Bucknell

For Byron, poetic achievement was always relative. Writing meant dwelling in an echo chamber of other voices that enriched and contextualised what he had to say. He believed that literary traditions mattered and regarded poetic form as something embedded in historical moments and places. His poetry, as this volume demonstrates, engaged richly and experimentally with English influences and in turn licenced experimentation in multiple strands of post-Romantic English verse. In Byron Among the English Poets he is seen as a poet's poet, a writer whose verse has served as both echo of and prompt for a host of other voices. Here, leading international scholars consider both the contours of individual literary relationships and broader questions regarding the workings of intertextuality, exploring the many ways Byron might be thought to be 'among' the poets: alluding and alluded to; collaborative; competitive; parodied; worked and reworked in imitations, critiques, tributes, travesties and bi

Is your Lazy Monster sneaking through? When children turn into little monsters, their parents know exactly what to do! A charming series about common causes for 'bumps' in the day, the Little Monster

When little Zach turns into a hungry monster, Mum knows exactly what to do!

When little Tilly turns into a silly monster, Dad knows exactly what to do!

Pharmaceutical, Biotechnology, and Chemical Inventions: World Protection and Exploitation, This book highlights the special issues arising in obtaining, commercializing, enforcing or attacking intelle

This book examines the theory and the practice of music, in relation to the writing of four major modernist figures: Walter Pater, Ezra Pound, James Joyce, and Gertrude Stein. Brad Bucknell argues that in the nineteenth century, music was often invoked as the paradigm of transcendent art. For the modernists, however, late nineteenth-century debates about music's powerful, but non-referential ability to make meaning became a significant focus for their written work. Bucknell examines modernist writers' relationship and engagement with music - from theories about music and musical-literary relations to the composition of music and libretti - to show how music actually became another complex trope deployed in modernism's justification of its own aesthetic practice. Bucknell's study investigates how music, as a discrete artistic mode of expression, and a recurring theme in the work of these four writers, reveals the intricate and varied nature of the modernist project.

When little Zach turns into a sleepy monster, Dad knows exactly what to do!　A charming series about some commom little monsters found in all children.

When little Tilly turns into a lazy monster, Mum knows exactly what to do! A charming series about some common little monsters found in all children.

The Soviet invasion of Afghanistan and the war between Iran and Iraq underline the grim thesis of this book. Howard Bucknell argues that our dependence upon foreign oil poses an unequaled threat not o

Buddhist meditation, while attracting less popular attention than some other meditative disciplines, has given rise to a particularly rich literature in recent years. Despite differences in style and

Buddhist meditation, while attracting less popular attention than some other meditative disciplines, has given rise to a particularly rich literature in recent years. Despite differences in style and