The second edition of this actor-training guide by Michael Lugering (theatre, U. of Nevada Las Vegas) stresses the integration of movement, breathing, and voice. Lugering understands Stanislavski as p
"The study of acting should not begin with an exploration of feeling, perception, imagination, memories, intention, personalization, self-identification... or even performance—but physical action."Mic
Along with directing for the Nevada Conservatory Theatre, Lugering works as a teacher of voice, movement, and acting at the U. of Nevada, Las Vegas. Here, he guides actors through a series of voice an
The Expressive Body looks at intentional and unintentional movement and gesture as they inform characterization, and how those factors can be used by the actor to enhance performance.
Rory Lewis is one of the most sought after portrait photographers working today and his distinctive style has seen his work published internationally & acquired by the National Portrait Galler
Understanding the language of the lens is key for today’s filmmakers andcinematographers. Lenses and the different images they produce have the powerto propel story, evoke dramatic/emotional responses
