A technical and artistic discussion of ballet focusing on its history, physical requirements, exercises, and training. (We challenge LC's characterization of it as "juvenile.") Annotation copyright Bo
In Getting Started in Ballet, Anna Paskevska draws from her training at the Paris Opera Ballet School and the Royal Ballet School in London, and her career as a professional dancer and teacher to offe
For nearly a century, the training of ballet and modern dancers has followed two divergent paths. Modern practitioners felt ballet was artificial and injurious to the body; ballet teachers felt that m
