Alien Spaces in Similar Places

In the West, love occupies center stage in the modern age, whether in art, intellectual life, or the economic life. We may observe a similar development in China, on its own impetus, which has resulted in this characteristic of modernity—this feature of modern life has been securely and unambiguously established, not the least facilitated by the thriving of literature about qing, whether in traditional or modern forms. Qiancheng Li concentrates on the nuances of a similar trend manifested in the Chinese context. The emphasis is on critical readings of the texts that have shaped this trend, including important Ming- and Qing-dynasty works of drama, Buddhist texts and other religious/philosophical works, in all their subtlety and evocative power. -------------- The power of qing or strong emotion is a major theme in late imperial Chinese literature—some writers asserting that it can transcend even life itself. Qiancheng Li surveys a number of seventeenth-century philosophical, religio

Utopia and Utopianism in the Contemporary Chinese Context: Texts, Ideas, Spaces decisively demonstrates the extent to which utopianism has shaped political thought, cultural imaginaries, and social engagement after it was introduced into the Chinese context in the nineteenth century. In fact, pursuit of utopia has often led to action—such as the Chinese Revolution and the Umbrella Movement—and contested consequences. Covering a time span that goes from the late Qing to our days, the authors show that few ideas have been as influencing as utopia, which has compellingly shaped the imaginaries that underpin China’s historical change. Utopianism contributed to the formation of the Chinese state itself—shaping the thought of key figures of the late Qing and early Republican eras such as Kang Youwei and Sun Yat-sen—and outlived the labyrinthine debates of the second half of the twentieth century, both under Mao’s rule and during the post-socialist era. Even in the current times of dystopian

十歲男孩，親眼見過外星人。從此深信外星人的存在，相信外星人的邪惡、狡猾、貪婪，相信他們總有一日會侵略地球。 別人都以為他瘋了，沒有人願意相信他。 但，這一日，來了…… I ran forward and leapt. Some of the burning bricks hit me on the back. I ignored the pain. I pulled out two big sharp knives from my backpack and held it forward. I crashed right into the window. I waved my knives and shouted wildly. Everything was normal until strange incidents happened upon Anson and Thomas. A strange bullet Endless nightmares The near death of a friend Suddenly, they found themselves in a world of ruins and aliens, where they were the only ones who could save it. 本書特色 A 10-year-old boy created his own imaginative literature world, with his belief towards the existence of alien. "I am one of them who say they do. The reason is that I really did see and fought them before," said Anson in the foreword. A boy who insists upon his belief no matter whatever have been said. "I only hope that you will believe me."

Over five decades, Donald J. Munro has been one of the most important voices in sinological philosophy. Among other accomplishments, his seminal book The Concept of Man in Early China influenced a generation of scholars. His rapprochement with contemporary cognitive and evolutionary science helped bolster the insights of Chinese philosophers and set the standard for similar explorations today. In this festschrift volume, students of Munro and scholars influenced by him celebrate Munro’s body of work in articles that extend his legacy, exploring their topics as varied as the ethics of Zhuangzi’s autotelicity, the teleology of nature in Zhu Xi, and family love in Confucianism and Christianity. They also reflect on Munro’s mentorship and his direct intellectual influence. Through their breadth, analytical excellence, and philosophical insight, the articles in this volume exemplify the spirit of intellectual inquiry that marked Donald Munro’s career as scholar and teacher. ~~~~~~~~ “Mun

School’s out for summer but Jasmine has a history project to complete. Hong Kong Ferris wheel spins her and Gong Gong Gramps to eighteen historical places in Hong Kong where they find clues to sites and a mystery letter. Will Jasmine finish her project on time? What is the mystery message and who wrote it? Join Jasmine for her magical ride through time and space.

Books about cities can open pathways to discover new places, and familiar places anew. Hong Kong is a much visited place. Over 50 million people stream through its hotels, restaurants and shopping malls each year. That is a lot of first impressions! This book, written by fourteen reflective scholars about living and learning from Hong Kong, builds on the growing interest of using “place” as text while providing a model of deepening cross-cultural encounters. Each chapter is written in a personal and experiential style, exploring Hong Kong through the lenses of a range of disciplines that shaped individual author's perceptions and encounters. The city is like a text one reads and deciphers, linking one’s sense of other cities with one’s present experiences of this city in this moment of time. In reading the city, readers discover not only what is “out there” in the ever moving surround of Hong Kong’s urban life, but also what is inside oneself as newcomer and as from another city and

“In order to afford their readers optimal access to a text that has been poorly understood and unfairly denigrated over the years, in addition to their definitive English translation and their critical Chinese text, Ian Johnston and Wang Ping have provided us with the broadest interpretative context imaginable.” —ROGER T. AMES Peking University The Liezi is a work attributed to the Daoist Lie Yukou, who, according to the traditional account, lived during the later part of the fifth and first part of the fourth centuries BCE. This places him between the first wave of philosophers of the pre-Han “Hundred Schools” (notably Lao Zi, Confucius, Mo Di, and Deng Xi) and the second wave, from mid-fourth to the end of the third centuries BCE. Thus, he may be said to have responded to the former and prefigured the latter. The Liezi we have today is the recension by the Xuanxue (Dark Learning, third to fifth centuries CE) scholar Zhang Zhan and is accompanied by Zhang’s commentary, which is a ph

The Placemakers of Hong Kong pays homage to what local development companies, charitable organizations, as well as the government have been able to achieve in contributing to the enhancement of Hong Kong’s evolving urban and rural landscape. Far from being solely profit-driven, developers and urban planners have been vital to the community by creating and designing urban spaces for the public, increasing walkability, and embracing sustainable design—a process called ‘placemaking’. The book also recognizes that just as important are the subsequent placekeeping activities necessary to keep each project site relevant and up-to-date. Featuring five case studies from the past and one that examines the ambitious and far-reaching plans for the Northern Metropolis, this book tells the story of Hong Kong’s miraculous urban development over the past few decades.

Revitalization in Asia: Adaptive Reuse in Macao, Mumbai, and Penang offers a clear understanding of the value of sustainable adaptive reuse within an Asian context. Three highly urbanized places (Macao, Mumbai, and Penang) are considered in detail from conservation and planning perspectives (with essays and timelines for each). For each place, five case studies offer a comparative framework for understanding similarities and differences in adaptive reuse projects. Six essays examine adaptive reuse in terms of its connection to the three dimensions of sustainability, with reference to the United Nations’ Sustainable Development Goals. This book is envisioned as a continuation of Asian Revitalization: Adaptive Reuse in Hong Kong, Shanghai, and Singapore.

Sinoglossia places the terms of embodiment, mediality, and translation at the center of analytical inquiry into Chinese and Sinophone cultures. Converging in the rubric of Sinoglossia, the chapters in this volume introduce a theory defined by cultural formations not overdetermined by Sinitic linguistic ties. The concept of Sinoglossia combines a heteroglossic and a heterotopian approach to the critical study of mediated discourses of China and Chineseness. From the history of physical examinations and queer subalternity to the cinematic inscription of Chineseness-as-landscape, and from Sinopop to the translational writings of Eileen Chang and Syaman Rapongan, this book argues for a flexible conceptualization of cultural objects, conditions, and contexts that draws attention to an array of polyphonic, multi-discursive, and multilingual articulations. In this new horizon of understanding, place or topos necessarily constitutes the possibility of friction and source of innovation.

Women We Love: Femininities and the Korean Wave is an edited volume exploring femininities in and around the Korean Wave since 2000. While studies on the Korean Wave are abundant, there is a dearth of thought put toward the female-identifying stars, characters, and fans who shape and lead this crucial cultural movement. This collection of essays is one of the first works to focus on gender and the key female actors of this global phenomenon. Using “women” as an inclusive term extending to all those who self-define as women, this volume examines the role of women in K-pop and K-drama industries and fandom spaces, encompassing crucial intersectional topics such as queering of gender, dissemination of media, and fan culture. In addition to the communities engaged with visual culture of the Korean Wave, the audience for Women We Love will reflect the contributors to this text. They are K-pop and K-drama fans, queer, international; they are also academics of Asian histories, sociology, gen

◎This is the Part-One (Radical Index - Stroke No. 1-2) of Twelve printouts from the on-line dictionary that is currently under developing. ◎This unprecedented, intelligent, convenient and useful Tool provides “Pin Yin” (spelled in English) of Traditional Chinese characters. ◎Along with Stroke-by-Stroke writings for each character’s Radical and additional strokes, it is possible to learn Chinese ubiquitously. The stroke-sequences for writing radical-characters are also included in a separate nineteen-page section with the order of radical stroke number and sequence. All the multiple ways of “Pin Yin” will also appear under multiple English letters. However, an unique sort key for the Last Name found in 百家姓 (the Hundred Family Surnames) is highlighted and used for grouping the same Last Name in Traditional Character with different Last Name in English. For example, 鄭 can be found as Cheng, Jeng and Zheng in all 3 places with Cheng marked as sort-key. Therefore, all 鄭s will be grouped u

Frontiers of Memory in the Asia-Pacific explores the making and consumption of conflict-related heritage throughout the Asia-Pacific region. Contributing to a growing literature on ‘difficult heritage’, this collection advances our understanding of how places of pain, shame, oppression, and trauma have been appropriated and refashioned as ‘heritage’ in a number of societies in contemporary East and Southeast Asia and Oceania. The authors analyse how the repackaging of difficult pasts as heritage can serve either to reinforce borders, transcend them, or even achieve both simultaneously, depending on the political agendas that inform the heritage-making process. They also examine the ways in which these processes respond to colonialism, decolonization, and nationalism. The volume shows how efforts to preserve various sites of ‘difficult heritage’ can involve the construction of new borders in the mind between what is commemorated and what is often deliberately obscured or forgotten. Tak

In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture. This work is a pioneer investigation of the topic and will inspire future research by other scholars of film studies.

Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of con

Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of con

This book focuses on a seldom discussed topic despite its immeasurable impact on the health of the citizens and public health in Hong Kong—the development of outpatient medical services and their contributions. In the early 20th century, Chinese elite organized and operated a number of Chinese Public Dispensaries in Hong Kong and Kowloon, initially to reduce the prevalence of “dump bodies” on the streets during epidemics of smallpox or plague, and to determine the cause of death of these bodies. Later other services including domiciliary deliveries by trained midwives were added. The government founded similar clinics in the New Territories. After WWII, the government took over all the Chinese Public Dispensaries and operated them as general outpatient clinics. Over the years, more general clinics and special clinics were developed. These clinics helped improve the health indices of the population to those of the Western countries by the 1970s. ~~~~~~~ Modern-day medicine increasingl

This book adds richly not only to understanding of the unique form of Daoism in Central Hunan today, but to the entire fashi tradition that rose to prominence in the Song–Yuan. In the hills of China’s central Hunan province, an anxious young apprentice officiates over a Daoist ritual known as the Banner Rite to Summon Sire Yin. Before a crowd of masters, relatives, and villagers—and the entire pantheon of gods and deceased masters ritually invited to witness the event—he seeks to summon Celestial Lord Yin Jiao, the ferocious deity who supplies the exorcistic power to protect and heal bodies and spaces from illness and misfortune. If the apprentice cannot bring forth the deity, the rite is considered a failure and the ordination suspended: His entire professional career hangs in the balance before it even begins. This richly textured study asks how the Banner Rite works or fails to work in its own terms. How do the cosmological, theological, and anthropological assumptions ensconced i

本書集結六篇論文（第一、三、四、六篇德文，第二篇西班牙文，第五篇義大利文），本書為因應時代變遷下的教育環境及學生職涯挑戰，在教學方法上所提出新的論述及建構。 This book contains essays by various teachers from different universities and departments with the aim of presenting modern teaching methods for the changed learning and study conditions on the basis of theoretical preliminary considerations. Language teachers at Taiwanese universities often encounter similar difficulties in designing lessons: students’ increasing frustration and lack of motivation. Many students experience a high level of frustration and demotivation; they cannot find future prospects in language studies. Confronted with reality of time-consuming internships, part-time jobs and life, many students become painfully aware that a linguistic degree won’t prepare them for later work or provides career opportunities. In addition, they realize their low language skills and life experiences. Aware of that problem, the language departments have to find new teaching methods and create curricula which

The Landscape of Historical Memory explores the place of museums and memorial culture in the contestation over historical memory in post–martial law Taiwan. The book is particularly oriented toward the role of politics—especially political parties—in the establishment, administration, architectural design, and historical narratives of museums. It is framed around the wrangling between the “blue camp” (the Nationalist Party, or KMT, and its supporters) and the “green camp” (Democratic Progressive Party, or DPP, and its supporters) over what facets of the past should be remembered and how they should be displayed in museums. Organized into chapters focused on particular types of museums and memorial spaces (such as archaeology museums, history museums, martyrs’ shrines, war museums, memorial halls, literature museums, ethnology museums, and ecomuseums), the book presents a broad overview of the state of museums in Taiwan in the past three decades. The case of Taiwan museums tells us much

Young People and the Belt and Road is a joint effort by over 40 young people across 20 countries to tell their stories about the future of Central and Eastern Europe, China, and the Belt and Road Initiative. In 2013, the Belt and Road Initiative, which envisions a world with better development, better connectivity, and better cooperation was launched in Kazakhstan,. As a global, multi-generational vision, the Belt and Road Initiative will primarily benefit the young people of the world today. To ensure the success of the Initiative, their voices need to be heard. This is particularly urgent as little systematic work has been done to encourage the participation of young people. This publication places the focus on young people and asks them the question: what should the Belt and Road Initiative look like for you? In this book, young authors from 16 Central and Eastern European nations share insights about their countries. For the Belt and Road Initiative, Central and Eastern Europe p

The Authorship of Place is the first monograph dedicated to the study of the politics, history, aesthetics, and practices of location shooting for Taiwanese, Mainland Chinese, and coproduced art cinemas shot in rural communities since the late 1970s. Dennis Lo argues that rural location shooting, beyond serving aesthetic and technical needs, constitutes practices of cultural survival in a region beset with disruptive and disorienting social changes, including rapid urbanization, geopolitical shifts, and ecological crises. In response to these social changes, auteurs like Hou Xiaoxian, Jia Zhangke, Chen Kaige, and Li Xing engaged in location shooting to transform sites of film production into symbolically meaningful places of collective memories and aspirations. These production practices ultimately enabled auteurs to experiment with imagining Taiwanese, Mainland Chinese, and cross-strait communities in novel and contentious ways. Deftly guiding readers on a cross-strait tour of promin

Leung Ping Kwan is one of Hong Kong’s most acclaimed poets. His poems display a unique blend of the literary and the down-to-earth, of the modern and the traditional, of the serious and the humorous, of the local and the universal. In his own words, ‘I want my poems about things to be a dialogue with the world, to learn and be inspired by the shapes, smells and colours of things….’ This collection has been carefully curated, and is arranged under ten thematic sections: Lotus Leaves, Hong Kong, Macao, Foodscape, After the Book of Songs, Strange Tales: After Pu Songling, Clothink, Museum Pieces, Places and Friends, and Bitter-Melon and Others. These translated poems, and the delight they bring, are a celebration of the continuing legacy of a remarkable Hong Kong poet.

What elevates a mere word to the status of keyword? What does it mean to translate a keyword and map its meaning against other languages? Like every major culture, Chinese has its set of “keywords”: pivotal terms of political, ethical, literary and philosophical discourse. Tracing the origins, development, polysemy, and usages of keywords is one of the best ways to chart cultural and historical changes. This volume analyzes some of these keywords from different disciplinary and temporal perspectives, offering a new integrative study of their semantic richness, development trajectory, and distinct usages in Chinese culture. The authors of the volume explore different keywords and focus on different periods and genres, ranging from philosophical and historical texts of the Warring States period (453–221 BCE) to late imperial (ca. 16th–18th centuries CE) literature and philosophy. They are guided by a similar set of questions: What elevates a mere word to the status of “keyword”? What s

Paul A. Van Dyke’s new book, Whampoa and the Canton Trade: Life and Death in a Chinese Port, 1700–1842, authoritatively corrects misconceptions about how the Qing government treated foreigners when it controlled all trade in the Guangzhou port. Van Dyke reappraises the role of Whampoa in the system—a port twenty kilometres away from Guangzhou—and reassesses the government’s attitude towards foreigners, which was much more accommodating than previous research suggested. In fact, Van Dyke shows that foreigners were not bound by local laws and were given freedom of movement around Whampoa and Canton to the extent that they were treated with leniency even when found in off-limit places. Whampoa and the Canton Trade recounts the lives of seamen who travelled half-way around the globe at great risk and lived through a historic period that would become the framework for subsequent encounters between China and the rest of the world. Were it not for the exchanges between the major powers and t

“Without a clear idea of the history of the New Territories, the history of Hong Kong as a whole would be impossible to bring to any sort of satisfactory completion. ... Elucidating the development of a village, a clan, a temple, or a market-town is also, in and of itself, real and valuable history, and abundantly justifies the time and effort spent on it.” This book is a history of village communities in the New Territories of Hong Kong, including those in the areas of Ha Tsuen, Hung Shui Kiu, and Sha Tin as well as those on the islands of Lamma, Ma Wan, and Tung Ping Chau. Elaborating on primary interviews with village elders, government documents, and public information, this book places the individual histories of each area into the context of Hong Kong’s rich past. The introduction sets up the rest of the book, outlining common themes and highlighting the dangers of using the communal memories of village communities while, at the same time, showing the valuable information doing

Contrary to the general impression that wet markets are smelly, dirty, and slippery, Christine finds that they are actually fun places to walk around and shop. As a French lady, Christine’s learning experience has not been without disappointments, such as being overcharged, given old veggies or pushed to buy more. Nonetheless, in Hong Kong, most sellers are generally very kind. Like in France, vendors remember the preferences of their regular clients. _e kindness of many sellers help her overcome the fear of speaking Cantonese. They even take time to explain to her how to cook this and that. It is the warm atmosphere that she loves most. Christine finds it exciting to discover lots of new foodstuffs such as Chinese yam. She even discovers ingredients, such as lye water, a kind of alkaline solution that is not used in Western countries. Last but not least, this book helps us understand the real French lifestyle which often sounds so “elegant” and sometimes “mysterious” to most people,

It is not often recognized that China was one of the few places in the early modern world where all merchants had equal access to the market. This study shows that private traders, regardless of the volume of their trade, were granted the same privileges in Canton as the large East India companies. All of these companies relied, to some extent, on private capital to finance their operations. Without the investments from individuals, the trade with China would have been greatly hindered. Competitors, large and small, traded alongside each other while enemies traded alongside enemies. Buddhists, Muslims, Catholics, Protestants, Parsees, Armenians, Hindus, and others lived and worked within the small area in the western suburbs of Canton designated for foreigners. Cantonese shopkeepers were not allowed to discriminate against any foreign traders. In fact, the shopkeepers were generally working in a competitive environment, providing customer-oriented service that generated goodwill, frien

Sam, working as a trainee waiter in a small Italian restaurant near the West End of London, was one day fooled by a bohemian sort of man with a bad sort of logic that led to his dismissal by the head waitress. Feeling lost and trotting along Regent Street he bumped into his girl friend Amy who had just been through a similar scenario, and that made them both laugh away their ‘misfortune’ to start afresh. Sam decided to take a critical thinking course run by a certain Professor Panggloss, a name that rang a bell for him, recalling Voltaire’s famous novel Candide, and the course turned out to be very useful, albeit puzzling at times, which therefore troubled Sam quite a lot, so much so that he had to share his critical thinking problems with Amy, even when she was already away from the UK, holidaying at her aunt’s invitation in Hong Kong. The lovers, separated by at least six thousand miles, carried on their intimate communication using state-of-the-art IT, frequently disturbing each o

The essays in this volume grew from a series of talks delivered in late 2010 as the Liang Qichao Memorial Lectures at the Academy of National Learning (Guoxue yuan) of Tsinghua University, Beijing. Offering critical perspectives on a number of ideological issues that have figured prominently in Chinese intellectual discourse since the beginning of the so-called “reform and opening” (gaige kaifang) in the late 1970s, these essays range widely in subject matter, from Marxist historiography to sociology and anthropology in China to guoxue/national studies. Together they are conceived as different windows into a basic problem: the deployment of culture and history in postrevolutionary Chinese thought. Dirlik touches on a number of themes, including the repudiation of the revolutionary past after 1978, which has led to a rise of cultural nationalism. He further places these developments within a global context, ultimately making a case methodologically for “worlding” China: bringing China

南台灣必遊景點 Nine Things One Must Experience in Southern Taiwan 藉由夜生活、藝術文創、客家文化、靜心之旅、海洋之美、原民文化、古蹟及生態之旅與台灣茶飲等九大主題，暢遊南台灣必遊景點。 The nine main things one must experience in southern Taiwan are: nightlife activities, art, Hakka culture, places suitable for tranquility and meditation, beautiful ocean views, aboriginal cultures, historic sites, ecological tours, and Taiwanese tea culture. 實用句型及詞彙 Useful Sentence Patterns and Vocabulary 依各單元主題，整理出最精華的句型及詞彙，讓學習者運用基本句型，替換詞彙，旅遊時能馬上派上用場。 Each unit deals with the most essential sentence patterns and vocabulary, so the reader can master basic sentence patterns and vocabulary substitution drills. These grammar exercises can be used immediately when traveling. 文化導覽深度遊 In-depth Guided Cultural Tours 針對各單元內容，延伸相關文化知識，滿足學習者需求，深度了解當地風土民情。 Each unit provides knowledge relevant to the needs of travelers, promoting a deeper understanding of local customs and cultures. 文化體驗動手做 Hands-on Cultural Experiences 透過實際活動操作，讓您更深入體驗當地的人文精神。例如 : 泡茶、書法體驗、彩繪紙傘、手作琉璃串珠、彩繪紙傘

In 2018, authorities in Hong Kong seized a shipment from smugglers that contained 88 dead pangolins. Where did these animals come from, and why were they killed? Where were they going? Who was responsible? In classic true crime fashion, the book examines evidence, suspects, and legal perspectives related to this specific case and, through it, the plight of pangolins globally. The chapters detail the lives and natural history of pangolins across Africa and Asia while exploring clues that may reveal who is responsible for the endangerment of the species. The book also explores speculation surrounding the possible role of pangolins in the emergence of COVID-19 and, more broadly, the relationship between wildlife trade and zoonotic disease. The resulting tale is one of conservation researchers, public health experts, and global organizations across Asia, Africa, North America, and Europe fighting to create a world in which pangolins can thrive again.

Noel Croucher was a legend in his own time – a raconteur, yet a recluse, conventional yet eccentric, extremely rich yet mean to himself. And all the while, he had a secret penchant for philanthropy. From simple beginnings in England, he arrived in Hong Kong at the turn of the century to live through eight decades of change on the China Coast. Mystery surrounded Noel Croucher. Seen as tightfisted by some yet loved by others, he endowed Hong Kong with its richest academic charity in the Croucher Foundation. He became Commodore of the Royal Hong Kong Yacht Club and Chairman of the Stock Exchange. To many, he was a throwback to the glory days of empire. Yet he battled prejudice to get ahead in the colony. That era has now passed. This fresh look at the lives lived on the Coast – through Noel Croucher’s life story – brings out the realities of those times. Hundreds of interviews, thousands of letters and extensive research in Britain and Hong Kong, together with access to the unique Carl

Qi-Deng Sheng was one of the most philosophically incisive creative writers on the Taiwan island in the 1960s and 70s, and one of the most controversial figures in local literary history. Criticism of his work is polarized, in a sort of tug of war between “collective consciousness” and “individual will” in the cultural landscape of a rapidly modernizing society. As the hive mind buzzed, Qi-Deng Sheng tuned out and listened to his inner voice. As he explains in the above quotation, he regarded writing as a creative process that differentiated the ego from the group, and reality from falsehood. In other words, he wrote to build a sanctuary for his individuality. On the one hand, he was committed to conveying his personal beliefs through his works, rejecting vulgarity wherever he found it: in social groups, cultural trends, even literary critics. On the other hand, he was dedicated to highlighting the antagonism between self and society––to spotlighting the poor, deprived, embattled, iso

A groundbreaking exploration of justice, democracy and Islamophobia, inviting us to reconsider our assumptions and build a more equitable future. Change has run amok! Technology advances by the minute, and much of what we think we know about the world fades in front of our eyes. How we are, how we know, how we live our daily lives—all shifting quicker than we can cope with. Anwar Ibrahim, Malaysia’s tenth Prime Minister, asks how we might rethink ourselves for these confusing, uncertain and volatile times, and shape fairer, more sustainable futures. Anwar’s passion is rooted in experience: he spent, in total, over a decade behind bars after three separate miscarriages of justice, from his days as a student activist to his time as Leader of the Opposition. Alongside reflections on his time in prison are critical investigations into truth, justice, post-colonialism, Islamophobia, democracy and global order. Anwar assembles ideas from East and West, North and South, to explore how we c

The rulers of the Ming dynasty enacted paradigms of hierarchical order. Like imperial families, households, and courts in earlier Chinese dynasties, they articulated patriarchal, patrilineal, and patrilocal organizational principles as exemplars for families and institutions throughout the empire. Women made indispensable contributions to the development of these paradigms and principles and to the social, cultural, and political fabric of the family and the state. And yet, in the existing literature in Chinese and English women are often burdened with stereotypes, positioned as peripheral, or rendered almost invisible. Reading available texts “against the grain,” and drawing on a trove of evidence from material culture, Soulliere shows how women defined a place for themselves in the multigenerational Ming imperial family, imperial household, and court. The Empress and the Dragon Throne spans the first Ming century from just before the founding of the dynasty in 1368 to the end of the

Uncover Taichung’s hidden American past! “Echoing Footsteps of the American Military Presence in Taiwan” reveals how the US military profoundly shaped Taichung’s urban landscape, culture, music, food, and social fabric from the 1950s to the 1970s. Explore forgotten stories and iconic sites – a captivating journey through “Little America” in Taiwan. This groundbreaking book, “Echoing Footsteps of the American Military Presence in Taiwan,” invites readers on an extraordinary journey through time and space, specifically focusing on Taichung’s West District and beyond during the pivotal 1950s, 60s, and 70s. Authored by Syong Yi-ping, this commissioned work delves into the surprisingly pervasive and often hidden influences of the United States military on the city’s historical, cultural, and social landscapes. Many familiar aspects of daily life in Taichung, from architectural styles to popular foods and music genres, have deep roots in this unique historical period, often unbeknownst to

內容簡介 The transmission of Buddhism to China gave rise to a uniquely rich and systematic monastic tradition. One Hundred Lessons on Monastery Languages & Affairs offers an in-depth exploration of this tradition through six themes: Monastery Systems, Monastic Precepts, Temple Undertakings, Cultivation and Gatherings, Organizational Management, and Spread of Buddhism. Drawing from decades of lived experience, it guides readers through the past, present, and evolving future of Chinese Buddhist monasticism. 目錄 GLOSSARY Table of Contents About Venerable Master Hsing Yun Translator’s Introduction Preface English-Chinese Glossary Chinese-English Glossary Poems and Verses 作者簡介 About Venerable Master Hsing Yun Venerable Master Hsing Yun (1927–2023) was born in Jiangsu Province, China. He studied at various renowned Buddhist institutions such as Qixia Vinaya College and Jiaoshan Buddhist College. Soon after his arrival in Taiwan in 1949, he became the chief editor of Human Life, a Buddhist maga

Although the arts have been firmly planted in the Hong Kong school system since the 1950s, they are often sacrificed in place of core subjects and preparation for examinations. Drawing on over fourteen years of exploration and experience, Yau makes the case that arts are critical to cultivating creative mindsets, which are our best resource for innovating and responding to challenges in this complex world of sudden changes. Through case studies and conversations with practising artists and educators, this book demonstrates why arts and education, two normally discrete disciplines, should be broadly integrated into the local Hong Kong curriculum, and how this can be – and has been – achieved. This book is intended for policymakers, educators, arts heads, and artists. The volume will also appeal to readers curious about how and why the arts should be foundational to education and capacity building in the twenty-first century.

“Emptiness” is an experience that many people have had—mostly stumbled upon unexpectedly. What exactly is emptiness? Can it actually be practiced? The Heart Sutra is the shortest, most condensed teaching on emptiness among all of the Prajanaparamita Sutras, seems to be focused exclusively on emptiness. How can this sutra be used to help you progress in your spiritual practice? Ultimately, the realization of the heart of prajnaparamita is, in and of itself, the Path. In this book, you will read about how to use the Heart Sutra as a compact guide to practice and the Path. Master Nan’s teachings are packed with pith instructions, both the do’s and don’ts, for success in practice. Practical, to the point, and illustrated with thought-provoking anecdotes, his teachings are relevant to practitioners of all proclivities, from beginners to advanced.