The Lost Bride

Othello is an intense drama of love, deception, jealousy and destruction. Desdemona's love for her husband Othello, the Moor, transcends racial prejudice; but his trusted ensign, the envious Iago, con

Controversial and sexually charged, The Taming of the Shrew is possibly Shakespeare's first play, and certainly among the most performed. Is it an examination of brute male domination or a passionate

The Merchant of Venice is most associated not with its titular hero, Antonio, but with the complex, unforgettable figure of the money-lender, Shylock. It is Shylock who finances Antonio's friend Bassa

Bianca is beautiful and demure, with a plethora of would-be suitors, but marriage is forbidden until her older sister Katherina finds a suitable match. The hitch? Fiery Katherina has sworn to deny the

′The quality of mercy is not strain′d,It droppeth as the gentle rain from heaven′Bassiano, a noble Venetian, hopes to woo the beautiful heiress Portia. However, he requires financial assistance from h

′We are such stuffAs dreams are made on; and our little lifeIs rounded with a sleep.′Magical and dreamlike in its tone, Shakespeare′s The Tempest begins with a storm of epic proportions and a shipwrec

Edited, introduced and annotated by Cedric Watts, Professor of English Literature, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakesp

Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. The Winter's Tale, one of Shakespeare's later romantic comedies, offers a striking and challengin

Edited, introduced and annotated by Cedric Watts, Research Professor of English Literature, University of Sussex. The Wordsworth Classics' Shakespeare's Series presents a newly-edited sequence of Will

Richard, Duke of Gloucester - the bitter, deformed brother of the King - is secretly plotting to seize the throne of England. Charming and duplicitous, powerfully eloquent and viciously cruel, he is p

First staged in 1599, Shakespeare's history of Henry V's remarkable victory over the French at Agincourt and the subsequent peace between the two nations is also a study of war and kingship. From his

Dark and violent, Macbeth is also the most theatrically spectacular of Shakespeare's tragedies. Promised a golden future as ruler of Scotland by three sinister witches, Macbeth murders the king to ens

Working in partnership with the RSC, this brand new series is ideal for introducing students to Shakespeare's plays. Using trusted and established RSC approaches, Shakespeare's plays come to life in t

Richard III is one of the finest of Shakespeare's historical dramas. Although it has a huge cast, Richard himself, gleefully wicked, charismatically Machiavellian, always dominates the play: a role to

Power, corruption and betrayal are at the heart of Shakespeare′s most well-known historical and political drama. As Julius Caesar moves closer to securing power for himself and is perceived by some as

Edited, introduced and annotated by Cedric Watts, Research Professor of English Literature, University of Sussex. In Henry IV, Part 1, the King is in a doubly ironic position. His rebellion against Ri

′If music be the food of love, play on;Give me excess of it, that, surfeiting,The appetite may sicken, and so die.′A comedic romance of mistaken identity, Twelfth Night begins with a shipwreck, splitt

′The better part of valour is discretion.′King Henry IV′s son, Prince Harry is quick-witted yet idle and irresponsible and lives a roguish existence keeping dubious company. However, when the kingdom

′Once more unto the breach, dear friends, once more...′Henry V is the final and most celebrated play of Shakespeare′s ′history plays′. Prince Harry reigns over England after the death of his father Ki

′All the world′s a stage,And all the men and women merely players.′Featuring Rosalind, one of Shakespeare′s most likeable and strong female protagonists, As You Like It is a comedic play centred aroun

′O, beware, my lord, of jealousy!It is the green-eyed monster which doth mockThe meat it feeds on.′Dramatic and powerful in its scope, Othello explores the perils of suspicion and jealousy and the ens

′Stars, hide your fires!Let not light see my black and deep desires.′One of Shakespeare′s darkest and most violent tragedies, Macbeth′s struggle between his own ambition and his loyalty to the King is

Edited, introduced and annotated by Cedric Watts, Research Professor of English Literature, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of Willia

Edited, introduced and annotated by Cedric Watts, Research Professor of English Literature, University of Sussex. The Wordsworth Classics' Shakespeare Series, with Henry V as its inaugral volume, pres

Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespea

Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. In the hope of saving her brother's life, should a woman submit to rape? Should the law be respec

Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespea

Edited, Introduced and Annotated by Cedric Watts, Research Professor of English Literature, University of Sussex. The Wordsworth Classics' Shakespeare Series, with Henry V and The Merchant of Venice a

Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. Julius Caesar is among the best of Shakespeare's historical and political plays. Dealing with eve

Edited, Introduced and Annotated by Cedric Watts, Professor of English Literature, University of Sussex. The Wordsworth Classics' Shakespeare Series, with Romeo and Juliet, Henry V and The Merchant of

Love's Labour's Lost is a popular text for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists and classroom notes.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by William C. Carroll, this edition of Love's Labour Lost features a lively account of the play's performance history from 1632 to the present day. Stage and screen productions of the late twentieth century receive particular attention and a range of international performances are also explored. New trends in the scholarly criticism are discussed in the introduction, as are the play's sources and historical contexts. Carroll's text is freshly edited from the First Quarto, published in 1598, and presents a highly readable modernised edition of Love's Labour Lost; a play known for its unorthodox ending and extraordinary use of language.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by William C. Carroll, this edition of Love's Labour Lost features a lively account of the play's performance history from 1632 to the present day. Stage and screen productions of the late twentieth century receive particular attention and a range of international performances are also explored. New trends in the scholarly criticism are discussed in the introduction, as are the play's sources and historical contexts. Carroll's text is freshly edited from the First Quarto, published in 1598, and presents a highly readable modernised edition of Love's Labour Lost; a play known for its unorthodox ending and extraordinary use of language.

From the Royal Shakespeare Company – a fresh new edition of Shakespeare's dazzling comedy.This book includes:* An introduction to Love's Labour's Lost by award-winning scholar Jonathan Bate* The pla

After his ships and money are lost at sea, Antonio, a prominent Venetian merchant, cannot repay a loan to Shylock, the Jewish moneylender and long-suffering target of his ridicule. Antonio must rely o

The everyman Signet Shakespeare series continues with the first volume of Comedies containing THE COMEDY OF ERRORS, THE TAMING OF THE SHREW, THE TWO GENTLEMEN OF VERONA. LOVES LABOUR'S LOST, ROMEO AND

′My Oberon! what visions have I seen!Methought I was enamoured of an ass.′When four young lovers flee from Athens and become lost in an enchanted wood, they stumble into a fairy world where King Obero

'The Family Shakspeare: in which nothing is added to the original text, but those words and expressions are omitted which cannot with propriety be read in a family.' These words on the title pages of this edition gave rise to the verb 'to bowdlerise' - to remove or modify text considered vulgar or objectionable. Although the first edition was in fact created by Henrietta Maria Bowdler (1750–1830) and published in 1807, the many subsequent editions were published under the name of her brother Thomas (1754–1825), whose other enthusiasms were prison reform and chess. The Bowdlers' work became enormously popular as the scandal-ridden Regency gave way to Victorian respectability. This volume, from the 1853 edition, contains Love's Labour's Lost, The Merchant of Venice, As You Like It, All's Well that Ends Well, The Taming of the Shrew, The Winter's Tale and The Comedy of Errors.

First published in 1858, this is the first of three volumes of Howard Staunton's collection of Shakespeare's plays, with black-and-white illustrations by the prolific artist John Gilbert. Staunton's annotated edition, based on the folio and quarto editions collated with the texts of later editors from Rowe to Dyce, combines common sense with meticulous research, making it a definitive resource in its day. Each play is accompanied by an introduction giving details of its original production and publication and the sources of its plot, critical commentary, and footnotes explaining terms and expressions. This volume contains The Two Gentlemen of Verona, Love's Labour's Lost, The Comedy of Errors, Romeo and Juliet, The Taming of the Shrew, King John, A Midsummer Night's Dream, The Merchant of Venice, King Richard II, King Henry IV Part 1, King Henry IV Part II, The Merry Wives of Windsor, and Much Ado About Nothing.