Moving Objects

Discover the Super Powers of Your Mind with TelekinesisYou may or may not have heard of people moving objects around just by focusing on them with their mind. Some people believe this to be just scien

Wireless networks of moving objects have drawn significant attention recently. These types of networks consist of a number of autonomous or semi-autonomous wireless nodes/objects moving with diverse p

Applications, 2nd Edition focuses on moving object management, from the location management perspective to determining how constantly changing locations affect the traditional database and data mining

Declarative query interfaces to Sensor Networks (SN) have become a commodity. These interfaces allow access to SN deployed for collecting data using relational queries. However, SN are not confined to

Svasek compiles essays considering emotion in the theories of material culture, transnationalism, and globalization. This emerging field of study seeks to understand how emotions shape the migrant exp

Introduces the concept of moving objects in different ways, including pushing, pulling, and spinning.

Describes friction, explains why smooth and rough surfaces provide different levels of friction, and includes information on air resistance and lubrication.

The current trends in consumer electronics--including the use of GPS-equipped PDAs, phones, and vehicles, as well as the RFID-tag tracking and sensor networks--require the database support of a specif

What are you building? What can it be? An irresistible guessing game, this book asks simple questions for identifying objects that move. The vivid pictures in the book can be reinforced through p

Forty years’ accumulation of art, antiques, and family photographs are more than just objects for Stanley Peke — they are proof of a life fully lived. A life he could have easily lost long ago.When a

Moving Objects deals with emotive design: designed objects that demand to be engaged with rather than simply used. If postmodernism depended upon ironic distance, and Critical Design is all about ques

Objects and materials are on the move like never before, often at astonishing speeds and along hidden routeways. This collection opens to social scientific scrutiny the various systems which move obje

Proceedings of the IIC Nordic Group conference 'Planning to move? Processes and consequences for collections, objects and society' held in October 2012.

The Secret Life of Pets meets Scooby Doo as furry friends hunt down a ghost in this hilarious sequel to The Great Pet Heist that is ';silly business galore' (Kirkus Reviews)!Butterbean is bored. She and the other pets pulled off a heist once, but that was like a million years ago. Nothing exciting has happened since then. That is, until Mrs. Third Floor shows up at their apartment, convinced there's a ghost in the building. Mrs. Third Floor's rental unit is showing signs of paranormal activityeerie noises, objects moving when no one is there, fish disappearing from the tank overnight. The pets decide to investigate. Soon they're confronted with a bigger problem than just ghosts: professional ghost hunters who are offering to drive out the spirits for a hefty fee. It's up to Butterbean and the rest of the gang to save Mrs. Third Floor from losing her life savings to scammers, all while dealing with some really annoying new animals. Can the furry friends uncover the truth in time?

'Haunting. Geppetto's voice, full of wistful overemphases and bewildered revelation, is absorbing as he takes in the oddity of his situation. And the book, sentence by sentence, offers much in which to luxuriate.' - Sunday Times 'Profound and delightful.It is a strange and tender parable of two maddening obsessions; parenting and art-making' - Max Porter 'Strange, moving and musical, it's a delight' - A. L. Kennedy 'A re-imagining of Pinocchio, told from the viewpoint of the beast-entrapped Geppetto, it surprise and delights, and saddens and gladdens, from start to finish.' - Jane Graham I am writing this account, in another man's book, by candlelight, inside the belly of a fish.I have been eaten. I have been eaten, yet I am living still. 'Art objects live in the belly of this marvellous novel, images swallowed by text, sustained by a sublime and loving imagination.Like all Edward Carey's work The Swallowed Man is profound and delightful. It is a strange and tender parable of two madde

In eighteenth-century Britain, greater numbers of people entered the marketplace and bought objects in ever-greater quantities. As consumers rather than producers, how did their understandings of manu

Written as four public letters, this book condemns the intention by the French to reinstate older slavery practices on its colonies in the West Indies. James Stephen (1758–1832) was a lawyer who, after moving to St Kitts with his family to earn a living, became a supporter of the abolition movement. On his return to London in 1794, Stephen became involved with the anti-slavery group, the Clapham Sect, whose members included William Wilberforce, and with whom Stephen developed a lifelong friendship. Elected as a Member of Parliament in 1808, Stephen contributed to drafting legislation for slave registration on the island of Trinidad, which became a model for other slave colonies. Stephen believed that the reinstatement of older slavery practices on French colonies in the West Indies would lead to slave revolts, and have significant consequences for the neighbouring British colonies. This work was published in London in 1802.

WINNER OF THE NORDIC COUNCIL LITERATURE PRIZE Available for the first time in English: a moving and masterful graphic memoir exploring one woman's search for identity as she slowly uncovers the truth of how her Jewish relatives "disappeared" during World War II.Told through a genre-defying blend of illustrations, photography, and found objects, Remember Us to Life chronicles Joanna Rubin Dranger’s investigation into her Jewish family’s history, spanning time, space, and three continents in search of her lost relatives. As discolored photos are retrieved from half-forgotten moth-eaten boxes, Joanna discovers the startling modernity and vibrancy of the lives her family never spoke about—and the devastating violence that led to their senseless murders.Carefully researched and expertly told, Remember Us to Life recounts Joanna’s family’s immigration from Poland and Russia to Sweden and Israel, where her relatives found work, marriage, and community, blissfully unaware of the horrors to com

A bold look at the creative, controversial, and vibrant history of skateboarding, and the amazing skaters who continually reinvent itSkateboarding isn't just a recreational activity, but a professional sport, lifestyle, art form, and cultural phenomenon. The striking book Four Wheels and a Board captures its spirited history, iconic skateboarders, diverse community, and the palpable passion of the people who love it. It includes contributions from the most influential names in the game, including Rodney Mullen, Tony Hawk, Mimi Knoop, and more. The gorgeously designed book presents objects, artifacts, and photographs from the Smithsonian’s collections that exemplify the vitality and innovation of skate culture. Book chapters are organized chronologically by decade from the '60s to present day, starting with 20th-century surfboards, moving through technological changes, the disappearance of skate parks, the rise of social media and collaborations, and ending with never-before-seen object

'Haunting. Geppetto's voice, full of wistful overemphases and bewildered revelation, is absorbing as he takes in the oddity of his situation. And the book, sentence by sentence, offers much in which to luxuriate.' - Sunday Times 'Profound and delightful.It is a strange and tender parable of two maddening obsessions; parenting and art-making' - Max Porter 'Strange, moving and musical, it's a delight' - A. L. Kennedy 'A re-imagining of Pinocchio, told from the viewpoint of the beast-entrapped Geppetto, it surprise and delights, and saddens and gladdens, from start to finish.' - Jane Graham I am writing this account, in another man's book, by candlelight, inside the belly of a fish.I have been eaten. I have been eaten, yet I am living still. 'Art objects live in the belly of this marvellous novel, images swallowed by text, sustained by a sublime and loving imagination.Like all Edward Carey's work The Swallowed Man is profound and delightful. It is a strange and tender parable of two madde

Our experience of the world is influenced by numerous spatial biases, most of which influence us without our being aware of them. These biases are related to illusions and asymmetries in our perception of space, relationships between space and other qualities, dynamics of moving objects, dynamics of scene configuration, and dynamics related to perception and action. Consideration of these biases provides insight into how we perceive, remember, and navigate space, as well as how we interact with objects and people in space. This volume introduces and reviews numerous spatial biases, and provides descriptions and examples of each bias. The contributors discuss historical and current theories for many biases, and for some biases, provide new explanatory theories. Providing a 'one-stop shop' for information on such a key aspect of our experience in the world, this volume will interest anyone curious about our understanding of space.

In this book, Katherine M. Hockey explores the function of emotions in the New Testament by examining the role of emotions in 1 Peter. Moving beyond outdated, modern rationalistic views of emotions as irrational, bodily feelings, she presents a theoretically and historically informed cognitive approach to emotions in the New Testament. Informed by Greco-Roman philosophical and rhetorical views of emotions along with modern emotion theory, she shows how the author of 1 Peter uses the logic of each emotion to value and position objects within the audience's worldview, including the self and the other. She also demonstrates how, cumulatively, the emotions of joy, distress, fear, hope, and shame are deployed to build an alternative view of reality. This new view of reality aims to shape the believers' understanding of the structure of their world, encourages a reassessment of their personal goals, and ultimately seeks to affect their identity and behaviour.

Find your way through primary, die cut mazes by matching objects that go together. How does it work? Follow the trails with your finger or by moving the sliding buttons from start to finish. Smart, pl

Find your way through primary, die cut mazes by matching objects that go together. How does it work?Follow the trails with your finger or by moving the sliding buttons from start to finish. Smart, pla

Find your way through primary, die cut mazes by matching objects that go together. How does it work? Follow the trails with your finger or by moving the sliding buttons from start to finish. Smart, pl

Find your way through primary, die cut mazes by matching objects that go together. How does it work? Follow the trails with your finger or by moving the sliding buttons from start to finish. Smart, pl

In this book, Katherine M. Hockey explores the function of emotions in the New Testament by examining the role of emotions in 1 Peter. Moving beyond outdated, modern rationalistic views of emotions as irrational, bodily feelings, she presents a theoretically and historically informed cognitive approach to emotions in the New Testament. Informed by Greco-Roman philosophical and rhetorical views of emotions along with modern emotion theory, she shows how the author of 1 Peter uses the logic of each emotion to value and position objects within the audience's worldview, including the self and the other. She also demonstrates how, cumulatively, the emotions of joy, distress, fear, hope, and shame are deployed to build an alternative view of reality. This new view of reality aims to shape the believers' understanding of the structure of their world, encourages a reassessment of their personal goals, and ultimately seeks to affect their identity and behaviour.

Based on ten years of research, Santanu Das's India, Empire, and First World War Culture: Writings, Images, and Songs recovers the sensuous experience of combatants, non-combatants and civilians from undivided India in the 1914–1918 conflict and their socio-cultural, visual, and literary worlds. Around 1.5 million Indians were recruited, of whom over a million served abroad. Das draws on a variety of fresh, unusual sources - objects, images, rumours, streetpamphlets, letters, diaries, sound-recordings, folksongs, testimonies, poetry, essays, and fiction - to produce the first cultural and literary history, moving from recruitment tactics in villages through sepoy traces and feelings in battlefields, hospitals, and POW camps to post-war reflections on Europe and empire. Combining archival excavation in different countries across several continents with investigative readings of Gandhi, Kipling, Iqbal, Naidu, Nazrul, Tagore, and Anand, this imaginative study opens up the worlds of sepoys

Based on ten years of research, Santanu Das's India, Empire, and First World War Culture: Writings, Images, and Songs recovers the sensuous experience of combatants, non-combatants and civilians from undivided India in the 1914–1918 conflict and their socio-cultural, visual, and literary worlds. Around 1.5 million Indians were recruited, of whom over a million served abroad. Das draws on a variety of fresh, unusual sources - objects, images, rumours, streetpamphlets, letters, diaries, sound-recordings, folksongs, testimonies, poetry, essays, and fiction - to produce the first cultural and literary history, moving from recruitment tactics in villages through sepoy traces and feelings in battlefields, hospitals, and POW camps to post-war reflections on Europe and empire. Combining archival excavation in different countries across several continents with investigative readings of Gandhi, Kipling, Iqbal, Naidu, Nazrul, Tagore, and Anand, this imaginative study opens up the worlds of sepoys

Our experience of the world is influenced by numerous spatial biases, most of which influence us without our being aware of them. These biases are related to illusions and asymmetries in our perception of space, relationships between space and other qualities, dynamics of moving objects, dynamics of scene configuration, and dynamics related to perception and action. Consideration of these biases provides insight into how we perceive, remember, and navigate space, as well as how we interact with objects and people in space. This volume introduces and reviews numerous spatial biases, and provides descriptions and examples of each bias. The contributors discuss historical and current theories for many biases, and for some biases, provide new explanatory theories. Providing a 'one-stop shop' for information on such a key aspect of our experience in the world, this volume will interest anyone curious about our understanding of space.

Nathalie Djurberg (*1978) and Hans Berg (*1978) create animated worlds with objects, music and moving images – dreamlike realms where we might lose ourselves. Their playfully told fables hold both hum

Nathalie Djurberg (*1978) and Hans Berg (*1978) create animated worlds with objects, music and moving images – dreamlike realms where we might lose ourselves. Their playfully told fables hold both hum