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From National Book Award-longlisted poet Victoria Chang, a collection of literary letters and mementos on the art of remembering across generations. For Victoria Chang, memory "isn't something that blooms, but something that bleeds internally." It is willed, summoned, and dragged to the surface. The remembrances in this collection of letters are founded in the fragments of stories her mother shared reluctantly, and the silences of her father, who first would not and then could not share more. They are whittled and sculpted from an archive of family relics: a marriage license, a letter, a visa petition, a photograph. And, just as often, they are built on the questions that can no longer be answered. Dear Memory is not a transcription but a process of simultaneously shaping and being shaped, knowing that when a writer dips their pen into history, what emerges is poetry. In carefully crafted collages and missives on trauma, loss, and Americanness, Chang grasps on to a sense of self that g

"With astringent understatement and wry economy, with nuance and intelligence and an enviable command of syntax and poetic line, Victoria Chang dissects the venerable practices of cultural piety and s

In this beautiful novel in verse, a Chinese-American girl contends with school bullies, tries to solve the mystery of her sister's strange illness and finds strength and validation at the local tennis

After her mother’s death, Chang wrote deep into grief by composing “obits”—from her mother’s blue dress to language itself.The New York Times 100 Notable Books of 2020Time Magazine's 100 Must-Read Books of 2020NPR's Best Books of 2020National Book Award in Poetry, LonglistFrank Sanchez Book AwardAfter her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerfu

Taking its concept of concentricity from the eponymous Ralph Waldo Emerson essay, Circle, the first collection from Victoria Chang, adopts the shape as a trope for gender, family, and history. These l

Written in ?a breathless kind of fury,” the poems in award-winning poet Victoria Chang’s virtuosic third collection The Boss dance across the page with the brutal power and incandescent beauty of spri

Victoria Chang's collection takes its title from what many call "the worst weed in the world," a plant so rapidly and uncontrollably invasive that it is illegal to sell or possess in the United States