Images of Africa challenges the widely-held idea that Africans are powerless in the creation of self-image. It explores the ways in which image creation is a process of negotiation entered into by a w
Despite its monolingual self-image, Japan is multilingual and growing more so due to indigenous minority language revitalization and as an effect of migration. Besides Japan's autochthonous languages
Jean-Jacques Rousseau has been cast as a champion of Enlightenment and a beacon of Romanticism, a father figure of radical revolutionaries and totalitarian dictators alike, an inventor of the modern notion of the self, and an advocate of stern ancient republicanism. Engaging with Rousseau treats his writings as an enduring topic of debate, examining the diverse responses they have attracted from the Enlightenment to the present. Such notions as the general will were, for example, refracted through very different prisms during the struggle for independence in Latin America and in social conflicts in Eastern Europe, or modified by thinkers from Kant to contemporary political theorists. Beyond Rousseau's ideas, his public image too travelled around the world. This book examines engagement with Rousseau's works as well as with his self-fashioning; especially in turbulent times, his defiant public identity and his call for regeneration were admired or despised by intellectuals and political
This fully updated, self-contained textbook covering modern optical microscopy equips students with a solid understanding of the theory underlying a range of advanced techniques. Two new chapters cover pump-probe techniques, and imaging in scattering media, and additional material throughout covers light-sheet microscopy, image scanning microscopy, and much more. An array of practical techniques are discussed, from classical phase contrast and confocal microscopy, to holographic, structured illumination, multi-photon, and coherent Raman microscopy, and optical coherence tomography. Fundamental topics are also covered, including Fourier optics, partial coherence, 3D imaging theory, statistical optics, and the physics of scattering and fluorescence. With a wealth of end-of-chapter problems, and a solutions manual for instructors available online, this is an invaluable book for electrical engineering, biomedical engineering, and physics students taking graduate courses on optical microsco
Sidonius Apollinaris' letters offer a vivid series of glimpses into an otherwise sparsely documented period. His rich anecdotes feature the events, characters, and moments that defined his life, ranging from the treason trial of Arvandus to the Visigothic raiding of Clermont, from the corrupt and vile Seronatus to the holy widow Eutropia, and the day-to-day incidents that confronted a Gallo-Roman poet, aristocrat, and bishop as the Late Roman West transitioned into the barbarian successor kingdoms. Like any good storyteller, Sidonius exploited a wide array of narratological tools, manipulating temporality for dramatic effect, sketching his heroes and villains in vivid detail, and recreating witty dialogue in a collection that is highly organised and carefully strategised. This book provides a fuller understanding of his contribution to Latin literature, as a careful arranger of his self-image, a perceptive exploiter of narrative dynamics, and an influential figure in Late Antique Gaul.
Despite its monolingual self-image, Japan is multilingual and growing more so due to indigenous minority language revitalization and as an effect of migration. Besides Japan's autochthonous languages
In this book, Beatrice E. Kitzinger explores the power of representation in the Carolingian period, demonstrating how images were used to assert the value and efficacy of art works. She focuses on the cross, Christianity's central sign, which simultaneously commemorates sacred history, functions in the present, and prepares for the end of time. It is well recognized that the visual attributes of the cross were designed to communicate its theology relative to history and eschatology; Kitzinger argues that early medieval artists also developed a formal language to articulate its efficacious powers in the present day. Defined through form and text as the sign of the present, the image of the cross articulated the instrumentality of religious objects and built spaces. Whereas medieval and modern scholars have pondered the theological problems posed by representation, Kitzinger here proposes a visual argument that affirms the self-reflexive value of art works in the early medieval West. Int
On how art can be understood as a space within which the project of reason is pursued.Modern and contemporary art have often defined themselves against the conceptual and linguistic mediations of reason, claiming that their practices offer a different and more direct access to the real or the material. Employing a unique configuration of philosophy, art theory, and a consideration of specific artworks together with analysis of popular culture, current political events, and Hollywood cinema, artist, and theorist Amanda Beech challenges this deep-seated orthodoxy, asking how art can instead be understood as a space within which the project of reason is pursued. Developing out of the idealism of theological-sacral art, sustained in Romanticism and entrenched by poststructural antirealist critiques, the notion that art is opposed to reason defined the political and social hopes of the avant-garde, was manifested in the crisis of a self-conscious conceptualism, and remains implicit in the