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With an Introduction and Notes by Joe Andrew, Professor of Russian Literature, Keele University. Anton Chekhov is widely regarded as one of the greatest writers of short stories. He constructs stories

A master playwright and short story writer, Anton Chekhov is revered for his ability to examine the social forces in his characters' lives. His virtuosity with the written word is on full display in t

From the celebrated, award-winning translators of Anna Karenina and The Brothers Karamazov a lavish volume of stories by one of the most influential short fiction writers of all time Chekhov's genius left an indelible impact on every literary form in which he wrote, but none more so than short fiction. Now, renowned translators and longtime house authors Richard Pevear and Larissa Volokhonsky give us their peerless renderings of fifty-two Chekhov stories. These stories, which span the full arc of his career, reveal the extraordinary variety and unexpectedness of his work, from the farcically comic to the darkly complex, showing that there is no one type of "Chekhov story." They are populated by a remarkable range of characters who come from all parts of Russia and all walks of life, including landowners, peasants, soldiers, farmers, teachers, students, hunters, shepherds, mistresses, wives, and children. Taken together, they demonstrate how Chekhov democratized the form. Included in th

Chekhov's genius left an indelible impact on every literary form in which he wrote, but none more so than short fiction. Now renowned translators Richard Pevear and Larissa Volokhonsky give us their s

Anton Chekhov was one of the world’s most accomplished short-story writers and this new collection displays the breadth and variety of his genius. Part of the Macmillan Collector’s Library; a series o

The most widely staged dramatist after Shakespeare, Chekhov left a deep mark both on the development of Russian literature and world theatre, with plays that were remarkable not just for their dialogu

This collection of lesser-known early short fiction - ranging from absurd humorous sketches to psychological dramas and tragic tales - demonstrates Anton Chekhov's mastery of the genre, with stories about marital infidelity, betrayal, deception and love in its various forms. Although varying in tone and purpose, what these tales have in common is a profound and subtle understanding of the human condition, in its farcical and melancholy aspects, couched in Chekhov's trademark minimalist style.

Anton Chekhov is one of the undisputed masters of world drama. He is usually thought to hide himself behind his characters and stories, keeping his own personality well off-stage. But when he was youn

Tea's cold, lunch is late and the great Professor has turned out to be a fraud - for Uncle Vanya, life has gone wonky, it's gone to hell. Only one thing can save him - a glamorous woman's love.

'Oh, good God,' he kept saying with great relish. 'Good God...''Gooseberries' is accompanied here by 'The Kiss' and 'The Two Volodyas' - three exquisite depictions of love and loss in nineteenth-centu

Luxuriating in her fading moneyed world and regardless of the increasingly hostile forces outside, she and her brother snub the lucrative scheme of Lopakhin, a peasant turned entrepreneur, to save the

Liubov Ranevskaya, a widowed landowner returns home more or less insolvent after five years abroad. Everything appears just as she remembers it but hers is a diminishing world. The vast and beautiful

The Seagull is one of the great plays about writing. It captures the struggle for new forms, the frustrations and fulfilments of putting words on a page. Chekhov, in his first major play, stages a vit

Anton Chekhov wrote that "narrative is my legal wife and drama a flamboyant, rowdy, impudent, exhausting mistress." At a time when the Russian stage was dominated by farces, formulaic melodramas, and

In 1997, David Hare adapted the little-known play, Ivanov, and revealed the young Anton Chekhov as a markedly different writer from the one English-speaking audiences were familiar with. Now he has pr

This second volume of Chekhov's stories draws from his work of the 1880s and 90s and comprises "A Daughter of Albion", "An Incident", "A Dreary Story", "The Duel", "The Chorus Girl", "Ward 6", "The Te

Written during Chekhov's late twenties and early thirties, these stories are the work of a young writer in dialogue with his masters: Tolstoy, Gogol, and Furgenes. The stories-"The Steppe," "Panpipes,