Intersections

In Socializing Medicine, Pao-chen Tang, Yuqian Yan, and Ling Zhang explore the intersections of medicine, health, and East Asian media. Interweaving archival research, audiovisual analyses, and theoretical insights from the emerging field of health humanities, the book reveals the multifaceted ways in which the mass media—from photography and film to television and live streaming—has been deployed as a tool for controlling medicine and health, privileging those with power and authority from the early twentieth century to the present. Adopting anti-colonial and anti-capitalist perspectives, the contributors in this volume challenge the dominant mediations of health against the backdrop of imperialism, Cold War geopolitical tensions, and neoliberal capitalism. Collectively, they advocate for alternative understandings of medical culture through media productions that envision accessible and equitable healthcare practices.

When the Yellow River Floods explores the relationship between environmental degradation, hydraulic engineering, and nation-building in the context of Liu E’s The Travels of Lao Can. This book contributes to the field by providing a unique perspective on modern Chinese literary history that goes beyond conventional narratives that focus solely on political and cultural factors. The main areas covered include the role of water management in literary nation-building and the connections between the novel’s various themes, such as river engineering, medical and political discourses, national sentiment, and landscape description. The book is targeted toward scholars and students of Chinese literature, history, and environmental studies, as well as those interested in the intersections between literature, nation-building, and environmental challenges. By offering a comprehensive and material-based analysis of The Travels of Lao Can, this book broadens the understanding of nation-building in

In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture. This work is a pioneer investigation of the topic and will inspire future research by other scholars of film studies.

譯者是殖民時期介乎統治者與被統治者的見證人。本書藉由譯者的內在視角與外在活動，剖析臺灣日治時期的殖民統治。 本書以臺灣日治時期的殖民統治為研究範疇，並以探討該時期的譯者與譯事活動為主旨。七位作者對於前述主題的關注，主要在於殖民統治下的譯者角色功能，以及譯者在語言文化上的「翻譯」活動。 殖民統治並非臺灣獨有的歷史記憶。在亞洲，甚至可說是各國共有的歷史軌跡與印記。直到數十年後的今天，殖民的歷史烙印依然

《Civil Society》是一部探討公民自發行動與公共生活的經典著作，也是理解「公民社會」不可或缺的重要文本。面對近年來席捲全球的抗議運動與社會動盪，本書提醒我們：真正能長期塑造社會的力量，往往並不只存在於街頭或新聞焦點中，而是深植於人們日常參與的志願組織、社群與公民網絡之中。Civil Society has become a standard work of reference for anyone seeking to understand the role of voluntary citizen action in shaping society.Recent waves of global unrest have highlighted the visibility and impact of social movements and street protests in world politics. Yet, as this lucid and accessible book demonstrates, the real power of citizens more often flows through everyday participation in voluntary associations, community groups, and civic networks—forms of “normal” civic life that rarely make headlines. This is the deeper, underlying story of civil society.In this updated edition, Michael Edwards examines key developments that have rapidly transformed the civic landscape in recent years. These include the growing intersections between civil society and the market, such as social enterprises and “venture philanthropy,” as well as the