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A collection of 60 short prose pieces by best-selling author and design critic Akiko Busch that reflect, in her classic style of observation, on the human condition and offer insights on family, domestic space, and a changing environment. Beautifully illustrated with 20 pieces of watercolor art, this collection makes an inspirational gift.In Everything Else Is Bric-a-Brac, Akiko Busch explores place, memory, and the ambiguities of domestic life. At once thought-provoking, humorous, and meditative, these essays illuminate the emotional resonance of inanimate things; ideas of placement and displacement; the simultaneous frailty and tenacity of human recollection; the beauty of usefulness and uselessness alike; and how we do―and don't―find our place in things.

It is time to reevaluate the merits of the inconspicuous life, to search out some antidote to continuous exposure, and to reconsider the value of going unseen, undetected, or overlooked in this new world. Might invisibility be regarded not simply as refuge, but as a condition with its own meaning and power? The impulse to escape notice is not about complacent isolation or senseless conformity, but about maintaining identity, autonomy, and voice. In our networked and image-saturated lives, the notion of disappearing has never been more alluring. Today, we are relentlessly encouraged, even conditioned, to reveal, share, and promote ourselves. The pressure to be public comes not just from our peers, but from vast and pervasive technology companies that want to profit from patterns in our behavior. A lifelong student and observer of the natural world, Busch sets out to explore her own uneasiness with this arrangement, and what she senses is a widespread desire for a less scrutinized w

Vivid, surprising, and utterly timely, Akiko Busch's HOW TO DISAPPEAR explores the idea of invisibility in nature, art, and science, in search of a more joyful and peaceful way of living in today's increasingly surveilled and publicity-obsessed worldIn our increasingly networked and image-saturated lives, the notion of disappearing has never been both more enchanting and yet fanciful. Today, we are relentlessly encouraged, even conditioned, to reveal, share, and self-promote. The pressure to be public comes not just from our peers, but vast and pervasive technology companies, which want to profit from patterns in our behavior. A lifelong student and observer of the natural world, Busch sets out to explore her own uneasiness with this arrangement, and what she senses is a widespread desire for a less scrutinized way of life--for invisibility. Writing in rich painterly detail about her own life, her family, and some of the world's most exotic and remote places--from the Cayman Islands to

Geography of Home has been hailed as "an appealing, insightful collection of musings on the architecture, psychology, and history of house and home in America" (Kirkus). Now available in paperback, Ge

In a literary tour of the spaces of our homes, Geography of Home reflects on how we define such elusive qualities as privacy, security, and comfort. Part social history, part architectural history, pa