As the Great War gathers pace, Agnes and her sister Edith revel in their new-found independence and prosperity as Barnbow lasses. Not only does their danger money buy them a new life of confidence, me
"Whatever's smuggled into these poemsthe Petronas Towers, Afghanistan cliffs, Lugers and New Jerseyobeys the abstract logic at the heart of descriptive writing: the sweet ease of writing's intang
Lush, surreal, cinematic, and imagistically precise, Geoffrey Nutter paints the world into his fifth collection of poems. His poems display a consciousness in awe of all matter, be it organic, mechani
"Nutter is a true believer in the power of art, which is the power that produces these beautiful and vital poems."?Mark LevineIn his fourth collection, Geoffrey Nutter beckons us into his lush imagina
“Could it be that Wallace Stevens and Gertrude Stein met in Elysium and had a son named Geoffrey Nutter?”–John YauBearing the visionary inheritance of ancient Chinese poets and early twentieth-century
In "Return of the Heroes," Walt Whitman refers to the casualties of the American Civil War: "the dead to me mar not. . . . / they fit very well in the landscape under the trees and grass. . . ." In he
The title poem—about a group of schoolchildren illustrating Shelley's "Ode to a Skylark"—ends with the following assertion: "these are the only / lessons they will ever need to learn: that life / is n
“Pantheism and synesthesia are his visionary rules . . . severe, contagious fun.”—Boston Review“How much of what we call ‘seeing’ is actually ‘believing?’” Geoffrey Nutter asks in his dazzling second
