of reading and writing, and of language as a laboratory for conceiving an ethico-political perspective that places us beyond sovereign power.
In response to critics who charged him with plagiarism, Virgil is said to have responded that it was easier to steal Hercules' club than a line from Homer. This was to deny the allegations by implying that Virgil was no plagiarist at all, but an author who had done the hard work of making Homer's material his own. Several other texts and passages in Latin literature provide further evidence for accusations and denials of plagiarism. Plagiarism in Latin Literature explores important questions such as, how do Roman writers and speakers define the practice? And how do the accusations and denials function? Scott McGill moves between varied sources, including Terence, Martial, Seneca the Elder and Macrobius' Virgil criticism to explore these questions. In the process, he offers new insights into the history of plagiarism and related issues, including Roman notions of literary property, authorship and textual reuse.
During the twentieth century, at the height of the independence movement and after, Indian literary writing in English was entrusted with the task of consolidating the image of a unified, seemingly caste-free, modernising India for consumption both at home and abroad. This led to a critical insistence on the proximity of the national and the literary, which in turn, led to the canonisation of certain writers and themes and the dismissal of others. Examining English anthologies of 'Indian literature', as well as the establishment of the Sahitya Akademi (the national academy of letters) and the work of R. K. Narayan and Mulk Raj Anand among others, Rosemary Marangoly George exposes the painstaking efforts that went into the elaboration of a 'national literature' in English for independent India even while deliberating the fundamental limitations of using a nation-centric critical framework for reading literary works.
The Writer’s Hustle is a comprehensive guide to all the things successful writers do when they’re not sitting at the keyboard. Drawing on wisdom from dozens of experienced authors, professors, students, and other writing professionals, this book offers pragmatic and systematic advice on the everyday professional practices that make up a writer’s life. In ten chapters, Franklin covers the full arc of a writer’s professional development, from setting goals and establishing a routine, to mastering writing groups and workshops, earning a mentor, and becoming a literary citizen. He explores strategies for attending conferences, finishing projects, submitting work, and maintaining a life-long writing habit, and he examines the potential benefits of a formal creative writing education, including a close look at how creative writing students can leverage their liberal arts training into a wide range of careers.Informative and personal, The Writer’s Hustle is an ideal companion for universit
The Writer’s Hustle is a comprehensive guide to all the things successful writers do when they’re not sitting at the keyboard. Drawing on wisdom from dozens of experienced authors, professors, students, and other writing professionals, this book offers pragmatic and systematic advice on the everyday professional practices that make up a writer’s life. In ten chapters, Franklin covers the full arc of a writer’s professional development, from setting goals and establishing a routine, to mastering writing groups and workshops, earning a mentor, and becoming a literary citizen. He explores strategies for attending conferences, finishing projects, submitting work, and maintaining a life-long writing habit, and he examines the potential benefits of a formal creative writing education, including a close look at how creative writing students can leverage their liberal arts training into a wide range of careers.Informative and personal, The Writer’s Hustle is an ideal companion for universit
***LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION***“An extraordinary and dazzlingly original work from one of our most gifted and interesting writers” (Emily St. John Mandel, author of The Glass Hotel). The Need, which finds a mother of two young children grappling with the dualities of motherhood after confronting a masked intruder in her home, is “like nothing you’ve ever read before…in a good way” (People).When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince herself it’s the sleep deprivation. She’s been hearing things these days. Startling at loud noises. Imagining the worst-case scenario. It’s what mothers do, she knows.But then the footsteps come again, and she catches a glimpse of movement.Suddenly Molly finds herself face-to-face with an intruder who knows far too much about her and her family. As she attempts to protect those she loves most, Molly must also acknowledge her own frailty. Molly slips down an existential
A critical look at PEI writer J. J. Steinfeld's extensive and prolific writings in poetry, fiction and theatre, ranging from his early work on Holocaust themes to his later examinations of absurdity a
The second volume in the acclaimed sequence of Barbarism and Religion explores the historiography of Enlightenment. John Pocock investigates a series of major authors who wrote Enlightened histories on a grand narrative scale, were known to Edward Gibbon and were important in the latter's own work: Giannone, Voltaire, Hume, Robertson, Ferguson and Adam Smith. With his recognition that the subject of the Decline and Fall demanded treatment of both the patristic as well as the papal church, Edward Gibbon's intellectual trajectory is both similar but at points crucially distinct from the dominant Latin 'Enlightened narrative' these writers developed. This volume is also informed by the perception that the interaction of philosophy, erudition and narrative is central to the development of enlightened historiography: once again John Pocock shows how the Decline and Fall is both akin to but distinct from the historiographical context within which Gibbon wrote his great work.
Russian novelist Victor Pelevin is rapidly establishing himself as one of the most brilliant young writers at work today. His comic inventiveness and mind-bending talent prompted Time magazine to proc
Why do some people radiate energy when they speak whilst others fizzle out before they've even begun? How do some writers make our hearts race whilst others make us feel like closing the book? Why are some work colleagues seemingly more influential, or funnier, than others? Top speechwriter Simon Lancaster explains that the secret of brilliant communication is all about making connections. Whether in speech or in writing, at a networking event or in an email, at work or at home, the best communicators find ways of connecting with their audiences. More than that, they are able to connect the personal with the universal, the past with the present, the abstract with the everyday, the visual with the verbal, the moral with the mundane. Like hot-wiring a car, connections are able to bypass logic and access our deepest instincts and emotions, generating an instant neurological reaction. Connect reveals the secret art of making connections in eleven engaging, revelatory chapters. It blends cu
One of the best travel writers now at work in the English language brings back the sights and sounds from a dozen different frontiers. A cryptic encounter in the perfumed darkness of Bali; a tour of a
The world?s first Zen Buddhist paranormal romance?published to coincide with HalloweenOne of the most progressive writers at work today, Victor Pelevin?s comic inventiveness has won him comparisons to
A literary investigation by "one of the most powerful American writers at work today" [Annie Proulx] of a story that riveted the nation: how an accomplished, world-traveled fashion writer who had retr
This book is a study of the development of the Victorian short story, which by the 1890s and the appearance of the Sherlock Holmes stories, had become the most popular literary product of the late nineteenth century. The book examines the work of nine distinguished writers: William Carleton and Joseph Sheridan Le Fanu serve to illustrate the change from a largely oral tradition to a more sophisticated understanding of the nature of the reading public. Charles Dickens and Anthony Trollope exemplify significant changes in the relationship between an author and his audience. Thomas Hardy insisted on older, more traditional modes of narrative, but his storytelling sense had been sharpened by experiences with many editors of periodicals who believed they were serving the 'modern' public. The other writers treated at length are Robert Louis Stevenson, Rudyard Kipling, Joseph Conrad and H. G. Wells.
For many people the existence of God is by no means a sufficiently clear feature of reality. This problem, the fact of divine hiddenness, has been a source of existential concern and has sometimes been taken as a rationale for support of atheism or agnosticism. In this collection of essays, a distinguished group of philosophers of religion explore the question of divine hiddenness in considerable detail. The issue is approached from several perspectives including Jewish, Christian, atheist and agnostic. There is coverage of the historical treatment of divine hiddenness as found in the work of Maimonides, St. John of the Cross, Jonathan Edwards, Kierkegaard, and various Biblical writers. A substantial introduction clarifies the main problems of and leading solutions to divine hiddenness. Primarily directed at philosophers of religion, theologians, and scholars of religious studies, this collection could also serve as a textbook for upper-level courses in philosophy of religion.
