This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links bet
Heide Schlupmann's classic study of early German cinema was published in German as Unheimlichkeit des Blicks: Das Drama des Fruhen deutschen Kinos in 1990. For the first time in English, this translat
Heide Schlupmann's classic study of early German cinema was published in German as Unheimlichkeit des Blicks: Das Drama des Fruhen deutschen Kinos in 1990. For the first time in English, this translat
“Hilariously irreverent.”“Fresh, new, and so relatable.”“Wickedly funny.”“Beautifully written…love the double entendres.”That’s what folks are saying about Inga’s writing—and, when you read her no-hol
