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One of the writer and art critic's finest essay collections, which includes his influential essay on animal ethics, "Why Look at Animals?"; a critique of the "bourgeois sexual morality" of Rodin's sculptures; and an unlikely work of criticism linking Francis Bacon and Walt Disney. As a novelist, art critic, and cultural historian, John Berger was a writer of dazzling eloquence and arresting insight whose work amounts to a subtle, powerful critique of the canons of our civilization. In About Looking, Berger explored our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to his authority and potency posed by clay and flesh? And how does solitude inform the art of Giacometti? Part of an ongoing reissue of Berger's majo

The centenary edition, with a newly commissioned introduction by Jo Hamya.'Fascinating . . . an extraordinary mixture of historical detail and sexual meditation . . . G. belongs in the tradition of George Eliot, Tolstoy, D. H. Lawrence and Norman Mailer.' New York TimesIn this luminous novel about a modern Don Juan, Berger relates the story of G., a young man forging an energetic sexual career in Europe during the early years of the last century as Europe teeters on the brink of war.With profound compassion, Berger explores the hearts and minds of men and women, and what happens during sex, to reveal the conditions of the libertine's success: his essential loneliness, the quiet cumulation in each of his sexual experiences of all of those that precede it, the tenderness that infuses even the briefest of his encounters, and the way women experience their own extraordinariness through their liaisons with him.Set against the turbulent backdrop of Garibaldi's attempt to unite Italy, the fai