Enhancing the Splendor of Classical Texts

The Mingjia (School of Names) is a notional grouping of philosophers first recorded as such in the Shiji. Their identifying feature was a concern with linguistic issues particularly inv

The Guodian manuscripts are a cache of literary and philosophical texts from the fourth century BCE, discovered in a Warring States–period tomb in China’s Hubei Province. Through detailed decipherment and textual analysis, Kuan-yun Huang investigates the historical and philosophical contexts of these texts and convincingly proposes their association with Zisi, the grandson of Confucius. Huang not only offers an in-depth portrait of this famous scion from excavated texts and transmitted literary records, but also reveals the connection of the Guodian texts with early intellectual tradition in China, including the teachings of Xunzi, Mencius, Confucius, and the legendary Laozi, as well as the effort of rewriting that transformed Zisi’s original teachings into a conformist line of thinking, which defined and constituted the Confucian tradition of a later time.-------------- In Kuan-yun Huang’s The Lost Texts of Confucius’ Grandson, the shadowy figure of Zisi comes to life as an

The first exhaustive English-language history and analysis of the Chinese opera genre, Kunqu. In Kunqu: A Classical Opera of Twenty-First-Century China, Joseph S. C. Lam offers a holistic and interdisciplinary view of Kunqu, a 600-year-old genre of Chinese opera that has been fashionably performed inside and outside of China. The first comprehensive and scholarly book on Kunqu written in English, this book explains how and why the genre charms and signifies Chinese culture, history, and personhood. Approaching the genre from several perspectives, ranging from those of performers and producers to those of casual audiences, dedicated connoisseurs, and scholarly critics, Lam also employs a judicious blend of Chinese and international theories and methods. Herein, he establishes the significance of Kunqu not only in the sphere of Chinese music but among the cultural heritage and performing arts at a global level as well.

From early times, Daoist writers claimed to receive scriptures via revelation from heavenly beings. In numerous cases, these writings were composed over the course of many nights and by different medi

The English edition of Liu Lihong’s milestone work is a sublime beacon for the profession of Chinese medicine in the 21st century. Classical Chinese Medicine delivers a straightforward critique of the

For students of Chinese art and culture this anthology has proven invaluable since its initial publication in 1985. It collects important Chinese writings about painting, from the earliest examples th

In The Classical Gardens of Shanghai, Shelly Bryant looks at five of Shanghai's remaining classical gardens through their origins, changing fortunes, restorations, and links to a wider Chinese aesthet

The University Museum and Art Gallery at The University of Hong Kong presents Classical Chinese Huanghuali Furniture from the Haven Collection and publishes this informative edition in conjunction wit

While the teaching of Modern Chinese as a foreign language has made progress by leaps and bounds, the same cannot be said about the teaching of Classical Chinese. This is regrettable as the influence

The summation of more than 2,000 years of one of the world's most august literary traditions, this volume also represents the achievements of 300 years of Western scholarship on China. The selections

Escaping the End of Times is a book where history meets psychology. It invites readers to explore the intricate relationships between dreams, politics, and the Chinese writing system in early modern China.Thoroughly researched and written in an accessible manner, this book presents a series of historical encounters that reveal how Ming scholars countered instability by compiling and editing dream texts. Readers learn how these scholars translated their dreams into action, used the past to bolster their status, reaffirmed their preferred societal order, merged myth and history, and interpreted their dreams and the dreams of others through creative techniques grounded in scholarly tradition.By combining detailed research with captivating storytelling, this book not only brings the world of late Ming dream analysis to life but also demonstrates the relevance of the past to the stories we tell now about ourselves and our own dreams.

This book features five theme-based units on cross-disciplinary academic English skills, focusing on the needs of first-year undergraduate students. Each unit covers academic writing, reading, and speaking skills. The units progressively take students through the steps needed to complete three common academic assignments: the essay, report, and tutorial discussion. These steps include searching for quality sources, note-taking, establishing a critical stance, formulating evidence-based arguments, synthesizing information from multiple sources, and structuring academic texts. Each unit also provides opportunities for students to analyse texts, apply their critical thinking skills, practise what they have learnt in productive tasks, and reflect upon their progress.This book is aimed at first-time university students. Many of the readings are related to China and a broader Asian context. As such, it appeals to first-year university students in Hong Kong, Mainland China, and Taiwan.

This book is the second in a two-volume monograph on the Zidanku Silk Manuscripts. Looted in 1942 from the Warring States-period Chu tomb at Zidanku, Changsha, the manuscripts date to the turn from the 4th to the 3rd centuries BCE and are the only pre-Imperial Chinese manuscripts on silk found to-date. The monograph represents the culmination of almost four decades of research by Professor Li Ling of Peking University. Volume One addresses the circumstances of the discovery of the Zidanku Silk Manuscripts and the subsequent provenance history in China and the United States.Volume Two provides the first complete transcription of the Zidanku Silk Manuscripts in their entirety together with reproductions of the original manuscripts. The transcription is accompanied by comprehensive annotations, with full paleographic and philological analysis of the texts. An English translation of the texts has been added by Professor Donald Harper. For the first time, the Zidanku Silk Manuscripts can be

Volume IThe Silk Manuscripts from Zidanku, Changsha (Hunan), are the only pre-Imperial Chinese manuscripts on silk found to-date. Dating to the turn from the 4th to the 3rd centuries BC (Late Warring States period), they contain several texts concerning basic cosmological concepts, including one manuscript (Manuscript 1) with a diagrammatic arrangement and surrounded by pictorial illustrations. As such, they constitute a unique source of information complementing and going beyond what is known from transmitted texts.This is the first in a two-volume monograph on the Zidanku manuscripts, reflecting almost four decades of research by Professor Li Ling of Peking University. While the philological study and translation of the manuscript texts is the subject of Volume Two, this first volume presents the archaeological context andhistory of transmission of the physical manuscripts. It records how they were taken from their original place of interment in the 1940s and taken to the United Stat

In ancient times, scholars such as Confucius and Aristotle expounded on the virtue of the “middle way” or “intermediate,” an ideal point of moderation or balance between the extremes of human behavior. Adam Smith, widely considered the father of modern economics as we know it, also encouraged propriety in his first work, The Theory of Moral Sentiments. Since then, different schools of economics have continued to incorporate the idea of propriety into their theories, for example in such concepts as equilibrium and bounded rationality, though few economists have defined it explicitly. In light of growing uncertainty and polarization around the world, propriety economics offers alternative solutions for markets, governments, and everyday citizens.This book embarks on a thorough review of Eastern and Western philosophies of propriety over the past 2,500 years, followed by an investigation of the ideas of propriety found in five key schools of economics: classical, neoclassical, institution

Psychosis and Schizophrenia in Hong Kong covers some of the most serious mental health conditions that top the global disease burden and affect 3 per cent of the general population. However, most research on psychotic disorders is undertaken in the West, and few studies have been systematically carried out in Asia despite global interest in regional differences. This work offers a unique and coherent account of these disorders and their treatment in Hong Kong over the last thirty years.Chen and his research programme’s pioneering work has ranged from the impact of early intervention on outcomes and relapse prevention, to the renaming of psychosis to reduce stigma. The studies have contributed to wider international debates on the optimal management of the condition. Their investigations in semantics and cognition, as well as cognition-enhancing exercise interventions, have provided novel insights into deficits encountered in psychotic disorders and how they might be ameliorated. The re

Psychopathology: An Empathic Representational Approach retraces the foundations of classical phenomenological psychopathology and integrates them with modern ideas drawn from anthropology, cognitive neuroscience, computational science, and evolutionary biology to synthesize a comprehensive framework and provide fresh insights.This book explores how the scientific concepts of ‘information and representation’ can be used to understand subjective mental phenomena and integrate them in empathic clinical dialogues during interactions with patients. It explores key issues in clinical psychopathology coherently and systematically, illustrates advanced topics in an accessible manner using clinical case examples, metaphors and clarifying diagrams, and directly links advanced conceptual frameworks with pragmatic skills in the clinical dialogue process.This volume is aimed at a broad audience of mental health professionals, researchers, and students in psychiatry, psychology, and social work. Its

co-published with Guangxi Normal PressThe Orient Explorer Collection is a series of interesting texts written by Westerners travelling in China in the 1800s and early 1900s. Each volume has been reprinted from scans of the original publication and is included under a particular theme.The box set focuses on the theme “Women Writers” and features seven books written by women from various walks of life. It is suitable for readers interested in early China depicted by women travellers in the 19th and early 20th centuries. Each volume of the collection is to reignite interest and also to allow readers to explore how these books relate to the region today. With the Empress DowagerKatharine A. CARLThis book provides a sensational account of the author’s time with the Empress Dowager Cixi and the Chinese Court while painting her portrait for an exposition in St. Louis in the United States.978-962-937-405-1 • HK$278 / US$36Jan 2024 • 140 x 216 mm • 396 pp • PbA Woman in ChinaMary GAUNTThis

How do public markets, as ordinary as they seem, carry the weight of a city’s history? How do sucheveryday buildings reflect a city’s changing political, social, and economic needs, through their yearslong transformations in forms, functions, and management? Integrating architecture and history, this book invites readers to go through the growth and governance of colonial Hong Kong by tracing the past and present of public markets as a study of extensive firsthand historical materials. As the readers witness the changes in Hong Kong markets from hawker pitches to classical market halls to clean modernist municipal complexes, the book offers a new perspective of understanding the familiar everyday markets with historical contexts possibly unfamiliar to most, studying markets as a microcosm of the city and a capsule of its history. -------------- This book is a robust and in-depth study of the market building history of Hong Kong since the 1840s and contributes to a holistic un

Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who

紙紮世界是香港的縮影，反映了這座城市的嚮往、執迷和信念。134件紙紮品．中英雙語攝影文集看見極樂世界的衣食住行、吃喝玩樂捕捉薪火燒不盡的香港人情在紙紮的花花世界裏，祭品的形態和種類五花八門：日常用品從一把傘、一籠點心到一張八達通 ；抑或是億元紙鈔、豪華別墅與配備司機的轎車等奢侈品......祭祀者總能從林林總總的設計和款式中找到最切合逝者的祭品――每件紙紮品都代表著跨越陰陽的親密牽絆。紙紮世界也是香港的縮影，反映了這個城市的嚮往、執迷和信念。紙紮一件燒、一件現，化作煙縷穿越人間與冥界，在另一個國度建構一個更豐富多彩的香港。A bilingual photo book on Hong Kong's paper offerings for the afterlife•The world of paper offerings is a microcosm of Hong Kong that reflects the city's aspirations,obsessions and desires.•Featuring 134 paper offerings with texts in both Chinese and English.•Find everything you could want for a happy afterlife, from everyday needs to extravagantluxuries.•Capturing Hong Kong's undying love and devotion.Discover the fascinating and moving world of Hong Kong’s paper offerings for the afterlife. These carepackages for lost loved ones and ancestors in the next life include everything from creature comfortsand simple everyday needs, to extravagant luxuries and curious fancies. Individually, each offering is atouching manifestation

Gods and Goddesses are not always perfect, what did Chang E do to have herself ending up alone on the moon?And do you know that Yi the Great Archer did more than just shooting down nine suns? My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

The Dragon King below the Jing River defied the orders of the Jade God of the Heavens and was executed. His ghost resented the Tang Emperor Taizong for not saving him, and dragged the Emperor to the Underworld. What would the Emperor see in the Underworld? Was he able to return to life? My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

Tripitaka and his three disciples, Monkey, Pigsy, and Sandy, were chosen to undertake a pilgrimage to India, during which they came across all sorts of dangers and difficulties. This time, the Flaming Mountain blocked their way, and they needed a little help from the Princess Iron Fan and Bull Demon, well, parents of the Red Boy, who wanted to eat up Tripitaka and was just defeated by Monkey. Things never go smooth for them! My Favourite Chinese Stories is a collection of three Chinese stories specially selected and retold in English for young readers. The first story is from Chinese mythology, while the other two are from classical Chinese literature. They are widely known to the Chinese people, and reflect, in varying degrees, some of the essential characteristics of Chinese culture. Each story is accompanied by beautiful full-colour illustrations drawn by Lo King-man as well as audio narration by the author Pamela Youde.

High Gothic: Christian Art & Iconography of the 13th–14th Century showcases classic examples of statuary, stained glass, diptychs, textiles and caskets that were used in the expression of Christian devotion in Western Europe.‘Gothic’ was originally a derogatory term coined by scholars during the Renaissance to describe the ‘barbaric’ medieval architecture that arose with the decline of the classical forms of the Roman Empire. The word is now understood to describe a style of buildings and objects created between the twelfth and fifteenth centuries which incorporate elements such as novel advances in masonry work and the characteristic ogival arch.The Gothic period saw an increased emphasis on the power of images, where vision became an active force for activating emotion and inspiring contemplation. The great cathedrals constructed in this period―with their thin walls and high vaults filled with statuary and stained-glass windows―were designed to evoke awe among visitors. The exqui

In the West, love occupies center stage in the modern age, whether in art, intellectual life, or the economic life. We may observe a similar development in China, on its own impetus, which has resulted in this characteristic of modernity—this feature of modern life has been securely and unambiguously established, not the least facilitated by the thriving of literature about qing, whether in traditional or modern forms.Qiancheng Li concentrates on the nuances of a similar trend manifested in the Chinese context. The emphasis is on critical readings of the texts that have shaped this trend, including important Ming- and Qing-dynasty works of drama, Buddhist texts and other religious/philosophical works, in all their subtlety and evocative power.

The JINTIAN [今天] series of contemporary liAn indefatigable discoverer and preserver of lost traditions in the field of classical Chinese medicine, Liu Lihong has done it again―The Yellow Emperor’s Inn

First published in 1968, this volume of essays, posthumously edited by the author’s brother Professor C. T. Hsia (a prominent Columbia University professor of Chinese literature), focuses on Chinese literary criticism relating to the work of leftist Chinese writers, including Lu Hsün, Chiang Kuang-tz’u, the “Five Martyrs,” and Chü Ch’iu-po, who were sympathetic to the ideals of the pre-1949 Chinese communist party. As one of the few foundational texts to provide a critical overview of the aesthetics and politics of China’s leftist literary movement, The Gate of Darkness examines the conflicting dilemmas between leftist authors’ own ideals and the strict ideological frameworks imposed by the propaganda policies of the Chinese communist party in the early twentieth century.Hsia’s essays are exciting reading precisely because Mr. Hsia approached his subject not merely with the index-cards of a historian but also with the sensitive eyes of a novelist. Tsi-an Hsia is a creative and compassi

While the teaching of Modern Chinese as a foreign language has made progress by leaps and bounds, the same cannot be said about the teaching of Classical Chinese. This is regrettable as the influence

The Kung Fu series, a set of learning material on the Chinese language, is the product of collaborative efforts of experts from mainland China, Hong Kong and the U.S. It aims at providing texts and ex

The summation of more than 2,000 years of one of the world's most august literary traditions, this volume also represents the achievements of 300 years of Western scholarship on China. The selections

This book features five theme-based units on cross-disciplinary academic English skills, focusing on the needs of first-year undergraduate students. Each unit covers academic writing, reading and speaking skills. The units progressively take students through the steps needed to complete three common academic assignments: the essay, report and tutorial discussion. These steps include searching for sources, note-taking, establishing personal stance, synthesizing information from multiple sources and structuring academic texts. Each unit also includes opportunities for students to analyze texts, apply their critical thinking skills, try out what they have learnt in productive tasks, as well as reflect upon their progress.

The translation elucidates the complex metaphors, mythological and historical figures, and nomenclature of the Daoist tradition in thoughtfully rendered English.The Daoist Liturgy of the Most High for Daily Recitation (Taishang xuanmen gongke jing 太上玄門功課經) is performed in Daoist temples every morning and evening. The ritual aims at a perfected state for self-cultivation and serves as a religious prayer for universal salvation from sufferings and calamities in the world. The liturgical performance includes the recitation of texts from a broad spectrum of Daoist traditions, including scriptures, chants, divine proclamations, litany of repentance, incantations, and hymns, which offers major insights into the living Daoist beliefs and ritual traditions in contemporary Chinese communities.This complete, meticulous English translation, based primarily on an extant Chinese edition from 1906, is presented in a bilingual format with the original Chinese text, accompanied by annotations, and a w

In the 1970s, as Hong Kong’s economy began to soar, the public started to place greater emphasis on cultural and artistic pursuits. The Hong Kong Philharmonic Orchestra (HK Phil) became a professional ensemble in 1974, providing high-quality musical entertainment for the public while also promoting classical music and nurturing the next generation of young musicians.Upon obtaining his master’s degree in the late 1980s, author Jimmy Shiu joined the orchestra as audience development manager from 1988 to 1994, working alongside the ensemble to cultivate Hong Kong’s musical landscape. On the orchestra’s golden jubilee, Shiu offers a warm narrative that reflects on 50 significant moments both on and off stage.The HK Phil is celebrated as one of Asia’s premier classical orchestras. During its 44-week season, the orchestra performs over 150 concerts in the Chinese mainland, Hong Kong, and other international cities, reaching more than 200,000 audience members. In 2019, the HK Phil became the

In The Heart Sūtra: Revisiting Its Texts, History, and Meaning, Henry C. H. Shiu investigates the historical origins of the Heart Sūtra, a significant Buddhist scripture. He compares the Sanskrit texts with their Chinese and Tibetan translations to analyse whether the Heart Sūtra might be a Chinese apocryphon, through detailed linguistic examination. To achieve this goal, Shiu thoroughly examines the primary source from which the scripture was extracted. He emphasises the necessity of reading the Heart Sūtra in the larger context of the Perfection of Wisdom literature, which contains the essence of Mahāyāna Buddhist teaching. In this monograph, Shiu successfully transcends the boundaries between the Chinese, Indian and Tibetan Buddhist traditions and provides a revisionist interpretation of the Heart Sūtra.

COUPLET PAIR REBUS explores the principle of cause and effect in art, offering various approaches to this philosophical relationship. Based on the UMAG exhibition curated by Harald Kraemer, the COUPLET section is comprised of more than twenty calligraphic pairs of poetic lines, known in Chinese as duilian (對聯). Through the multi-layered texts, one discovers the multitude of voices that can be used to describe nature and the world and how content can be visualised through various forms of calligraphy. PAIR features artworks that form a balanced equilibrium through diverse visual languages along with objects that exemplify how mankind’s pursuits create objects in symmetrical harmony across genres. While works presented in the REBUS section form a network of diverse references that connect the objects. Individuals are then tasked with decoding these connections like a 3D puzzle.This publication features an essay by curator Harald Kraemer unpacking the issues of harmony, symmetry and contr

Psychopathology: An Empathic Representational Approach retraces the foundations of classical phenomenological psychopathology and integrates them with modern ideas drawn from anthropology, cognitive neuroscience, computational science, and evolutionary biology to synthesize a comprehensive framework and provide fresh insights.This book explores how the scientific concepts of ‘information and representation’ can be used to understand subjective mental phenomena and integrate them in empathic clinical dialogues during interactions with patients. It explores key issues in clinical psychopathology coherently and systematically, illustrates advanced topics in an accessible manner using clinical case examples, metaphors and clarifying diagrams, and directly links advanced conceptual frameworks with pragmatic skills in the clinical dialogue process.This volume is aimed at a broad audience of mental health professionals, researchers, and students in psychiatry, psychology, and social work. Its

Jonathan Stalling’s experimental approach to bridging art, poetics, and linguistics imagines a world where individual value systems are no longer translated into the language of other mediums, but foster conscious “interlanguages.” Stalling writes, “Meeting in the middle, ‘interlanguages’ are spaces where one learns a new language without having left one’s home fully behind; these situations can result in richly generative interlingual and intercultural estuaries which provide new ways of imagining.” Stalling’s conceptual language art fuses Classical Chinese poetics and linguistics with modern algorithms to create art installations and poetry that transform Chinese into English and English into Chinese in new and surprising ways.With a visual gallery of Stalling’s work, an interview with the artist, a critical introduction by the editor, and critical chapters written by the comparative literature scholar Timothy Billings and Chinese Linguist Liu Nian, the volume provides readers with a

For nearly two thousand years, the condensed language of classical Chinese has offered the possibility of writing poems that may be read both forward and backward, producing entirely different creatio

This book closely examines texts from Chinese and Western traditions that hold up ethics as the inviolable ground of human existence, as well as those that regard ethics with suspicion. The negative n