Is it possible to describe a photograph without interpreting it? Can a viewer ever be as dispassionate as the mechanism of a camera? And how far can a photographer’s intentions determine responses to
There is a lot of casual chat about photography, justas there is a lot of casual photography. But there havealways been articulate voices, able to see past the obvious,around the distracting, and thro
After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, Our country is made for long trips. Since the 1940s,
Andreas Gefeller (*1970 in Düsseldorf) sought the greatest overview as early as in his series Supervisions and The Japan Series. In his most recent photo project, Blank, he initially approaches the ea
After five years of looking closely through his camera at a small beach, David Batchelder no longer sees the shores as we know them. His vision now is of a private reality within the tideland. In Tide
Walker Evans (1903-1975) was one of the most important and influential artists of the twentieth century, producing a body of photographs that continues to shape our understanding of the modern era. He
A collection of essays by artists, photographers, and theorists looks at the changing relationship between film and photography, examining the creative interaction between the moving and still photogr
Jeff Wall's Picture for Women (1979) marks the transition of photography as an art form from the printed page to the gallery wall. Before this, photographs—from the ortho
Jeff Wall's Picture for Women (1979) marks the transition of photography as an art form from the printed page to the gallery wall. Before this, photographs—from the orthodox photographic work o
