Volume 36 completes the study begun with Volume 34 (in 2013) of the painting materials and technique of the most influential artist of the 16th century, by the National Gallery, a global center for re
Titian (active 1506; died 1576) is acclaimed as the greatest of the Venetian masters. His technique has long fascinated painters and collectors, and his use of oil paints and the richly colored pigmen
This volume illustrates the ways in which various types of technical evidence can contribute to the understanding of workshop practices and inter-relationships between different artists.
This latest volume of the National Gallery’s Technical Bulletin series features a range of studies, reflecting its commitment to the scientific research and conservation of paintings in its care
A collection of studies at the cutting edge of art conservation and the scientific examination of paintings This volume continues the National Gallery's acclaimed series of Technical Bulletins with a
