The 15th in a series drawn from scholarship presented at the annual Comparative Drama Conference at Rollins College in Winter Park, Florida, this collection provides insights into texts and practices
Presenting some of the best work from the 2017 Comparative Drama Conference at Rollins College in Winter Park, Florida, this collection highlights the latest research in comparative drama, performance
Based on papers from the 2016 Comparative Drama Conference held in Baltimore, Maryland, in March and April 2016, the 18 expanded essays presented here by scholars from North America examine theatre
Bringing together some of the best work from the 2015 Comparative Drama Conference in Baltimore, this book covers subjects from ancient Greece to 21st century America with a variety of approaches and
This is an edited collection of work preseented at the 2014 Comparative Drama Conference. From 69 panels and plenary sessions, editor Herren has selected 12 research papers, 10 book reviews, an essay
This collection brings together 12 papers (expanded and revised for the book) presented at the April 2013 Comparative Drama Conference in Baltimore, Maryland. It also contains an interview with Edward
This annual publication collects selected papers from the March 2012 Comparative Drama Conference. The first part of the book presents 13 essays, plus a transcript of a public interview with playwrigh
Text & Presentation is an annual anthology of essays devoted to all aspects of theatre and performance scholarship. This new volume represents a selection of the best research presented at the 35t
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. This new volume represents a selection of the best research presented at the 34th international, interdi
This year's publication contains 17 research papers, a review essay, and eight book reviews selected from the March-April 2005 conference in Los Angeles. Among the topics are the globalization of Rive
Pier Paolo Pasolini published the Manifesto for a New Theatre in Nuovi Argomenti in 1968, while preparing to direct Orgia, another of his six verse tragedies. While betraying his personal dissatisfact
