Doris Lessing

Lessing was a playwright, scholar, poet, archeologist, philosopher, and critic. His genius is evident in the works collected in this volume, which includes the comedy Minna von Barnhelm, the tragedy E

Doris Kearns Goodwin's classic life of Lyndon Johnson, who presided over the Great Society, the Vietnam War, and other defining moments the tumultuous 1960s, is a monument in political biography. Fro

Thirty-six intriguing labyrinths challenge youngsters to lead engaging creatures safely past hazards to a rewarding goal. Youthful puzzlers can help Doris Duck, Milton Mouse, Larry Lobster, Zelda Zebr

Doris Lessing's contemporary gothic horror story—centered on the birth of a baby who seems less than human—probes society's unwillingness to recognize its own brutality.Harriet and David Lovatt, paren

This enthralling tale of a “material girl” in 1930s Berlin is the masterpiece of a literary icon, rediscovered and restored to the same heights as such luminaries as Isherwood and Brecht.In 1931 a young woman writer living in Germany penned her answer to Anita Loos’sGentlemen Prefer Blondesand the era of cinematic glamour:The Artificial Silk Girl. Though a Nazi censorship board banned Irmgard Keun’s work in 1933 and destroyed all existing copies, the novel survived, as fresh and relevant today as the day it was written.The Artificial Silk Girlis the story of Doris, beautiful and striving, who vows to write down all that happens to her as the star of her own life story. But instead of scripting what she hopes will be a quick rise to fame and fortune as either an actress or the mistress/wife of a wealthy man, she describes a slow descent into near prostitution and homelessness. Prewar Berlin is not the dazzling and exciting city of promise it seems; Doris unwittingly reveals a bleak, sea

So often when we awake we find that our dreams have either evaporated like mist or seem to be just on the edge of our memory. Many people cannot recall their dreams at all. But Dr. Doris Cohen has dev

Ray Palmer has found a way to shrink himself and his dog Spot to atomic size and become the superhero Atom--so when friend and rival Doris Zeul comes up with a way of increasing her size and becomes G

This is the second volume in Sources of Dramatic Theory. This volume includes the major theoretical writing on drama and theatre from the eighteenth and early nineteenth centuries, focusing on issues that are still relevant to our understanding of drama and theatre. Among the writers represented by their own essays or substantial extracts from longer works are: Voltaire, Diderot, Goldoni, Dr Johnson, Lessing, Goethe, Schiller, Hegel, and Coleridge. Many of the texts have been freshly translated for this volume and all have been newly annotated and introduced. Recurrent topics and allusions are traced by a system of cross-references.

“I had a great time in Cincinnati; but why is there no shrine to Doris Day?” —John Updike In the wake of race riots and an airline strike, John Updike came to the University of Cin

It's a dog's life! And that's not too bad -- for dogs. But I am a cat. Not that I'm complaining. Heck, no! Some of my best friends are dogs. Like Boris, Doris, and Morris. It takes a cat like me, Kik

Laura is delighted when a soft, thick snow falls in late spring in the Big Woods of Wisconsin. A late snow helps the trees make more sap for maple syrup, and maple syrup means sweet sugar cakes and sticky fingers for Laura! Doris Ettlinger's enchanting full-color illustrations, inspired by Garth Williams's artwork, perfectly capture Laura and her family in this My First Little House Book, adapted from Laura Ingalls Wilder's Little House in the Big Woods.

The novel since the nineteenth century has displayed a thorny ambivalence toward the question of having children. In its representation of human vitality it can seem to promote the giving of life, but again and again it betrays a nagging doubt about the moral implications of procreation. The Novel and the Problem of New Life identifies this tension as a defining quality of the modern British and European novel. Beginning with the procreative-skeptical writings of Flaubert, Butler, and Hardy, then turning to the high modernist work of Lawrence, Woolf, and Huxley, and culminating in the postwar fiction of Lessing and others, this book chronicles the history of the novel as it came to accommodate greater misgivings about the morality of reproduction. This is the first study to examine in literature a problem that has long troubled philosophers, environmental thinkers, and so many people in everyday life.

本書是作者在第一版的基礎上，搜集了很多最新資料并整理而成的。它全面系統地論述了GPS衛星導航定位技術及其發展，深入淺出地闡述了GPS衛星導航定位的實用理論及其工程應用，簡明扼要地介紹了GLO-NASS系統、GALILEO系統、DORIS系統、PRARE系統、EGNOS系統、WAAS系統、GDGPS系統、GPS航天飛機測圖系統和地球同步衛星導航定位系統的特點與應用，對衛星激光測距在GPS導航定位中的

Hamlet is a characteristic intellectual more inclined to lecture actors about their craft than listen to them, and is a precursor of Enlightenment figures like Diderot and Lessing. This book is a quest for the voice of early professional actors, drawing on English, French and other European sources to distinguish the methods of professionals from the theories of intellectual amateurs. David Wiles challenges the orthodoxy that all serious discussion of acting began with Stanislavski, and outlines the comprehensive but fluid classical system of acting which was for some three hundred years its predecessor. He reveals premodern acting as a branch of rhetoric, which took from antiquity a vocabulary for conversations about the relationship of mind and body, inside and outside, voice and movement. Wiles demonstrates that Roman rhetoric provided the bones of both a resilient theatrical system and a physical art that retains its relevance for the post-Stanislavskian performer.

There can be little doubt that without Spinoza, German Idealism would have been just as impossible as it would have been without Kant. Yet the precise nature of Spinoza's influence on the German Idealists has hardly been studied in detail. This volume of essays by leading scholars sheds light on how the appropriation of Spinoza by Fichte, Schelling and Hegel grew out of the reception of his philosophy by, among others, Lessing, Mendelssohn, Jacobi, Herder, Goethe, Schleiermacher, Maimon and, of course, Kant. The volume thus not only illuminates the history of Spinoza's thought, but also initiates a genuine philosophical dialogue between the ideas of Spinoza and those of the German Idealists. The issues at stake - the value of humanity; the possibility and importance of self-negation; the nature and value of reason and imagination; human freedom; teleology; intuitive knowledge; the nature of God - remain of the highest philosophical importance today.

This study examines feminist speculative fiction from the late twentieth and early twenty-first century, and finds within it a new vision for the future. Rejecting notions of postmodern utopia as exclusionary, Jennifer A. Wagner-Lawlor advances one defined in terms of hospitality, casting what she calls 'imaginative sympathy' as the foundation of utopian desire. Tracing these themes through the works of Atwood, Butler, Lessing and Winterson, as well as those of well-known Muslim feminists such as El Saadawi, Parsipur and Mernissi, Wagner-Lawlor balances literary analysis with innovative extensions of feminist philosophy to show how inclusionary utopian thinking can inform and promote political agency. Examining these contemporary fictions reveals the rewards of attending to a community that acknowledges difference, diversity and the imaginative potential of every human being.

There can be little doubt that without Spinoza, German Idealism would have been just as impossible as it would have been without Kant. Yet the precise nature of Spinoza's influence on the German Idealists has hardly been studied in detail. This volume of essays by leading scholars sheds light on how the appropriation of Spinoza by Fichte, Schelling and Hegel grew out of the reception of his philosophy by, among others, Lessing, Mendelssohn, Jacobi, Herder, Goethe, Schleiermacher, Maimon and, of course, Kant. The volume thus not only illuminates the history of Spinoza's thought, but also initiates a genuine philosophical dialogue between the ideas of Spinoza and those of the German Idealists. The issues at stake - the value of humanity; the possibility and importance of self-negation; the nature and value of reason and imagination; human freedom; teleology; intuitive knowledge; the nature of God - remain of the highest philosophical importance today.

動物園 Zoff im Zoo這是一款動物之間食物鏈的大老二紙牌遊戲。每種動物各有天敵，也是某些動物的剋星，除了水生、陸生，還有水陸通吃的兩棲類。要壓過上家的牌，你必須打出較他多一張的相同動物，或者一樣多的該動物天敵。動物之間沒有絕對大也沒有絕對小，是否能一墩接一墩地吃下其他玩家的牌，首先將牌出完，就端看你安排牠們上場的組合與時機是否適切！英文名稱：FRANK'S ZOO作者｜ Doris Matthäus & Frank Nestel插畫｜ Doris Matthäus【遊戲配件】60 張紙牌1 份說明書內含規則說明書（繁體中文、簡體中文）適用牌套：5.7*9cm（共約60張紙牌）註：遊戲商品不包含週邊及紙牌保護套，商品說明所示之適用週邊及牌套商品，提供您選購參考。遊戲人數：4-7人適合年齡：10歲以上遊戲時間：約45-60分遊戲設計：Doris Matthaus, Frank Nestel語言版本：中文※更多遊戲細節請參考說明書囉！注意事項：●請勿放置於潮濕處或高溫日照下●請勿放置於幼兒易取處●請勿接近火源以及腐蝕性溶劑●內有細小配件，請勿放入口中，以免誤食●九歲以下兒童請在成人監護下使用●六歲以下兒童不宜商品除瑕疵品外，恕不接受退換貨因拍攝略有色差，圖片僅供參考，顏色請以實際收到商品為準

The beginnings of psychology are usually dated from experimental psychology and Freudian psychoanalysis in the late-nineteenth century. Yet the period from 1700 to 1840 produced some highly sophisticated psychological theorising that became central to German intellectual and cultural life, well in advance of similar developments in the English-speaking world. Matthew Bell explores how this happened, by analysing the expressions of psychological theory in Goethe's Faust, Kant's Critique of Pure Reason, and in the works of Lessing, Schiller, Kleist and E. T. A. Hoffmann. This study pays special attention to the role of the German literary renaissance of the last third of the eighteenth century in bringing psychological theory into popular consciousness and shaping its transmission to the nineteenth century. All German texts are translated into English, making this fascinating area of European thought fully accessible to English readers for the first time.

The relationship between law and terrorism has re-emerged recently as a pressing issue in contemporary jurisprudence. Terrorism appears to take law to its limit, whilst the demands of counter-terrorism hold the cause of justice in contempt. At this point the case for engaging alternative intellectual approaches and resources is compelling. Ian Ward argues that through a closer appreciation of the ethical and aesthetical dimensions of terror, as well as the historical, political and cultural, we can better comprehend modern expressions and experiences of terrorism. For this reason, alongside juristic responses to modern expressions of terrorism, Law, Text, Terror examines a variety of supplementary literary texts as well as alternative intellectual approaches; from the drama of Euripides and Shakespeare, to the rhetoric and poetry of Burke and Shelley, the literary feminisms of Lessing and Rame, and the narrative existentialism of Conrad, Coetzee, Dostoevsky and DeLillo.

The relationship between law and terrorism has re-emerged recently as a pressing issue in contemporary jurisprudence. Terrorism appears to take law to its limit, whilst the demands of counter-terrorism hold the cause of justice in contempt. At this point the case for engaging alternative intellectual approaches and resources is compelling. Ian Ward argues that through a closer appreciation of the ethical and aesthetical dimensions of terror, as well as the historical, political and cultural, we can better comprehend modern expressions and experiences of terrorism. For this reason, alongside juristic responses to modern expressions of terrorism, Law, Text, Terror examines a variety of supplementary literary texts as well as alternative intellectual approaches; from the drama of Euripides and Shakespeare, to the rhetoric and poetry of Burke and Shelley, the literary feminisms of Lessing and Rame, and the narrative existentialism of Conrad, Coetzee, Dostoevsky and DeLillo.

Although the diary novel is often regarded as a twentieth-century genre due to its particular popularity in this century, the form actually has a long history that originates in the eighteenth century. The Diary Novel is the first book to trace that history, concentrating on French, German and English works with some attention given to Russian and Scandinavian traditions as well. Beginning with a discussion of the definition of the diary novel and some observations about genre study and criticism, Lorna Martens proceeds with interpretations of major diary novels by writers such as Defoe, Gide, Rilke, Frisch, Butor and Lessing. The Diary Novel includes sections on the influence of Richardson and the letter journal novel, the publication of the journaux intimes, psychological fiction, reliability of the narrator and the contemporary diary novel.

Martha Turner's 1993 book examines the relationship between British fiction and the tradition of mechanistic science derived from Isaac Newton, and provides a bridge between the mechanical philosophy of the eighteenth century and present-day habits of thought. Tracing the evolution of the concept of mechanism among science writers and novelists of the past 200 years, it shows how the pre-mechanistic world of Pride and Prejudice and the relatively unproblematic empiricism of The Bride of Lammermoor were succeeded by the quandaries of Bleak House, The Ordeal of Richard Feverel, and The Egoist, and how alternatives to the mechanistic tradition were worked out in The Secret Agent and Women in Love. Analysis of Doris Lessing's Canopus in Argos: Archives identifies features of the tradition which still survive.

Dramaturgy: A Revolution in Theatre is a substantial history of the origins of dramaturgs and literary managers. It frames the explosion of professional appointments in England within a wider continental map reaching back to the Enlightenment and eighteenth-century Germany, examining the work of the major theorists and practitioners of dramaturgy, from Granville Barker and Gotthold Lessing to Brecht and Tynan. This study positions Brecht's model of dramaturgy as central to the worldwide revolution in theatre-making practices, and it also makes a substantial argument for Granville Barker's and Tynan's contributions to the development of literary management. With the territories of play and performance-making being increasingly hotly contested, and the public's appetite for new plays showing no sign of diminishing, Mary Luckhurst investigates the dramaturg as a cultural and political phenomenon.

Set in Southern Rhodesia under white rule, Doris Lessing's first novel is at once a riveting chronicle of human disintegration, a beautifully understated social critique, and a brilliant depiction of the quiet horror of one woman's struggleagainst a ruthless fate. Mary Turner is a self-confident, independent young woman who becomes the depressed, frustrated wife of an ineffectual, unsuccessful farmer. Little by little the ennui of years on the farm works its slow poison. Mary's despair progresses until the fateful arrival of Moses, an enigmatic, virile black servant. Locked in anguish, Mary and Moses—master and slave—are trapped in a web of mounting attraction and repulsion, until their psychic tension explodes with devastating consequences.

Dramaturgy: A Revolution in Theatre is a substantial history of the origins of dramaturgs and literary managers. It frames the explosion of professional appointments in England within a wider continental map reaching back to the Enlightenment and eighteenth-century Germany, examining the work of the major theorists and practitioners of dramaturgy, from Granville Barker and Gotthold Lessing to Brecht and Tynan. This study positions Brecht's model of dramaturgy as central to the worldwide revolution in theatre-making practices, and it also makes a substantial argument for Granville Barker's and Tynan's contributions to the development of literary management. With the territories of play and performance-making being increasingly hotly contested, and the public's appetite for new plays showing no sign of diminishing, Mary Luckhurst investigates the dramaturg as a cultural and political phenomenon.

This book is a provocative contribution to contemporary ethical theory challenging foundational conceptions of character that date back to Aristotle. John Doris draws on behavioral science, especially social psychology, to argue that we misattribute the causes of behavior to personality traits and other fixed aspects of character rather than to the situational context. More often than not it is the situation not the nature of the personality that really counts. The author elaborates the philosophical consequences of this research for a whole array of ethical theories and shows that, once rid of the misleading conception of motivation, moral psychology can support more robust ethical theories and more humane ethical practices.

This book is a provocative contribution to contemporary ethical theory challenging foundational conceptions of character that date back to Aristotle. John Doris draws on behavioral science, especially social psychology, to argue that we misattribute the causes of behavior to personality traits and other fixed aspects of character rather than to the situational context. More often than not it is the situation not the nature of the personality that really counts. The author elaborates the philosophical consequences of this research for a whole array of ethical theories and shows that, once rid of the misleading conception of motivation, moral psychology can support more robust ethical theories and more humane ethical practices.