With its witty heroine Rosalind, who has the longest role of Shakespeare's female characters, As You Like It is Shakespeare's most light-hearted and most performed comedy. This edition includes nu
Twelfth Night is one of the most popular of Shakespeare's plays in the modern theatre, and this edition places particular emphasis on its theatrical qualities throughout. Peopled with lovers misled ei
Dark and violent, Macbeth is also the most theatrically spectacular of Shakespeare's tragedies. Indeed, for 250 years - until early this century - it was performed with grand operatic additions set to
Julius Caesar's exciting plot, brilliant rhetoric, and searching characterisation have made it one of Shakespeare's most popular plays with both readers and theatre-goers. Introducing this thoroughly
I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an
這是來自兩個敵對家庭的年輕人的悲劇愛情故事，由英國國寶、世界最偉大作家之一的莎士比亞所創作。以劇本形式書寫，適合分組演出，並有角色分配表。Level 3/ 1200 headwords/ Pre-Intermediate/ Classic/ British English/ Number of words(excluding activities): 13684
本書精選兩部喜劇及兩部悲劇：《威尼斯商人》--商人安東尼奧和他的朋友；《仲夏夜之夢》--森林中有魔法妖術的夜晚；《哈姆雷特》--鬼魂、瘋狂與謀殺、復仇；《凱撒大帝》--權力與背叛。Level 3/ 1200 headwords/ Pre-Intermediate/ Classic/ British English/ Number of words(excluding activities): 13
Compass Publishing brings Shakespeare's most popular and influential comedies to its line of Compass Classic Readers. English language learners of all ages will enjoy developing their vocabulary and r
Compass Publishing brings Shakespeare's most powerful and influential tragedies to its line of Compass Classic Readers. English language learners of all ages will enjoy developing their vocabulary and
不管在莎士比亞年代裡或是現代，這部有關精靈、睡夢和情人的故事都同樣膾炙人口。在雅典城外的森林裡，四個年輕人追逐著他們的夢，精靈的介入則產生了奇怪的後果。這看起來像是虛構的世界--但是和我們的世界真的很不一樣嗎？This wonderful story of fairies, dreams and lovers is as popular today s it was in Shakespeares
Compass Books brings William, Shakespeare’s play of revenge, romance, and comedy to its Compass Classic Readers line of readers. English language learners of all ages will enjoy deve1oping their vocab
Compass Publishing brings William Shakespeare’s play of this timeless romance to its Compass Classic Readers line of readers. English language learners of all ages will enjoy developing their vocabula
In The Merchant of Venice, the penniless but attractive Bassanio seeks, and finally wins, the hand of the fabulously wealthy Portia. But even as the play provokes laughter, it also provokes something
Audiences have always delighted in the robust comedy and verbal inventiveness of The Taming of the Shrew. It has survived many adaptations ranging from, probably, the play printed in 1594 as The Tamin
Usually classifed as a 'problem comedy', All's Well that Ends Well invites a fresh assessment. Its psychologically disturbing presentation of an agressive, designing woman and a reluctant husband wooe
A magnificent drama of love and war, this riveting tragedy presents one of Shakespeare's greatest female characters—the seductive, cunning Egyptian queen Cleopatra. The Roman leader Mark Antony, a vir
This important new edition of one of Shakespeare's more neglected plays offers a wide-ranging critical introduction, concentrating on its relevance to Elizabethan political issues and on the role play
The Merry Wives of Windsor was almost certainly required at short notice for a court occasion in 1597: Shakespeare threw into it all the creative energy that went into his Henry IV plays. Falstaff is
Based on Chaucer's Knight's Tale, the central themes of this humourous and moving play are the claims of love and friendship. The introduction to this new edition offers an illuminating account of Sha
Much Ado About Nothing has long been celebrated as one of Shakespeare’s most popular comedies. The central relationship, between Benedick and Beatrice, is wittily combative until love prevails. Broade
This revised Norton Critical Edition of one of the series' most widely read texts is based on the second quarto (1604-05). Where necessary, the editor has also drawn from the folio text, recording all
Love’s Labour’s Lost, now recognized as one of the most delightful and stageworthy of Shakespeare’s comedies, came into its own both on the stage and in critical esteem only during the 1930s and 1940s
