How To Build...

Chen Hansheng was not only a pioneer of modern Chinese social science, remembered for the villagestudies he organized by teams of researchers in the 1930s. He was also a political operative whosecareer as an underground and aboveground Communist activist spanned the twentieth century andthe globe. This book draws on unique interviews, beginning in 1979, with Chen himself, his family andassociates, along with an exhaustive examination of documents, writings, and archives, to build arounded portrait of Chen, the man, and his world.‐‐‐‐‐‐‐‐‐‐‐‐‐‐“Stephen MacKinnon’s lifetime study of eminent social scientist and Communist Chen Hanshengmakes for an absorbing, thrilling, and illuminating read. This product of decades of researching Chen,and of years of discussions with him, MacKinnon shows us how one enterprising and creative scholarbecame dedicated to the cause, worked for it, and then ended his life sad and angry about whatbecame of the Chinese Communist Party in power.”—Hans van de Ven,

he Genera of Orchidaceae in Hong Kong is a handy reference for both amateurs and professional botanists in Asia who wish to enter the field of modern orchidology. Orchid appreciation is an art deeply rooted in Asian cultures. But in 1977, when this book was first published, orchidology as a science was new to people there. The technical vocabulary was unfamiliar and the subject matter difficult to understand. Therefore, this volume was intended as a general, easy-to-use reference book, with illustrations of the basic structure of orchids and their habit and habitat clearly described in Chapter I.The book may also be used as a self-help guide for naturalists and gardeners in Hong Kong who wish to identify an orchid new to them. In Chapter II, keys, descriptions, and illustrations are given to allow the reader to look up and gain information about individual orchid species. Chapter III provides an analysis of the composition and an interpretation of the phytogeographic significance of th

English novelist E.M. Forster wrote his last and best-loved work, A Passage to India, both as a paean to his love for India and as a tribute to the relationships he formed with Indians. Forster became entranced by the India of the Raj at a young age, and his love affair with the sub-continent, its princes, and peoples, was to last all his life. At his most socially transgressive, it was with Indians that Forster chose to connect and with whom he put into effect his belief in man’s duty to value friendship over state or ideology. His time in India was undoubtedly when he was at his most human and most vulnerable.At once a contemporary reflection on India’s rich history and a biographical retelling of Forster’s travels through the country in the early 1900s, Developing the Heart delves into the past to better understand the profound impact certain events and people had on his writing. In doing so, it allows readers to look on as Forster matures and softens over time in his behaviour with

Mongolia, a vibrant democracy landlocked between Russia and China, stands on the edge of becoming Asia’s next boom nation—one of the richest countries per capita in the region. Referred to as the “wolf economy” for its vast natural resources—copper, gold, and rare earth metals—today, it is also home to a growing number of cutting-edge tech startups and international lifestyle brands. Its vast steppe landscape lends itself not only to herding and tourism but also renewable energy production and filmmaking. This book is about the individuals who are fighting to strengthen the country’s democracy and diversify its economy. It is about innovators aiming to realize Mongolia’s promise as a hub for green energy, tech and lifestyle entrepreneurs who are shaking up traditional industries, and go-getters who have left high-flying jobs on Wall Street to return to the country they love and play their part in moving it forward. Unlocking a country’s potential is never easy. But if

Essentials of Contract Drafting and Negotiation for Construction Professionals is a practical and user-friendly guide to common practical contractual matters and is intended for construction professionals involved in contract drafting and negotiating. Knowing how to draft an effective contract is crucial in construction, particularly because of the complex and technical nature of construction projects. Divided into six chapters, this guide will enhance and refresh essential knowledge for lawyers and construction professionals who need to understand the principles of drafting and interpreting construction contracts, how to clearly identify and include key elements in these contracts, as well as how to avoid legal traps and pitfalls in contract negotiations and enforcement.

Essentials of Contract Drafting and Negotiation for Construction Professionals is a practical and user-friendly guide to common practical contractual matters and is intended for construction professionals involved in contract drafting and negotiating. Knowing how to draft an effective contract is crucial in construction, particularly because of the complex and technical nature of construction projects. Divided into six chapters, this guide will enhance and refresh essential knowledge for lawyers and construction professionals who need to understand the principles of drafting and interpreting construction contracts, how to clearly identify and include key elements in these contracts, as well as how to avoid legal traps and pitfalls in contract negotiations and enforcement.

An exploration of collective memory through the lens of East Asian film during World War II. Taking the "tidal wave" of memory in the late twentieth and early twenty-first century as its starting point, this monograph explores the collective memory of World War II in East Asia (1937-1945) through film. Weiss argues that Chinese, Japanese, and American remembrance of World War II is intertwined in what she terms a "memory loop," the transnational mediation and remediation of war narratives. Gender is central to this process, as the changing representation of male soldiers, political leaders, and patriarchal father figures within these narratives reveals Japanese and Chinese challenges to each other and to the perceived "foundational" American narrative of the war. This process continues to intensify due to the globally visible nature of the memory loop, which drives this cycle of transmission, translation, and reassessment. This volume is the first to bring together a collection of Chin

This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art.It first looks at the concept of “ink art,” describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People’s Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has b

Mountain Songs embodies the intersecting narratives of migration and how it shapes one’s identity.Mountain songs (山歌) are integral to Hakka culture – Tegan Smyth’s maternal heritage – and have been a way to keep stories by unknown authors alive in an oral tradition. As Hakka’s prominence as a spoken language gives way to other more widely spoken dialects of Chinese, it is in careful records that the cultural practices and stories are captured so they can be seen by future generations. This is true of the poems contained in Mountain Songs, which focuses on the accounts of different women in the writer’s family, whose existence and memories have been passed down only orally and never in writing. The movement of mountain songs sung across different terrains and milieus mirrors the movement of Hakka people themselves, a widely dispersed people, where migration is tied to the community’s experiences both within and outside China. The writer draws parallels to the migration of her grandparen

How do public markets, as ordinary as they seem, carry the weight of a city’s history? How do sucheveryday buildings reflect a city’s changing political, social, and economic needs, through their yearslong transformations in forms, functions, and management? Integrating architecture and history, this book invites readers to go through the growth and governance of colonial Hong Kong by tracing the past and present of public markets as a study of extensive firsthand historical materials. As the readers witness the changes in Hong Kong markets from hawker pitches to classical market halls to clean modernist municipal complexes, the book offers a new perspective of understanding the familiar everyday markets with historical contexts possibly unfamiliar to most, studying markets as a microcosm of the city and a capsule of its history. -------------- This book is a robust and in-depth study of the market building history of Hong Kong since the 1840s and contributes to a holistic un

In this ground‐breaking, posthumous study, the late Lo Jung‐pang discusses the geographic, political,and commercial factors that led to the emergence of seapower and a navy under the Ming. WhileZheng He and his seven expeditions have received some scholarly attention, few understand the longhistory of maritime engagement which provided the nautical and technical background for thesevoyages. The evolution of this maritime engagement and its extension into the Indian Ocean is thefocus of Lo’s still‐timely and highly significant work.In addition to detailing the rise of the Ming navy and its extraordinary accomplishments, Lo alsoexamines some of the factors that led to the end of China’s first great maritime era: Why did Chinasuddenly seem to turn away from the seas? Were the military defeats in Annam and on the northernborders significant in this? Or were financial pressures key?Empire in the Western Ocean represents the most comprehensive and insightful English‐languagetreatment to date

In The Chinese Idea of a University: Phoenix Reborn, Rui Yang conceptualizes the cultural foundations of modern university development in Chinese societies. Instead of focusing on the uniqueness of the societies, this book aims to prove that one educational purpose could be fulfilled via many paths, and that most of the characteristics the university could be found in other institutions of higher learning. Citing the practices of four selected Chinese societies, Yang opposes the existence of an impassable chasm between Chinese and Western ideas of a university and argues that it is possible to combine Chinese and Western ideas of a university. Also, this book is one of the first in English to theorize the Chinese idea of a university. It links the historical events to the present, in a context of an enormous impact of Western academic models and institutions, from the beginning of modern universities in Chinese societies to the contemporary period.

Battle of the Artisans tells the story of Tangtun, a conflicted, artistic twelve-year-old in 5th-century BCE China, who sets out to save his father from a killer. He crosses wits with his macho father and a vengeful king, armed thieves, and disgruntled villagers, and in the process, discovers new powers that rock his Bronze-Age world. In the end, what matters most is not Tangtun’s artistic abilities or his father’s muscles and might but that they realize the strength of acting together.This novel portrays the making of the very real Bells of Marquis Yi, a 2500-year-old National Treasure of China. No one knows exactly why these bells were made, but Bennett provides a well-researched and persuasive solution to the mystery through her story of Tangtun and his village on the Yangtze River.Every historical novel is an imagined introduction to a topic and a time. Battle of the Artisans invites readers to explore further the world and the science of the bells of Marquis Yi, to learn more abou

In On Saving Face, Michael Keevak traces the Western reception of the Chinese concept of “face” during the past two hundred years, arguing that it has always been linked to nineteenth-century colonialism. “Lose face” and “save face” have become so normalized in modern European languages that most users do not even realize that they are of Chinese origin. “Face” is an extremely complex and varied notion in all East Asian cultures. It involves proper behavior and the avoidance of conflict, encompassing every aspect of one’s place in society as well as one’s relationships with other people. One can “give face,” “get face,” “fight for face,” “tear up face,” and a host of other expressions. But when it began to become known to the Western trading community in China beginning in the middle of the nineteenth century, it was distorted and reduced to two phrases only, “lose face” and “save face,” both of which were used to suggest distinctly Western ideas of humiliation, embarrassment, honor, a

Hong Kong’s Link to the US Dollar covers the origins of the city’s currency crisis in 1983, the initial resolution of the crisis by creation of a traditional currency board, the subsequent problems leading to the Asian financial crisis of 1997–98, and the later reforms. A new final chapter traces monetary developments in Hong Kong between 2005 and 2020.This valuable compendium of articles, originally written in the bimonthly journal Asian Monetary Monitor between 1981 and 1989, includes the key article that formed the basis for the Hong Kong government’s decision in 1983 to peg the currency to the US dollar, as well as other important documents of historical record.The main contribution of the book is its detailed monetary analysis of Hong Kong’s unique financial system before and after the currency crisis of 1983. The book explains the collapse of the floating Hong Kong dollar under the pressure of capital outflows during the Sino-British negotiations (1982–84) over the future of Hong

Sinoglossia places the terms of embodiment, mediality, and translation at the center of analytical inquiry into Chinese and Sinophone cultures. Converging in the rubric of Sinoglossia, the chapters in this volume introduce a theory defined by cultural formations not overdetermined by Sinitic linguistic ties. The concept of Sinoglossia combines a heteroglossic and a heterotopian approach to the critical study of mediated discourses of China and Chineseness. From the history of physical examinations and queer subalternity to the cinematic inscription of Chineseness-as-landscape, and from Sinopop to the translational writings of Eileen Chang and Syaman Rapongan, this book argues for a flexible conceptualization of cultural objects, conditions, and contexts that draws attention to an array of polyphonic, multi-discursive, and multilingual articulations. In this new horizon of understanding, place or topos necessarily constitutes the possibility of friction and source of innovation.“Sinogloss

Voice Therapy for Children is a bilingual instructional manual that aims to maximize speech therapy students’ and clinicians’ competence, knowledge, and effectiveness in managing pediatric voice caseloads. This is a unique text that goes beyond general descriptions of therapeutic technique and physiologic principles.Designed to serve Cantonese- and English-speaking children, this manual provides a clear and systematic overview of practical issues and clinical tips, laying out the steps and criteria for therapy programs. With detailed instructions for each voice therapy session, clinicians will find answers to questions such as How can children be kept engaged in voice therapy?How can clinicians facilitate learning and performance of voicing techniques?How can age-appropriate practice stimuli and games be selected?This manual contains detailed instructions for each voice therapy session and ready-to-use clinical materials, including picture cards for eliciting stimulus and record forms

The Dragon King below the Jing River defied the orders of the Jade God of the Heavens and was executed. His ghost resented the Tang Emperor Taizong for not saving him, and dragged the Emperor to the Underworld. What would the Emperor see in the Underworld? Was he able to return to life? My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

The fact that Snow did not sneak into “red China” to gather information constituting the basis of his Red Start over China all alone is in many instances isunderstood even by scholars.Mao Zedong’s biography has been the subject of an international mountain of commentary in China and elsewhere. Biographies praising Mao and those slandering him are all based on the American journalist Edgar Snow’s (1905–1972) account in Red Star over China for the route Mao traveled from early childhood through his youth.How the “Red Star” Rose introduces the image of Mao and the biographical information made known to the world through the publication of Red Star, and with its publication the circumstances which they fundamentally undermined. Ishikawa Yoshihiro uses Mao Zedong as raw material to examine from whence and how ordinary historical information and images which we habitually use unconsciously come into being.He desires to help readers to reconsider the historicity of the generation of not only

This book offers a glimpse into the wide-ranging 50-year career of the internationally renowned Hong Kong photographer/designer through his work in collages and photomontages. From his early album covers when he was an art director/designer for the music industry in New York, Los Angeles and London in the 1970’s, through his diverse international assignments and personal works, to his most recent exhibition in Hong Kong. The story encompasses the long journey from cut-and-paste collages to the computer-composited photomontages of dreamscapes in this Carnival of Dreams.In his introduction titled ‘The Man from Everywhere’, Pico Iyer writes: “For decades now, Basil Pao has been the global eye through which I’ve taken in almost every country, as clearly as the world within… I never know where to place Basil; I can’t get my head around him. Album-designer, loving father, covert Chan master—21st century Renaissance man—Basil is always bringing the many worlds inside him together to create so

ONE OF THE MOST SPOKEN DIALECTS in China, Southeast Asia, and globally, Cantonese was nevertheless deemed a local dialect enjoying little prestige among the intellectuals. Not much was recorded in official documents or gazetteers about the early history of Hong Kong. The Cantonese language and its origin remained much of a mystery until the mid-20th century when scholars started to accord it with increasing attention. Thanks to dedicated efforts of early missionaries, pedagogues, and linguists, we can now trace back the evolution of modern Cantonese since the 19th century— how differences in sounds, words, and grammar distinguish the old from contemporary speech today. In this book, Hung-nin Samuel Cheung, an acclaimed scholar on the study of Cantonese, offers profound insights to various firsthand century-old materials including language manuals, Bible translations, and maps of Hong Kong, with findings that will be useful for ongoing efforts to study the development of

The introduction of elections to district advisory bodies during the early 1980s was expected to improve the public delivery of services. However, as time passed, electoral politics led to party politics, elite fragmentation and political struggles. Politicization and hyper-politicization in the Hong Kong Special Administrative Region has brought about a fluctuating pattern between administrative recentralization, the Tsang administration’s attempts at decentralization, and the post-2019 administrative recentralization.The purpose of this book is to study the intertwining relationship between district administration and electoral politics. It also examines the political transformation of District Councils after the promulgation of the National Security Law in late June 2020. Written by experts in the field, this book is a good reference source for readers interested in district elections, politics, and administration in Hong Kong.

Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist demonstrates otherwise, revealing the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning. Ozu: A Closer Look guides the reader through Ozu’s early, silent films and his sound films made during Japan’s wars in Asia and the subsequent American Occupation, then takes up specific themes relevant to his later, better-known films. These themes include religion, gender, and the influence of traditional Japanese painting. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film

Traversing from the rapidly urbanising county-level city of Fuqing to the remote mountainous kingdom of Lesotho in Southern Africa, Searching for Sweetness is one of the first and most extensive ethnographies linking rural-to-urban migration in China with Chinese migration to Africa. Against the backdrop of China’s national struggle for modernity and globalisation, Sarah Hanisch examines Chinese migrant women’s complex and ever-shifting struggles for upward social mobility across different generations and localities in China and Lesotho. Embedding the women’s individual portraits into larger historical contexts, Hanisch illustrates how these women interpret and narrate their migratory and everyday experiences through and beyond powerful state metanarratives on ‘sweetness’ and ‘bitterness’. In her exploration of migratory identities and projects that have been overlooked by previous studies, Hanisch brings uniquely gendered, multi-sited, and intergenerational perspectives to existing sc

This book piecestogether the history of HMS Tamar. From her launch into service to her roles as a hospital, theatre stage, and transport for military personnel, the Tamar carried not just people, but also their mundane dreams and ambitions ― for friends, families, and staying alive.

The distant rustle of a tusker emerging one morning from the forests of Nepal. The crack of the shifting expanses of ice in northern Mongolia. The swirl of mist around a lantern atop of Hong Kong Island. The squeaky whistle of diving kites over the holy waters of Varanasi. Black clouds carrying sleet over the rock country of Australia. Men with their eagles on horseback singing love songs as they ride through tall grasslands. This book of images is a thought-provoking look at stillness and reflection, from the bushlands of Australia to the frozen lakes of Mongolia, and the deserts of the Middle East. It’s a personal look at places of silence and space where I have found peace and meaning. My hope is to invite the viewer to pause, slow down, and look. Pay attention to the small, magical things that are happening within each image and find your own place within them. There we can meet in silence—and be still. When you stand in front of a photographic print made with movement and the play

A behind-the-scenes look into the filming of The Last Emperor through the photographs of Basil Pao. The Last Emperor Revisited is a true behind-the-scenes look at the making of Bernardo Bertolucci's legendary film through the exquisite eye of a photographer who had unlimited access to everyone and everything, everywhere. The photographs feature an international cast of characters who contributed to the creation of the masterpiece, from the director, filmmakers, and actors, to the farmers, workers, and students in and around Beijing who were recruited as extras. In July 1986, Basil Pao joined the cast and crew for the filming of The Last Emperor. His principal role was to play the young emperor Pu Yi's father Prince Chun, but he also served as a third assistant director and special stills photographer. The book contains over 250 photographs, including some of Pao's most iconic images of the film, along with a treasure trove of "never-been-seen" pictures captured during filming in Beijin

An analysis of the lessons learned from tuberculosis control in Shanghai. Tuberculosis Control and Institutional Change in Shanghai, 1911-2011 is the first book on the most widespread and deadly infectious disease in China, both historically and today. Weaving together interviews with data from periodicals and local archives in Shanghai, Rachel Core examines the rise and fall of tuberculosis control in China from the 1950s to the 1990s. Under the socialist work unit system, the vast majority of people had guaranteed employment, a host of benefits tied to their workplace, and there was little mobility--factors that made the delivery of medical and public health services possible in both urban and rural areas. The dismantling of work units amid wider market reforms in the 1980s and 1990s led to the rise of temporary and casual employment and a huge migrant worker population, with little access to health care, creating new challenges in TB control. This study of Shanghai will provide valu

An examination of the Counter-Enlightenment movement in China. In Modern Chinese Counter-Enlightenment, Peng Hsiao-yen argues that a trend of Counter-Enlightenment had grown from the late Qing to the May Fourth era in the 1910s to the 1920s and continued to the 1940s. She demonstrates how Counter-Enlightenment was manifested with case studies such as Lu Xun's writings in the late 1900s, the Aesthetic Education movement from the 1910s to 1920s, and the Science and Lifeview debate in the 1920s. During the period, the life philosophy movement, highlighting the epistemic debate on affect and reason, is connected with its counterparts in Germany, France, and Japan. The movement had a widespread and long-term impact on Chinese philosophy and literature. Using the transcultural lexicon as methodology, this book traces how the German term Lebensanschauung (life view), a key concept in Rudolf Eucken's life philosophy, constituted a global tide of Counter-Enlightenment that influenced the though

The pandemic left disorder and crises in its wake everywhere it struck. Drawing on disciplines including public health, politics, and socioeconomics, this book tracks the spread of COVID-19 to weave a coherent picture that explains how scientists learnt about the virus, how authorities reacted around the world, and how different societies coped. Written by a leading team of public health, policy, and economics experts, this volume provides an in-depth analysis of various countries’ responses to the onset of the pandemic, as well as suggestions to increase capacity and capability to fight future pandemics. The first part of the book provides an overview of global governance and international cooperation, economic and social consequences of the outbreak, and breakthroughs in mathematical modelling and COVID-19 vaccines. The second part of the book examines and compares specific countries and regions through the lens of good governance, social contract, and political trust. This book is e

Dazzled by the twilight of 17th-century painter Aert van der Neer’s Moonlit Landscape with a Road beside a Canal (1645–1650), contemporary Spanish artist Alberto Reguera created twenty three paintings as an homage to the celebrated artist of the Dutch Golden Age.This new series of paintings examines and connects directly to Van der Neer’s masterpiece, and the important painterly achievements of the Dutch painter’s generation.The exhibition and accompanying publication is the second collaboration between the University Museum and Art Gallery (UMAG) and Alberto Reguera. While the first exhibition Blue Expansive Landscape (2015) was notable for the display of the painter’s two- and three-dimensional works, and his innovative ways of painting beyond the canvas, Homage to Aert van der Neer is a similarly complex endeavour that has been achieved through a successful partnership with UMAG, the Museo Nacional Thyssen-Bornemisza and the artist.當代西班牙藝術家 Alberto Reguera 艾拔圖‧雷古拉 傾慕於十七世紀荷蘭畫家 Aert v

Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who

Tripitaka and his three disciples, Monkey, Pigsy, and Sandy, were chosen to undertake a pilgrimage to India, during which they came across all sorts of dangers and difficulties. This time, the Flaming Mountain blocked their way, and they needed a little help from the Princess Iron Fan and Bull Demon, well, parents of the Red Boy, who wanted to eat up Tripitaka and was just defeated by Monkey. Things never go smooth for them! My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

Prof. William S-Y. Wang, an eminent linguist, has made significant contributions to the field regarding lexical diffusion, experimental phonetic studies, language simulation and modeling, and aging and language. To celebrate his 90th birthday, colleagues and friends worldwide have contributed over 30 articles to a two-volume Festschrift. The English volume includes topics such as Chinese language evolution, the relationship between language and music, and the brain processes involved in language production. This Festschrift is written by and for experienced language researchers and is also suitable for students of Chinese linguistics and those interested in Chinese culture, history, and neurology.

The rapid developments of electronic communication in the past decades have resulted in a huge amount of clinical knowledge becoming readily available to patients and the general public. At the same time, with the increasing number of complaints and court cases relating to healthcare disputes, knowledge in healthcare ethics and law is increasingly important in the education, training and practices of lawyers as well. This book aims at helping healthcare practitioners (HCPs) to gain some basic and practical knowledge in the two important areas of clinical ethics and laws, so that they will become better practitioners upholding the standard of care, concentrate on taking care of their patients and stay away from unnecessary legal battles.

Frontiers of Memory in the Asia-Pacific explores the making and consumption of conflict-related heritage throughout the Asia-Pacific region. Contributing to a growing literature on ‘difficult heritage’, this collection advances our understanding of how places of pain, shame, oppression, and trauma have been appropriated and refashioned as ‘heritage’ in a number of societies in contemporary East and Southeast Asia and Oceania. The authors analyse how the repackaging of difficult pasts as heritage can serve either to reinforce borders, transcend them, or even achieve both simultaneously, depending on the political agendas that inform the heritage-making process. They also examine the ways in which these processes respond to colonialism, decolonization, and nationalism. The volume shows how efforts to preserve various sites of ‘difficult heritage’ can involve the construction of new borders in the mind between what is commemorated and what is often deliberately obscured or forgotten. Take

The Law of the People’s Republic of China on Safeguarding National Security in the Hong Kong SAR (the ‘NSL’) promises to be the most important legal development in Hong Kong since the advent of the Basic Law. Many wondered in the aftermath of the NSL how the foundations of Hong Kong’s system might be changed and in what way the freedoms valued by Hong Kong may be affected. Supporters view the law as essential for the preservation of public order and the national security of China and to support the fundamental well-being of “One Country, Two Systems”, an arrangement that has been in place since the return of Hong Kong to China. Critics fear an adverse impact on the spirit of “One Country, Two Systems”.From a discussion initiated by the University of Hong Kong’s Faculty of Law, this collection of essays brings together leading experts on Hong Kong and Chinese law to offer an exploratory study of the NSL and its impact on the legal system and the principle of the rule of law in Hong Kong

In The First British Trade Expedition to China, Nicholas D. Jackson explores the pioneering British trade expedition to China launched in the late Ming period by Charles I and the Courteen Association. While utilizing the vivid and unique perspective of its commander, Captain John Weddell, this study concentrates on the fleet’s adventures in south China between Portuguese Macao and the provincial capital, Guangzhou (Canton). Tracing the obscure origins of Sino-British diplomatic and commercial relations back to the late Ming era, Jackson examines the first episodes of Sino-British interaction, exchange, and collision in the seventeenth century. His definitive narrative and original analysis constitute a groundbreaking study of early modern British initiatives and enterprise in the coastal areas of south China. The book begins by sketching the Tudor-Stuart historical background of British trade expansion in Asia before precisely reconstructing the voyages of East India Company and then

Masculinity, fast-changing and regularly declared to be in the throes of crisis, is attracting more popular and scholarly debate in China than ever before. At the same time, Chinese literature since 1989 has been characterized as brimming with countercultural ‘attitude’. This book probes the link between literary rebellion and manhood in China, showing how male writers, as they critique the outcomes of decades of market reform, also ask the same question: how best to be a man in the new postsocialist order?In this first full-length discussion of masculinity in post-1989 Chinese literature, Pamela Hunt offers a detailed analysis of four contemporary authors in particular: Zhu Wen, Feng Tang, Xu Zechen, and Han Han. In a series of insightful readings, she explores how all four writers show the same preoccupation with the figure of the man on the edges of society. Drawing on longstanding Chinese and global models of maverick and marginal masculinity, and responding to a desire to retain a

In Painting Architecture: Jiehua in Yuan China, 1271–1368, Leqi Yu has conducted comprehensive research on jiehua or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools such as rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting category with the builder’s art, which led to Chinese elites’ belittlement and won Mongol patrons’ admiration. Yu suggests that painters in the Yuan dynasty made new efforts towards a unique modular system and an unsurpassable plain-drawing tradition. She argues that these two strategies made architectural paintings in the Yuan dynasty entirely different from their predecessors, as well as making the art form extremely difficult for subsequent painters to imitate.