Data Structures Using C

An analysis of the lessons learned from tuberculosis control in Shanghai. Tuberculosis Control and Institutional Change in Shanghai, 1911-2011 is the first book on the most widespread and deadly infectious disease in China, both historically and today. Weaving together interviews with data from periodicals and local archives in Shanghai, Rachel Core examines the rise and fall of tuberculosis control in China from the 1950s to the 1990s. Under the socialist work unit system, the vast majority of people had guaranteed employment, a host of benefits tied to their workplace, and there was little mobility--factors that made the delivery of medical and public health services possible in both urban and rural areas. The dismantling of work units amid wider market reforms in the 1980s and 1990s led to the rise of temporary and casual employment and a huge migrant worker population, with little access to health care, creating new challenges in TB control. This study of Shanghai will provide valu

We have carefully selected a collection of 20 exquisite paintings and calligraphy by Prof. Jao Tsung-i, accompanied by 50 cherished photographs captured during his worldwide travels. These features Prof Jao’s interpretations of landscapes from different corners of the world, including his large-scale paintings depiction well-know sites in Hong Kong, China, and overseas. We can observe how he exceptionally reflected the distinct character of each place and represented it using the traditional Chinese medium of ink and brush as well as Western painting style. As the old saying goes, “It is better to travel ten thousand miles than to read ten thousand books”. While achieving one of these is already incredibly challenging, Prof. Jao not only traversed thousands of miles, surpassing the accomplishments of both ancient masters and numerous contemporary painters.

Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist demonstrates otherwise, revealing the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning. Ozu: A Closer Look guides the reader through Ozu’s early, silent films and his sound films made during Japan’s wars in Asia and the subsequent American Occupation, then takes up specific themes relevant to his later, better-known films. These themes include religion, gender, and the influence of traditional Japanese painting. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film

In Painting Architecture: Jiehua in Yuan China, 1271–1368, Leqi Yu has conducted comprehensive research on jiehua or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools such as rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting category with the builder’s art, which led to Chinese elites’ belittlement and won Mongol patrons’ admiration. Yu suggests that painters in the Yuan dynasty made new efforts towards a unique modular system and an unsurpassable plain-drawing tradition. She argues that these two strategies made architectural paintings in the Yuan dynasty entirely different from their predecessors, as well as making the art form extremely difficult for subsequent painters to imitate.

Fills a gap in Korean Wave studies by studying it through the lens of gender. Women We Love is an edited collection exploring femininities in and around the Korean Wave since 2000. While studies on the Korean Wave are abundant, there is a dearth of analysis about the female-identifying stars, characters, and fans who shape and lead this crucial cultural movement. Using "women" as an inclusive term extending to all those who self-define as women, this collection of essays examines the role of women in K-pop and K-drama industries and fandom spaces, encompassing crucial intersectional topics such as queering of gender, dissemination of media, and fan culture. The audience for Women We Love will reflect the contributors to this text; they are K-pop and K-drama fans, queer, international; they are also academics of Asian histories, sociology, gender and sexuality, art history, and visual culture. The chapters are playful, intersectional, and will be adapted well into syllabi for media stud

一班小三學生的校園生活趣味故事！正值炎夏七月尾，天氣熱得像個火爐！漫長的暑假要開始了，小三戊班的同學各有各的暑期活動。整天汗流浹背的孔龍和曾威峯有甚麼計劃呢？姜C竟然在暑假去賞月，到底發生甚麼事？ KOL 接到人生第一個廣告，是好消息嗎？ 暑假後就要升上小四了！為何蔣秋彥和方圓圓都有點擔心呢？呂優雖然已離港，但也不忘小三戊班，他還真心真意地祝福大家：新學年開學大吉！成績突飛猛進！讓我們一起來加油！

An examination of the Counter-Enlightenment movement in China. In Modern Chinese Counter-Enlightenment, Peng Hsiao-yen argues that a trend of Counter-Enlightenment had grown from the late Qing to the May Fourth era in the 1910s to the 1920s and continued to the 1940s. She demonstrates how Counter-Enlightenment was manifested with case studies such as Lu Xun's writings in the late 1900s, the Aesthetic Education movement from the 1910s to 1920s, and the Science and Lifeview debate in the 1920s. During the period, the life philosophy movement, highlighting the epistemic debate on affect and reason, is connected with its counterparts in Germany, France, and Japan. The movement had a widespread and long-term impact on Chinese philosophy and literature. Using the transcultural lexicon as methodology, this book traces how the German term Lebensanschauung (life view), a key concept in Rudolf Eucken's life philosophy, constituted a global tide of Counter-Enlightenment that influenced the though

傳奇歷史學家列文森經典名作，全新完整譯本「書寫歷史的行動本身即是一種歷史行動。」 麻省理工學院教授、列文森之子托馬斯．列文森（Thomas Levenson） 作序葉文心、歐立德（Mark C. Elliott）、董玥、黃樂嫣（Gloria Davies）、齊慕實（Timothy Cheek）、白傑明（Geremie R. Barmé） 聯合撰寫長篇導讀 約瑟夫．列文森（Joseph R. Levenson），才華橫溢的美國歷史學家，以對中國近代思想史的奠基性研究享譽於世，被稱為「莫扎特式的史學家」。他以一系列影響深遠的著作提出的諸多論題，如天下與國家、傳統與現代性、科學與儒學、經典主義與歷史主義等，半個多世紀以來持續為中國研究學界提供綜合性的思考框架與對話坐標。 《儒家中國及其現代命運：三部曲》是列文森的代表作，聚焦現代性衝擊之下的近代中國那「渾然一體又岌岌可危的智識世界」。全書分三卷，先後出版於1958 至1965年。第一卷《思想延續性問題》和第二卷《君主制衰亡問題》分別從思想和制度的角度探討儒家中國的消亡和傳統的斷裂；第三卷《歷史意義問題》則分析儒家的「遊魂」如何在新的意義上為經歷了現代革命的中國提供延續性。

一班小三學生的校園生活趣味故事！大考快將逼近！小三戊班各同學也如箭在弦，準備要迎戰了！在緊張關頭，曾威峯發現每年平均有百分之十的學生會留班……每年名次敬陪末座的方圓圓、曾威峯、姜C、小櫻妹妹和叮蟹等，均顯得忐忑不安和戰戰兢兢。究竟他們哪個能順利升班？又有沒有驚喜的結果呢？另一邊廂，一件晴天霹靂的事情將要發生！好同學要離開了，課室充塞着離愁別緒。究竟誰要與小三戊班這個大家庭講拜拜？

The first exhaustive English-language history and analysis of the Chinese opera genre, Kunqu. In Kunqu: A Classical Opera of Twenty-First-Century China, Joseph S. C. Lam offers a holistic and interdisciplinary view of Kunqu, a 600-year-old genre of Chinese opera that has been fashionably performed inside and outside of China. The first comprehensive and scholarly book on Kunqu written in English, this book explains how and why the genre charms and signifies Chinese culture, history, and personhood. Approaching the genre from several perspectives, ranging from those of performers and producers to those of casual audiences, dedicated connoisseurs, and scholarly critics, Lam also employs a judicious blend of Chinese and international theories and methods. Herein, he establishes the significance of Kunqu not only in the sphere of Chinese music but among the cultural heritage and performing arts at a global level as well.

一班小三學生的校園生活趣味故事！我的同學都是大明星？小三戊班看來發生大事了，同學都爭相表現自己，誓要爭取出鏡機會，當上明星！KOL要在課室拍攝，直播小三戊班的同學表演，究竟她在幕後籌謀了甚麼大計劃？ KOL的姐姐也牽涉其中？為甚麼在街上會有人找姜C拍照？難道他真的成名了？原來當上KOL一點也不容易，要下不少苦功，今集一同察看背後的秘密！

Focusing on Albert Sanguinetti from his early life to his retirement from the legal sector, including his tenures in Gibraltar, Kenya, and Hong Kong, this biography provides an in-depth view of the life of a prominent figure in the legal field in the late twentieth century. It is written from an objective, external viewpoint and paints a colourful and lively picture of Sanguinetti in a voice that could almost be his own. Using Sanguinetti’s life experiences, the biographer touches on various historical events, including the Mau Mau revolution in Kenya and the 1957 riots in Hong Kong, and details the social and political problems of the times, such as lingering colonialism, class structure issues, and human rights violations, among others. These glimpses of history through Sanguinetti’s eyes are accessible, thought-provoking, and truly representative of the man himself.Offering a well-rounded image of the eccentric subject, this book fulfils Sanguinetti’s common response to questions ab

一班小三學生的校園生活趣味故事！又到全校大旅行的日子，小三戊班的同學個個滿懷期望，表現興奮！今年會去哪裏呢？又會遇上甚麼驚喜難忘事？運動健將曾威峯揚言要在旅行時表演一種技能，藉此大顯身手，究竟是甚麼呢？歡欣樂天的姜C今次又做了甚麼惹得全班大笑呢？另一邊廂，胡凱兒的「王弟」要出場了！為甚麼胡凱兒總是神神秘秘？難道隱藏着身世之謎？兩姊弟一同為你揭盅！

費正清（John K. Fairbank）、范力沛（Lyman P. Van Slyke）、史華慈（Benjamin I. Schwartz）、史景遷（Jonathan Spence）、魏斐德（Frederic Wakeman）、高居翰（Jr. James Cahill）……北美中國研究泰斗共同撰寫的列文森深度解讀，首次全文中譯 列文森著作備受爭議，為何被視為「天才般的成就」與「史學藝術的巔峰」？「像莫扎特一樣，他用精湛的技藝創造出了比技藝精湛更有意義的東西。」 收入列文森遺稿〈猶太身分的選擇〉 麻省理工學院教授、列文森之子托馬斯．列文森（Thomas Levenson） 作序葉文心、歐立德（Mark C. Elliott）、董玥、黃樂嫣（Gloria Davies）、齊慕實（Timothy Cheek）、白傑明（Geremie R. Barmé） 聯合撰寫長篇導讀 約瑟夫．列文森（Joseph R. Levenson, 1920–1969），才華橫溢的美國歷史學家，以對中國近代思想史的奠基性研究享譽於世，被稱為「莫扎特式的史學家」。他以一系列影響深遠的著作提出的諸多論題，如天下與國家、傳統與現代性、科學與儒學、經典主義與歷史主義等，半個多世紀以來持續為中國研究學界提供綜合性的思考框架與對話坐標。1987 年，美國亞洲研究協會創設「列文森圖書獎」，以紀念他的學術貢獻。 本書由一組集中討論列文森著述的文章組成，出自費正清、范力沛、史華慈、史景遷、魏斐德、高居翰等北美中國研究界的重要學者之手。他們分別回憶列文森的學術和生平，探討其觀點與貢獻，並從學術批評的角度展開深入對話。這些文章一方面為閱讀和理解列文森指出了不同角度的門徑；另一方面也印證和展示了列文森的學說如何持續參與歷史與現實的對話，為中國研究的發展提供源源不絕的靈感和動力。 書末收入列文森本人的一篇未刊文稿〈猶太身份的選擇〉，被視為深入理解其思想脈絡的重要文獻。

傳奇歷史學家列文森開創性著作，全新翻譯「梁啟超的思想是他的牢籠。」他的自相矛盾，他的一變再變，是要為怎樣的一個問題提供答案？當找到這個問題，就找到了思想史的關鍵。 麻省理工學院教授、列文森之子托馬斯．列文森（Thomas Levenson） 作序葉文心、歐立德（Mark C. Elliott）、董玥、黃樂嫣（Gloria Davies）、齊慕實（Timothy Cheek）、白傑明（Geremie R. Barmé） 聯合撰寫長篇導讀 《梁啟超與近代中國思想》是美國歷史學家約瑟夫．列文森的第一部專著，從「變形記」、「美麗新世界」、「追憶似水年華」三階段追索中國近代知識人梁啟超的思想嬗變，探求他身處歷史和價值撕裂的煎熬之中，如何從傳統突圍、擁抱進步主義和現代西方，卻又在生命的最後十年主動走向不合時宜，「一夫當關把守舊中國的疆土」。作者的視野並不限於思想者個體，而是以歷史與個人的交互作用貫穿全書，通過梁氏思想中種種「必然的前後矛盾」和「理性上的不完美」，不斷反觀歷史，揭示近代中國思想史鮮麗複雜的面貌及其變化的本質。 「梁啟超經歷了漫長的回家之路，他在半途碰見了年輕的一代。 他幾乎徹底心碎後才到達了反傳統文化之境，而年輕人從他手中接過的是一種自然狀態、一份免費禮物、一個出發點。對他而言只是冰山一角的想法（水面之下深埋著他對傳統文化的赤忱），對年輕人來說是基石。他們追隨了他一段時間，並沒有說要永遠追隨他。 這就是為何《新青年》的『新青年』們看似在說跟梁啟超一樣的話，卻很少跟他一起說。因為二者的語言並非真正相同，『一樣的』思想並不一樣。 當一戰改變了這些思想進行的環境，梁氏的思想從根源上決定了他的不合時宜。」

李歐梵作序，林青霞、王德威、黃子平、董橋共同推薦從戴厚眼鏡的港大女學生，到驚世駭俗的摩登作家，張愛玲的香港經驗，形塑了她的歷史感和世界觀，成就了張愛玲傳奇。「本書為張學及香港研究提供了最重要的突破。」一九三九年，未滿十九歲的張愛玲入讀香港大學，兩年半後親歷了香港之戰和淪陷。帶着香港經驗「切身的、劇烈的影響」，她回到上海開始寫作，以一系列「香港傳奇」一躍成為炙手可熱的新銳女作家。《緣起香港》聚焦張愛玲與香港的淵源，以檔案資料為佐證，還原模糊的歷史影像，釐清一段戰亂時期的人文經驗。張愛玲貫穿一生的世界主義視景源自大學時代的基礎人文教育。港島山上或澄澈或濃烈的視覺印象，砲火下密集的閱讀經驗，多語言和多文化參照系的匯流，殖民現代性的紛繁呈現，以及戰後從香港重新出發的漫長的漂流生涯，都刻在她寫作生命的基因裏。張愛玲的香港經驗直指內心深處的清冽和柔軟，更有一種尖銳和酷烈，構成她文字中最震撼的靈魂。-----------------------還張愛玲昔日本色，給老香港一個公道：這部《緣起香港》從老香港擁有過張愛玲推究張愛玲放不下老香港。在文學的襟懷裏，上海時髦女作家張愛玲始終眷戀香港大學那個戴厚眼鏡的女學生張愛玲。老香港是張愛玲寫作的資料寶庫，幾乎連老港大幾位老師的謦欬和學養都引申成她的歷史感，也造就了她的世界觀。黃心村教授梳理大量原始材料，勾勒塵封的故事，展示新穎的結構，敍述澄靜，文筆光麗，處處細細綉織出張愛玲生命中綿亙的私語和深邃的惘然。董橋，作家一本期待已久的力作，一個作家的誕生、再生和衍生，世界主義人文視景中的張愛玲，躍然呈現。黃子平，香港浸會大學榮休教授、中山大學（珠海）講座教授香港成就了張愛玲傳奇。黃心村教授鉤沉史料，精讀文本，以有情之筆重現一座城市與一位作家的半生因緣。從《燼餘錄》到《小團圓》，從港大校園到宋家客廳，香港的人與事千迴百轉，註記張愛玲前世今生。兩相對照，既酷烈又温柔，既世故又蒼涼。本書為張學及香港研究提供了最重要的突破。王德威，哈佛大學東亞系暨比較文學系Edward C. Henderson 講座教授、中央研究院院士《緣起香港》緣起於我和黃心村在太平山的行走，走了兩年，兩年的話題都是張愛玲。我狂讀張愛玲，她狂寫張愛玲。她嘔心瀝血地寫，我一個字一個字地看，文章很長，我卻邊看邊擔心，生怕很快會看定。向所有喜愛張愛玲的讀者推薦這本書！林青霞，著名電影演員、

剖析城鄉社會肌理・解讀世界中的亞洲耶魯大學教授、人類學家蕭鳳霞從華南展開的知性之旅 《踏跡尋中》的寫作始於幾近半世紀對華南農村革命和社區重構的探索，最終揭示了中國的無遠弗屆和香港的跨境動力。人類學家蕭鳳霞穿越文化與物理景觀，審視老百姓在政治起伏下的日常生活，並在中國縱身躍向現代的狂潮中探尋他們的悲喜劇。 她突出共謀的概念，描繪了村民、都市人、幹部、企業家和知識分子如何背負歷史包袱匍匐前行。但與此同時，他們在這個過程中是否也使自己成為受害者？本書將文化、歷史、權力、地方營造和身份形塑等歷史／人類學核心主題融而為一，並以批判的社會理論、田野調查和檔案文本為基礎，仔細推敲而得。蕭鳳霞尤其強調過程和適然性，認為文化和社會是由人類行為所構建，其中浸染了細緻而微妙的意蘊、道德想像和利益競逐。她挑戰社會／政治變化的線性歷 史觀，並在當前諸種實相中，理出過去的層層肌理。--------------------------蕭鳳霞以歷史為經、田野探索為緯，編織出層層疊疊的華南故事，裏面有邊緣族群與女性的堅韌、革命的熾熱、傳統的應對、商人的機智、宗族的保守。貫穿其中的是細膩的歷史人類學理論分析，盡顯作者四十年來為了「在日常中尋覓意義」所下的功夫。作者說此書乃一段「知性之旅」，但細心的讀者不難看出它其實也是這位國際知名的香港學者自己的故事，是她在長年體驗香港與華南生活後對故土的感性反思。梁其姿，台灣中央研究院院士、香港大學香港人文社會研究所所長蕭鳳霞的《踏跡尋中》，高明地糅合了民族誌、社會結構和文化展演的線索，以其湛深學養展示了豐碩的學術成果，清晰闡明如何援用文化、權力和歷史，為華南提供嶄新且令人信服的理解角度。斯科特（James C. Scott），耶魯大學政治科學斯特林講席、人類學教授蕭鳳霞是有數的研究中國城鄉社會的專家。本書所涉題材廣泛，涵蓋人類學、地理學、經濟學和政治科學諸領域學者都感興趣的主題。鮮有人像她一樣深入華南社會生活的「底細」，既能用細膩筆法，又能以同理心娓娓道來。華琛（James L. Watson），哈佛大學中國社會費正清講席、人類學榮休教授

Psychopathology: An Empathic Representational Approach retraces the foundations of classical phenomenological psychopathology and integrates them with modern ideas drawn from anthropology, cognitive neuroscience, computational science, and evolutionary biology to synthesize a comprehensive framework and provide fresh insights.This book explores how the scientific concepts of ‘information and representation’ can be used to understand subjective mental phenomena and integrate them in empathic clinical dialogues during interactions with patients. It explores key issues in clinical psychopathology coherently and systematically, illustrates advanced topics in an accessible manner using clinical case examples, metaphors and clarifying diagrams, and directly links advanced conceptual frameworks with pragmatic skills in the clinical dialogue process.This volume is aimed at a broad audience of mental health professionals, researchers, and students in psychiatry, psychology, and social work. Its

A pioneering and comprehensive study of recent Malaysian cinema. Malaysian Cinema in the New Millennium offers a new approach to the study of multiculturalism in cinema by analyzing how a new wave of filmmakers champion cultural diversity using cosmopolitan themes. Adrian Lee offers a new inquiry of Malaysian cinema that examines how the "Malaysian Digital Indies" have in recent years repositioned Malaysian cinema within the global arena. The book shines a new light on how politics and socioeconomics have influenced new forms and genres of the post-2000s generation of filmmakers and provides a clear picture of the interactions between commercial cinema and politics and socioeconomics in the first two decades of the new millennium. It also illustrates how the Malaysian Digital Indies functions as a site for questioning and proposing a new national identity in the era of advanced global capitalism and new Islamisation.