Modeling Dose-Response Microarray Data in Early Drug Development Experiments Using R

Making National Heroes is an ethnography of the making of national heroes in the commemoration of the Second World War in contemporary China. Foregrounding the lived experience of men and women who participate in commemorative activities, it theorises how masculinity and nationalism entangle in recollecting war memories. Taking the feminist line of inquiry, this anthropological study develops an approach to capture the centrality of making exemplars in the realisation of hegemonic masculinities. It adds a gender perspective to studies on exemplarist moral theory and theorises exemplary men’s cross-cultural significance in defining masculinities. Researchers in the fields of critical masculinity studies, anthropology, feminist methodology, China studies, and memory studies will be interested in this book.

管理到底是什麼？相關的知識要從哪裡開始學起？ 為什麼我已經學習了許多管理技巧，績效卻始終無法提升？ ========================= 利用 E‧A‧R‧T‧H‧ 法則 ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ Environment　Achievement　Relation　Team　Healthy ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ 了解何謂管理、找出自己真正不足的管理技能 拉高思考格局，開啟全新視野 ========================= ▎好評推薦 S姐 │女力學院創辦人 林嘉怡│Asia-Training集團創辦人 陳正綱│台灣科技大學管理學院院長 梁瓊如│台灣科技大學財金所教授 許繼元│Mr.Market市場先生／財經作家 趙胤丞│「高效人生商學院」podcast共同創辦人 鄭俊德│閱讀人社群主編 盧世安│「人資小週末」創辦人 簡源宏│鴻海精密科技 處長 欒　斌│台灣科技大學企業管理系教授 致勝一擊的目的在於為自己與團隊取得最終勝利 你，準備好上場了嗎？ ▎管理是什麼？ 當你成為管理者的那一刻，你一定很想趕快弄懂「管理」究竟是什麼，好讓自己有個立足點，也讓自己對於未來的規劃有個大致的方向。不過，管理的知識這麼多、這麼廣，到底該從哪裡學起呢？ ▎弄懂自己的位置 本書提供管理者一個基本能力的藍圖，除了回答「管理是什麼」的這個問題之外，也能讓你了解自己目前正處於怎樣的管理階段、缺乏哪種管理能力，拉高格局來俯瞰整個管理知識的架構，突破既有管理框架打開全新視野。 ▎運用EARTH法則 全書以EARTH法則來拆解管理的本質，即以下五大面向：E：熟悉環境（Environment）、A：進行有效打擊（Achievement）、R：塑造正面關係（Relation）、T：強化團隊與牛棚（Team）、H：做好健康管理（Healthy）。以此為方向來思考，你將能更清楚地看見自己的問題所在，也能用更宏觀的角度來面對職場上所遇到的問題。無論是對於績效提升或是工作目標的達成，都能帶來極大的幫助。

費正清（John K. Fairbank）、范力沛（Lyman P. Van Slyke）、史華慈（Benjamin I. Schwartz）、史景遷（Jonathan Spence）、魏斐德（Frederic Wakeman）、 高居翰（Jr. James Cahill）…… 北美中國研究泰斗共同撰寫的列文森深度解讀，首次全文中譯 列文森著作備受爭議，為何被視為「天才般的成就」與「史學藝術的巔峰」？ 「像莫扎特一樣，他用精湛的技藝創造出了 比技藝精湛更有意義的東西。」 收入列文森遺稿〈猶太身分的選擇〉 麻省理工學院教授、列文森之子托馬斯．列文森（Thomas Levenson） 作序 葉文心、歐立德（Mark C. Elliott）、董玥、黃樂嫣（Gloria Davies）、齊慕實（Timothy Cheek）、白傑明（Geremie R. Barmé） 聯合撰寫長篇導讀 約瑟夫．列文森（Joseph R. Levenson, 1920–1969），才華橫溢的美國歷史學家，以對中國近代思想史的奠基性研究享譽於世，被稱為「莫扎特式的史學家」。他以一系列影響深遠的著作提出的諸多論題，如天下與國家、傳統與現代性、科學與儒學、經典主義與歷史主義等，半個多世紀以來持續為中國研究學界提供綜合性的思考框架與對話坐標。1987 年，美國亞洲研究協會創設「列文森圖書獎」，以紀念他的學術貢獻。 本書由一組集中討論列文森著述的文章組成，出自費正清、范力沛、史華慈、史景遷、魏斐德、高居翰等北美中國研究界的重要學者之手。他們分別回憶列文森的學術和生平，探討其觀點與貢獻，並從學術批評的角度展開深入對話。這些文章一方面為閱讀和理解列文森指出了不同角度的門徑；另一方面也印證和展示了列文森的學說如何持續參與歷史與現實的對話，為中國研究的發展提供源源不絕的靈感和動力。 書末收入列文森本人的一篇未刊文稿〈猶太身份的選擇〉，被視為深入理解其思想脈絡的重要文獻。

通訊創未來 5G用戶數在2023年第二季成長至近13億，全球5G NTN市場也預測將從2022年的32億8,000萬美元成長到2023年45億1,000萬美元。此外，ITU-R於2023年6月發布的《6G框架建議書草案》也象徵6G即將進入標準規畫階段。行動通訊持續發展，然而，5G殺手級應用至今仍缺席，如何在技術演進的同時找對市場商機，是業者邁入2024年必須思考的課題。 ChatGPT帶動生成式AI(GAI)的熱潮，大型語言模型(LLM)讓全球超大規模資料中心需求升溫，為了解決大量資料傳輸的瓶頸，從晶片、電路板、連接埠到伺服器與資料中心間，持續提升傳輸頻寬成為重要趨勢。從釐米級到數百公里的傳輸都面臨頻寬提升的需求，半導體電路技術傳輸頻寬也逐漸接近物理極限中、短距傳輸導入光通訊呼聲漸起。

Having made documentary films screened at the most prestigious film festivals in the West, Chinese documentary filmmaker Wang Bing presents a unique case of independent filmmaking. In The Cinema of Wang Bing, Bruno Lessard examines the documentarian’s most important films, focusing on the two obsessions at the heart of his oeuvre—the legacy of Maoist China in the present and the transformation of labor since China’s entry into the market economy—and how the crucial figures of survivor and worker are represented on screen. Bruno Lessard argues that Wang Bing is a minjian (grassroots) intellectual whose films document the impact of Mao’s Great Leap Forward on Chinese collective memory and register the repercussions of China’s turn to neoliberalism on workers in the post-Reform era. Bringing together Chinese documentary studies and China studies, the author shows how Wang Bing’s practice reflects the minjian ethos when documenting the survivors of the Great Famine and those who have not b

傳奇歷史學家列文森開創性著作，全新翻譯 「梁啟超的思想是他的牢籠。」 他的自相矛盾，他的一變再變， 是要為怎樣的一個問題提供答案？ 當找到這個問題，就找到了思想史的關鍵。 麻省理工學院教授、列文森之子托馬斯．列文森（Thomas Levenson） 作序 葉文心、歐立德（Mark C. Elliott）、董玥、黃樂嫣（Gloria Davies）、齊慕實（Timothy Cheek）、白傑明（Geremie R. Barmé） 聯合撰寫長篇導讀 《梁啟超與近代中國思想》是美國歷史學家約瑟夫．列文森的第一部專著，從「變形記」、「美麗新世界」、「追憶似水年華」三階段追索中國近代知識人梁啟超的思想嬗變，探求他身處歷史和價值撕裂的煎熬之中，如何從傳統突圍、擁抱進步主義和現代西方，卻又在生命的最後十年主動走向不合時宜，「一夫當關把守舊中國的疆土」。作者的視野並不限於思想者個體，而是以歷史與個人的交互作用貫穿全書，通過梁氏思想中種種「必然的前後矛盾」和「理性上的不完美」，不斷反觀歷史，揭示近代中國思想史鮮麗複雜的面貌及其變化的本質。 「梁啟超經歷了漫長的回家之路，他在半途碰見了年輕的一代。 他幾乎徹底心碎後才到達了反傳統文化之境，而年輕人從他手中接過的是一種自然狀態、一份免費禮物、一個出發點。對他而言只是冰山一角的想法（水面之下深埋著他對傳統文化的赤忱），對年輕人來說是基石。他們追隨了他一段時間，並沒有說要永遠追隨他。 這就是為何《新青年》的『新青年』們看似在說跟梁啟超一樣的話，卻很少跟他一起說。因為二者的語言並非真正相同，『一樣的』思想並不一樣。 當一戰改變了這些思想進行的環境，梁氏的思想從根源上決定了他的不合時宜。」

本書使用免費下載的「RapidMiner」軟體，該軟體使用圖形化界面，不需編寫程式、操作簡易、功能強大且應用廣泛，適合初學與進階資料分析人士使用。 本書從基礎的資料取得、事前處理到模型的建置、評分、驗證與實例分析等，以實作方式，循序漸進的介紹大數據分析的操作步驟與流程。 全書提供30個案例，內容包含金融、製造、銷售、管理、醫療、休閒、氣象與情感分析文字探勘等諸多領域的應用實例，除了對現有結構與非結構式資料進行分析外，同時利用訓練模型預測未來，提升數據分析的實用價值。 本書除提供數據資料檔Data File外，亦附有各章節之程式/流程檔供讀者參考。

「ERP倒出來的資料格式凌亂怎麼下手整理？」 「想要從SQL、MySQL資料庫匯入資料到Excel該怎麼做？」 「想從網路上擷取資料分析卻無從下手？」 「不會寫程式可以使用Excel處理Big data嗎？」 「客戶、老闆都說要大數據分析，很茫然啊...」 本書告訴您如何利用Excel來搞定這些問題！ ．本書適用Microsoft 365/Excel 2021/2019 ．Excel的資料處理與分析打基礎 想分析資料就要先學會整理資料，不要再刻苦的複製貼上，認識Excel的各種資料摘要方式與工具、善用函數、排序、篩選與小計，讓您擺脫加班惡夢。 針對企業現場最迫切需要的資料處理需求，讓您使用Excel進行資料分析，迅速成為商業資料分析達人。 ．超強大的樞紐分析打動老闆的心 一頭栽入複雜的函數前，先學會樞紐分析吧！拖拉點選幾步驟就能產出有意義的決策分析資料，客戶、老闆要看的就是這個準沒錯！ 如何針對樞紐分析表進行瘦身、如何匯入雲端資料庫進行樞紐分析，瞭解樞紐分析快取的意義，也是本書的特色與重點。 ．快速匯入外部資料整合大數據資料 Excel提供各式各樣的資料庫驅動程式，讓使用者可以輕輕鬆鬆的將各種資料庫類型的資料檔案，不論是耳熟能詳的Access，大型資料庫系統Microsoft SQL Server、Oracle以及利用程式語言設計的資料庫本文檔案...等，都可以匯入或連結至Excel工作表中。最後，再介紹如何運用PowerPivot將這些大量資料進行資料關聯與數據分析。

This book, the first of its kind in Hong Kong, offers insights from experts in healthcare and higher education both locally and further afield. Key learnings and recommendations are presented in three sections: disaster management and reconstruction, including what we can learn from past earthquakes; the importance of healthcare and emergency medicine in disasters and community events; and the way forward, in particular how technology and systems thinking can be used for disaster mitigation.

Shao Xunmei, poet, essayist, publisher, and printer, played a signifcant role in the publication and dissemination of journals and pictorial magazines in Shanghai during the 1920s and 1930s, but this is the first collection of his prose writings to be published in English. The essays in this book, some of which were selected by the writer's daughter, Shao Xiaohong, include long essays such as “One Man Talking” and “A Year in Shanghai” as well as several shorter essays on subjects as diverse as the caricatures of Miguel Covarrubias, woodblock printing, and pictorial magazines—all of which were published in Shao’s own magazines.

We visit Earth in current life and maybe head to others in next. It is our instinct to carry over DNA in reincarnation, to taste unknown desires, and to experience seven emotions with six sensory pleasures; however, everything in action shall be as nature as possible. Nobody really knows who dominate on life-stage, it can be actor/actress themselves, or drama writer, else screen director, or else audience instead. Metropolitan exits with multiple values; usually, cause of event is unclear to define from individual’s irrationally protection of interest or selfishly defending portion of pie. People usually capture one section of story and miss the other part of puzzle. Living chaos is daily usual. no matter you are wealthy, majestic, poor, or underclass, once doom day arrives, bell on stage rings off, curtain pulls down, light shuts off, everything is buried under dirt of history. No matter how successfully achieved in history, or how remarkably accomplished in professional field; it

Taking The 70’s Biweekly—an independent youth publication in the 1970s Hong Kong—as the main thread, this edited volume investigates an unexplored trajectory of Hong Kong’s cultural and art production in the 1970s that represents the making of a dissent space by independent press and activist groups in the city. The 70’s Biweekly stands out from many other independent magazines with its unique blending of radical political theories, social activism, avant-garde art, and local art and literature creations. By taking the magazine as a nodal point of social and cultural activism from and around which actions, debates, community, and artistic practices are formed and generated, this book fills gaps in studies on how young Hong Kong cultural producers carved out an alternative creative and political space to speak against established authorities. Split into three parts, this book provides readers with a panoramic view of the political and cultural activisms in Hong Kong during the 1970s,

這是一本專門協助 營收遇到天花板 找到下一個業績成長的經營策略 《跨境電商好生意》是榮獲亞馬遜全球開店首屆服務商大會《最佳推廣服務商》TransBiz創辦人Anfernee張家睿、Tami黃宥蓁的首部作品。本書針對還在觀望是否該投入做跨境電商的企業，或是想經由跨境電商創業、有小額資本的個人，理解如何在全球化與時代浪潮下，發現面臨的困境與跨境電商的機會，與提供亞馬遜成功的經營實戰秘訣。 ▍必學經營心法｜亞馬遜全球開店實戰秘訣攻略 從275+客戶、1000+諮詢，錘鍊B2C品牌如何從0到1，成功萃取轉動亞馬遜銷售飛輪的PPCGO營運心法，徹底解決景氣起伏、科技創新、粉絲變心的運營困境，打造熱銷品牌、飆高流量、銷量與營業額。 Product Differentiation→產品差異化 Purposeful Brand→品牌差異化 Conversion Focused Design→高轉換產品頁 Get Traffic→廣告行銷 Optimization Based on Data→持續優化 ▍發現趨勢機會｜全球最新商機全導覽 北美→歐洲→日本→東南亞→中東→南美→6大熱門市場完整解析 ▍致勝商模策略｜120天開店藍圖 接班→轉型→創業→創新→真實案例超詳解 ▍本書3大特色 台灣第一本亞馬遜跨境電商經營教學大全 第一手台灣企業成功與失敗案例分析 一看就懂的文、圖、表、數據工具好學好用 ▍各界好評聯手推薦(依照姓氏筆畫排序) 元智大學管理學院助理教授｜朱訓麒 燒賣研究所笑長／共同創辦人｜周振驊 電商實戰顧問、品牌顧問、BVG副總｜邱煜庭／小黑 透鏡數位有限公司創辦人｜原詩涵 novium品牌共同創辦人｜梁國鴻 意碩整合行銷有限公司總經理｜蔡建郎 台北市進出口商業同業公會副秘書長｜蔡順達 台灣電子商務專家‧全球前 2% 頂尖科學家｜盧希鵬 智匯家有限公司總經理｜賴順賢

聯合國擘劃「2030永續發展目標」（Sustainable Development Goals，SDGs），推波助瀾全球在永續發展、循環經濟、社會公益福利等面向發展，城市持續朝向可持續性與包容方向發展。然而，所謂的「社會價值」究竟要如何量化評估？方能衡量資源投入下的社會福祉、清楚描繪是否真在對的地方開花？抑或將「無心插柳柳成蔭」？不在預料中的正向改變，也能如實看見。本文剖析兩則英國城市計畫案例，分別觀察在社區重建與城市綠化不同行動項目下，如何在單一專案執行過程中同時納入預測型與評估型SROI衡量的經驗，歸納、詮釋其共同作法與執行方式。

抄了一堆英文email模板，背了一堆商用句型， 但是你真的完全了解這些句子背後的「英文潛規則」嗎？ 在LinkedIn的SSI排名前1％的專業商用英文老師Grant Sundbye， 輔導過多名來自Samsung、LG、Google等大企業的韓國上班族， 幫你整理出140多個在職場上最常使用、誤用的英文單字、文法， 教你如何高語感、零失誤、精準表達！ 跨國外商工作者必備！ 你是否也有以下困擾？ 不緊急的事情也回 as soon as possible？ 和同事相約聚餐也說 appointment？ 超時工作到底是 overwork 還是 overtime？ 說了I understand well，卻只是和客戶雞同鴨講？ 不需要去學艱深的英文文法和高級單字， 你只需要本書整理的國高中程度英文文法， 再加上精準用字和一點點英文溝通禮節， 你也能和外國客戶、主管高效談判溝通！ 本書特色 【特色一】 模擬實際職場的情境對話與例句 書中共有十篇主題對話，從主角智媛在Chapter 1的面試到Chapter 10的海外商務會議，讓讀者學習時不再是死板地背誦例句，而是彷彿進入智媛的職場生活，跟著她一起學習到面試、簡報、聚餐、虛擬會議、客戶協商等實用的職場英文！ 【特色二】 精選140個職場最常用的字句 本書不從頭開始教詞性與文法，而是根據作者多年指導過上萬名韓國上班族英文的經驗，歸納出職場人士在溝通上最常犯的英文錯誤。不同於一般文法教科書，作者以幾行清晰明瞭的解釋，輔以大量例句和正反面範例，絕對是最節省上班族學習時間的英文自學書。 【特色三】 可相互對照的正確及錯誤英文句型範例 本書於章節開頭會先給你一篇充滿錯誤的英文對話或示例，讀者可自行閱讀並找出錯誤處，作者會於章節末尾給出修正後的版本並標示出重點文法。每個小節文法中，作者會補充大量正確及錯誤例句，讓你不只能夠學習標準文法，更能從書中的錯誤處明白自身盲點，加深學習印象。 例如： 1.在回信的最後用「I’m waiting for your response.」做結尾，會給人有點無禮又生硬的感覺。 錯誤用法：I’ll be waiting for your reply. 正確用法：I look forward to hearing back from you! (formal) 期待收到你的回覆！ 2.app

Make a Choice: Under Turbulence The ten national (natural) parks in Taiwan play a pivotal role in the global conservation network and keep expanding their vision and energy in the world trend. Therefore, in this year, "National Park Quarterly" will focus on "Changing & Challenges", "Conservation & Restoration", "Management" and "Innovation" as topics of four seasons, and cut into the international forward-looking goals and current situations,and share how Taiwan's national parks ride the waves in the waves of the world.

Heritage and History in the China–Australia Migration Corridor traces the material and social legacy of migration from China to Australia from the 1840s until the present day. The volume offers a multidimensional examination of the material footprint of migration as it exists in the migration corridor stretching between Zhongshan county in south China and Australia. Spanning the fields of heritage studies, migration studies, and Chinese diaspora history, Denis Byrne, Ien Ang, Phillip Mar, and other contributors foreground a transnational approach to the heritage of migration, one that takes account of the flows of people, ideas, objects, and money that circulate through migration corridors, forming intricate ongoing bonds between those who migrated to Australia and their home villages in China.

封面故事 抗威脅組合技　XDR秒回擊 跨領域整合情資擴展偵測　見微知著主動搜捕即時行動 文◎洪羿漣 隨著國際級大型企業、本土上櫃上市公司接連遭受勒索軟體威脅，資安已被現代企業納入營運風險控管要項，市場上的技術方案演進速度也隨之加快。傳統IT基礎架構必備的次世代防火牆（NGFW）與端點防護方案（EPP/EDR）廠商，紛紛相繼提出擴展式偵測及回應（eXtended Detection and Response，XDR）架構，基於雲端平台彙整端點、網路、郵件等跨領域技術系統產生的日誌，完整蒐集存放於資料湖（Data Lake），再運用機器學習演算模型進行分析，以縮短異常行為的平均偵測時間（MTTD）與平均回應時間（MTTR），達成降低資安維運門檻、提高風險控管能力的效益。 專題報導 雲地混合複雜難管　AIOps輕鬆破解 整合監控領域增添功能模組　排除告警雜訊自動智慧反應 文◎余采霏 建構數位韌性已成企業未來永續發展的一大關鍵，近幾年，企業大幅運用新興技術以加速產業創新，然而在此同時，卻也因為雲地混合配置，讓維運與管理充滿挑戰。隨著IT架構愈來愈複雜，過去大幅仰賴人工作業的傳統維運模式早已無法因應需求，智慧維運（AIOps）便應運而生。藉由AIOps，除了可以從多個來源匯總資料、提供可視性，並且主動識別問題外，還能進一步取得資料洞察，提供依據來判斷維運的狀態，給予有效的管理建議。 AIOps一詞自問世以來，歷經數年技術發展與市場驗證，早期從單一領域如應用程式效能管理（APM）、安全資訊及事件管理（SIEM）、事件關聯和分析（ECA）或是IT營運管理（ITOM）、IT營運分析（ITOA）等面向切入的解決方案早已互相交疊匯合，例如APM結合IT營運管理，或是事件關聯分析結合ITOM、ITOA等等，值得留意的是，隨著資訊安全重要性日增，安全功能模組也開始被解決方案供應商納入，作為加值的選項。此外，在混合多雲架構下，成本控管也是重要的一環，現今也有業者開始提供成本優化的功能選項。 根據調研機構IDC預估，到了2026年，全球二千大企業中，高達90%的資訊長均打算採用AIOps解決方案來推動自動修復與工作負載部署決策，以提高彈性與敏捷性。本系列報導將走訪業界專家，評析現今混合多雲環境的維運挑戰，以及如何藉由AIOps來解決

Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who

In Working the System: Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966, Qiliang He inquired into the making of the new citizenry in Mao-era China (1949–1976) by studying five preeminent Shanghai-based filmmakers. These case studies shed light on how individuals’ subjectivities took shape in the cinematic arena under a new sociopolitical system after 1949. He suggests that a filmmaker’s subjectivity was not fixed or stable but constantly in flux, requiring a host of “subjectivizing practices” to (re)shape and consolidate it. These filmmakers endeavored to reap maximal benefits from Mao’s sociopolitical system and minimize the disadvantages that would make them victims under the system. In short, Qiliang He argues that the filmmakers not only worked under the socialist system imposed upon them but also worked the system in their best interests.

◎ In the night sky, those shining stars may be in the past tense. Those dark may no longer be nothingness, but the distance is too far, and the light is still galloping. ◎ The thermal process is a part of the space state. The order is from the hot in the past to the cold in the future, and the direction is from the inside to the outside. ◎ The time order is from tomorrow to today to yesterday, that is from future to past. Time and space are reverse loops. So the direction of time is from outside to inside.

Influenced by his upbringing in post-war Japan, and the ideological, social, economic and artistic transformations of the era, Noda Tetsuya started to build a diary of prints in the 1960s, recording his daily life and mastering the challenge of documenting the reality around him in both true and artistic fashion. Works presented in this publication offer unparalleled insights into the artist’s hand skills and color palette, as well as his intense personal feelings and trademark humility. Few printmakers are quite as exploratory in terms of their technique and so precise in their choice of depicted subjects. Noda Tetsuya’s Diary of Contemporary Japanese Prints represents the long-accumulated knowledge of a well-practiced artform by one of Japan’s bestestablished artists, while also documenting—in true diary fashion—events that have shaped his personal life, while also standing for the collective experience of Noda’s generation and the societal change witnessed over the last several de

Low-carbon tourism is an emerging issue of tourism industry and academia in recent years. Previous studies have provided us some reasons that tourists participate in low-carbon travel or not, however, these reasons are scattered in literature and not been integrated into the construct of low-carbon travel motivation or low-carbon travel constraint. Meanwhile, previous studies often designed low-carbon package tours through the perspective of operators, few studies have assisted independent tourists on how to save energy and reduce carbon in travel. Therefore, this book is focused into two parts. The purpose of one part is to draw on tourism related literature, to develop and test the Low-Carbon Travel Motivation and Constraint Scales. The purpose of the other part is to draw on tourism related literature, to develop and test the Low-Carbon Travel Behavior Scale.

In Kunqu: A Classical Opera of Twenty-First-Century China, Joseph S. C. Lam offers a holistic and interdisciplinary view on kunqu, a 600-year-old genre of Chinese opera that is being fashionably performed inside and outside of China. He explains how and why the genre charms and signifies Chinese culture, history, and personhood. As the first comprehensive and scholarly book on kunqu written in English, the book not only discusses the genre in cultural and historical terms but also analyzes its shows as performative, cultural, social, and political communications. It approaches the genre from several perspectives, ranging from those of performers and producers to those of casual audience, dedicated connoisseurs, and scholarly critics. Lam also employs a judicious blend of Chinese and international theories and methods. Through this comprehensive study of kunqu, Lam has established the significance of the genre not only in the sphere of Chinese music, but also among the cultural heritage

本书是北京大学人文学科文库·北大外国哲学研究丛书之一种。 近代西方哲学在国内学术界和社会形成热点，追根求源，中外思想界已有三个共识：第一，“早期近代”（early modern）是现代化肇始的时代，欧洲国家荷兰、英国、法国和德国，以及英国原殖民地美国，纷纷走上了现代化道路；第二，现代化实际上是世俗化。现代相对于传统而言，世俗相对于神圣而言，而“化”则表示从传统到现代、从神圣到世俗的根本转变过程；第三，近代政治哲学的主流是社会契约论，主要代表者有不同版本，但有相关性和连续性。在这些共识的基础上，本书将在更加广阔的历史背景中深化对近代早期时代问题的理解，对社会契约论三大创始人霍布斯、斯宾诺莎和洛克的著作做出新诠释。

This book describes and analyses the role of the public sector in the often-charged political atmosphere of post-1997 Hong Kong. In this second edition, Ian Scott explores public sector accountability in terms of Hong Kong’s constitutional framework and the structure, functions, and personnel policies of its civil service system. He examines critical issues facing the administration of the public sector and the formulation and implementation of public policy with particular attention to the political challenges confronting the Hong Kong government over the past decade. A concluding chapter assesses how contested values in a changing political environment have affected the public sector in recent years. This edition has been fully updated to incorporate the latest statistics and research, including Scott’s work in such areas as integrity management, corruption prevention, and policing. This book is an essential resource for scholars and students of public administration and public poli

培養不撕破臉就能打破僵局、建立關係的談判思維， ＼　幫助你拉高格局、擴展視野，職場、人生無往不利！　／ ★ 台積電／聯發科／上海商業銀行／遠傳／裕隆集團……超過300家企業、上萬名專業人士親身實證！ ★ 從商業實戰到生活應用，最強分析工具「談判計畫表」，幫你精準診斷每一次談判 好評推薦── 林明樟｜連續創業家暨兩岸三地上市公司指名度最高頂尖財報職業講師 黃鼎翎｜十分好創意執行長／先勢集團共同創辦人 蘇益賢｜臨床心理師 ▍談判不是拚輸贏，而是好好喬事情 你對談判的印象是什麼呢？是針鋒相對、互不相讓？還是爾虞我詐、心懷鬼胎？談判，並非一定得要殺氣騰騰、無所不用其極只為了從對方嘴裡多搶下一塊肉來。談判，是透過溝通和交換，讓彼此生活變得更美好。學習談判，不是為了佔人便宜，而是希望皆大歡喜。 ▍為什麼應該多多談、主動談、好好談？ ◆ 該談卻沒談的狀況比想像的多得多 ◆ 好好談不是穩贏，但是絕對可以提高成功率 ◆ 談判賺錢最快，談下來的每一分錢都是淨利 ◆ 談判是機器無法取代的關鍵能力 ◆ 談判讓你重新找回對生活的控制權 ▍利用PARTS談判思維幫助你拆解、解決問題 ◆ P（人） │每回合的談判有誰參與、有決定權的又是誰 ◆ A（談判籌碼）│參與談判能帶來什麼價值、離開談判又有什麼損失 ◆ R（規則） │談判依循什麼規則、規則由誰決定、規則是否能改變 ◆ T（戰術） │想要改變結果，得改變事實或是改變認知 ◆ S（議題） │議題多元才更有機會達成雙贏 ▍PARTS思維不僅能在談判時派上用場，也同樣可以運用在生活上的各種疑難雜症，幫助你看清問題、解決問題，讓生活更美好！

◎This is the Part-One (Radical Index - Stroke No. 1-2) of Twelve printouts from the on-line dictionary that is currently under developing. ◎This unprecedented, intelligent, convenient and useful Tool provides “Pin Yin” (spelled in English) of Traditional Chinese characters. ◎Along with Stroke-by-Stroke writings for each character’s Radical and additional strokes, it is possible to learn Chinese ubiquitously. The stroke-sequences for writing radical-characters are also included in a separate nineteen-page section with the order of radical stroke number and sequence. All the multiple ways of “Pin Yin” will also appear under multiple English letters. However, an unique sort key for the Last Name found in 百家姓 (the Hundred Family Surnames) is highlighted and used for grouping the same Last Name in Traditional Character with different Last Name in English. For example, 鄭 can be found as Cheng, Jeng and Zheng in all 3 places with Cheng marked as sort-key. Therefore, all 鄭s will be grouped u

為了紀念抗日勝利77周年及新加坡淪陷80周年，隆雪華堂馬來亞二戰歷史研究會特編印《馬來西亞二戰歷史詞典》上下卷（2冊），通過1200餘頁的詞條說明，以反映3年零8個月日本軍隊侵佔馬、新兩國的真實慘況。

Frontiers of Memory in the Asia-Pacific explores the making and consumption of conflict-related heritage throughout the Asia-Pacific region. Contributing to a growing literature on ‘difficult heritage’, this collection advances our understanding of how places of pain, shame, oppression, and trauma have been appropriated and refashioned as ‘heritage’ in a number of societies in contemporary East and Southeast Asia and Oceania. The authors analyse how the repackaging of difficult pasts as heritage can serve either to reinforce borders, transcend them, or even achieve both simultaneously, depending on the political agendas that inform the heritage-making process. They also examine the ways in which these processes respond to colonialism, decolonization, and nationalism. The volume shows how efforts to preserve various sites of ‘difficult heritage’ can involve the construction of new borders in the mind between what is commemorated and what is often deliberately obscured or forgotten. Tak

In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture. This work is a pioneer investigation of the topic and will inspire future research by other scholars of film studies.

The Genera of Orchidaceae in Hong Kong is a handy reference for both amateurs and professional botanists in Asia who wish to enter the field of modern orchidology. Orchid appreciation is an art deeply rooted in Asian cultures. But in 1977, when this book was first published, orchidology as a science was new to people there. The technical vocabulary was unfamiliar and the subject matter difficult to understand. Therefore, this volume was intended as a general, easy-to-use reference book, with illustrations of the basic structure of orchids and their habit and habitat clearly described in Chapter I. The book may also be used as a self-help guide for naturalists and gardeners in Hong Kong who wish to identify an orchid new to them. In Chapter II, keys, descriptions, and illustrations are given to allow the reader to look up and gain information about individual orchid species. Chapter III provides an analysis of the composition and an interpretation of the phytogeographic significance of

In On Saving Face, Michael Keevak traces the Western reception of the Chinese concept of “face” during the past two hundred years, arguing that it has always been linked to nineteenth-century colonialism. “Lose face” and “save face” have become so normalized in modern European languages that most users do not even realize that they are of Chinese origin. “Face” is an extremely complex and varied notion in all East Asian cultures. It involves proper behavior and the avoidance of conflict, encompassing every aspect of one’s place in society as well as one’s relationships with other people. One can “give face,” “get face,” “fight for face,” “tear up face,” and a host of other expressions. But when it began to become known to the Western trading community in China beginning in the middle of the nineteenth century, it was distorted and reduced to two phrases only, “lose face” and “save face,” both of which were used to suggest distinctly Western ideas of humiliation, embarrassment, honor, a

內容簡介 ˙The learning goals that center on the thematic units are set in accordance with the language proficiency levels, established by the ACTFL ˙To Comply with the pedagogical principle of backward design to establish the teaching/learning goals for the intermediate learner of Chinese ˙Integrates into its thematic contents the ACTFL-defined, three mores of language uses as well the 5C concepts ˙Assist the learner to achieve holistic progress and to cultivate specific linguistic abilities of Chinese ˙The selecting of keywords/phrases in thetextbooks is greatly in line with vocabulary levels defined by the HSK and by the TOCFL. The regional difference in language uses between the two sides of theTaiwan Strait are also meticulously annotated in the textbooks In recent years, the background of learners has become diversified, and the number of self-study students of elementary Chinese is also increasing. On the pedagogical front, however, learning materials, found to be biased towards s

In Painting Architecture: Jiehua in Yuan China, 1271–1368, Leqi Yu has conducted comprehensive research on jiehua or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools such as rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting category with the builder’s art, which led to Chinese elites’ belittlement and won Mongol patrons’ admiration. Yu suggests that painters in the Yuan dynasty made new efforts towards a unique modular system and an unsurpassable plain-drawing tradition. She argues that these two strategies made architectural paintings in the Yuan dynasty entirely different from their predecessors, as well as making the art form extremely difficult for subsequent painters to imitate.

奇幻殿堂級國寶天后　羅蘋．荷布 全球無數奇幻讀者雋永於心的史詩之作 【二十五週年奇幻經典．典藏特別收錄】 ►全新紀念版珍藏封面 ►全系列共30張以上精緻全彩插圖，重現書中經典人物場景 ／ 萬千書迷票選經典必讀， 「刺客正傳」的價值無可取代。 這是一部看完之後，絕對會想推薦給別人的作品。 ／ 作者羅蘋．荷布：「二十五年來，蜚滋從一個五歲的小屁孩，成長為一個刺客高手，再到歷經滄桑的六十歲男人。朋友、伙伴來來去去，他經歷過困苦和孤寂，享受過安詳和滿足。一本接著一本書，我和讀者一直陪伴著他……衷心感激你，在心靈騰出一個空間，給了我的人物角色一個家。」 奇幻大師喬治．馬汀盛讚：「羅蘋．荷布的書是海洋中的鑽石。」 亞馬遜網站讀者：「讀完這本書，我整個人筋疲力盡。我無法詳盡解釋自己的情緒；悲傷、絕望、憤怒、驕傲......這部作品我已經讀了三次，我真的很高興能藉由本書，認識羅蘋．荷布。」 ╳╳╳ 一名身懷精技絕技的皇室刺客， 一段與原智難割捨的生死連結， 一份無法坦白面臨破碎的情感。 他，王室私生子，無數政治任務下的犧牲品， 在性命與忠誠兩難的抉擇下，要如何才能扭轉王國的危機…… 王室私生子蜚滋自首次諭令刺客任務中僥倖生還，差點成了殘廢。 深受打擊的他心懷怨恨，發誓摒棄對國王立下的誓約而隱遁山中。 但是，愛情和一連串緊急的危機，又讓他回到公鹿堡，捲入皇室的致命陰謀中。 紅船劫匪對沿海地區重新發動猛烈攻擊，不但燒毀民宅，還把受害者逼向精神崩潰的邊緣。 在飽經內憂外患的王國裡，背叛的預謀深深威脅著年邁體衰的國王。 在這危機四伏的時刻，蜚滋極可能左右王國的命運，甚至不惜付出至高代價…… ╳╳╳ 媒體與讀者好評： 「在熱絡的奇幻文學出版市場上，羅蘋．荷布的著作就像鑽石般耀眼奪目。」—— 喬治．馬汀（George R. R. Martin）《冰與火之歌》（A Game of Thrones）作者 「懸疑緊張，步步玄機，結局絕佳，令人讚嘆，兼而各角色性格一貫，這部作品很可能會變成奇幻小說的經典。」——出版家週刊 「值得推薦的好書！荷布筆下的人物高潮迭起，他們的舉止也許不盡完美，卻更貼近人生，而且令人難忘。精技與原智魔法、宮廷密謀、不情願的英雄，以及尚未解開的祕密，在在令人欲罷不能地一口氣讀完這本精采好書。」——浪漫時代（Romantic Times） 「如果可以，

奇幻殿堂級國寶天后　羅蘋．荷布 全球無數奇幻讀者雋永於心的史詩之作 【二十五週年奇幻經典．典藏特別收錄】 ►全新紀念版珍藏封面 ►全系列共30張以上精緻全彩插圖，重現書中經典人物場景 ／ 萬千書迷票選經典必讀， 「刺客正傳」的價值無可取代。 這是一部看完之後，絕對會想推薦給別人的作品。 ／ 作者羅蘋．荷布：「二十五年來，蜚滋從一個五歲的小屁孩，成長為一個刺客高手，再到歷經滄桑的六十歲男人。朋友、伙伴來來去去，他經歷過困苦和孤寂，享受過安詳和滿足。一本接著一本書，我和讀者一直陪伴著他……衷心感激你，在心靈騰出一個空間，給了我的人物角色一個家。」 奇幻大師喬治．馬汀盛讚：「羅蘋．荷布的書是海洋中的鑽石。」 亞馬遜網站讀者：「讀完這本書，我整個人筋疲力盡。我無法詳盡解釋自己的情緒；悲傷、絕望、憤怒、驕傲......這部作品我已經讀了三次，我真的很高興能藉由本書，認識羅蘋．荷布。」 ╳╳╳ 一段死而復生卻再也不完整的人生， 一條沒有選擇只有堅持的復仇之路， 關鍵時刻，人性善惡終於有了答案， 身為六大公國存續關鍵的蜚滋，將如何面對自己命運和這個世界…… 刺客正傳最終篇，感人肺腑，精彩絕倫！ 黠謀國王死在親生兒子帝尊的手中，蜚滋亦然——至少他的敵人和朋友對此深信不疑。 然而，透過他的盟友和本身的野獸魔法幫助，蜚滋死而復生，但身心靈卻遭受嚴重創傷。 帝尊將公鹿堡劫掠一空，並遺棄王國首都遷居內陸，而法定王位繼承人惟真卻迷失在他的瘋狂任務之中，生死未卜，讓六大公國瀕臨衰亡。 唯有惟真重返公鹿堡，或是他的王妃腹中的繼承人，才能拯救六大公國。 然而，蜚滋可等不及了。失落和痛苦的記憶促使他下定決心進行一項個人的祕密任務——剷除帝尊。 這段旅程使他墜入精技狂潮和原智魔法的深淵裡，而他或許會在這一陣陣激流中滅頂， 不過，也可能成就一番不凡的志業。 ╳╳╳ 媒體與讀者好評： 「在熱絡的奇幻文學出版市場上，羅蘋．荷布的著作就像鑽石般耀眼奪目。」—— 喬治．馬汀（George R. R. Martin）《冰與火之歌》（A Game of Thrones）作者 「懸疑緊張，步步玄機，結局絕佳，令人讚嘆，兼而各角色性格一貫，這部作品很可能會變成奇幻小說的經典。」——出版家週刊 「值得推薦的好書！荷布筆下的人物高潮迭起，他們的舉止也許不盡完美，卻更貼近人生，而且令人難忘。精技與原

奇幻殿堂級國寶天后　羅蘋．荷布 全球無數奇幻讀者雋永於心的史詩之作 【二十五週年奇幻經典．典藏特別收錄】 ►全新紀念版珍藏封面 ►全系列共30張以上精緻全彩插圖，重現書中經典人物場景 ／ 萬千書迷票選經典必讀， 「刺客正傳」的價值無可取代。 這是一部看完之後，絕對會想推薦給別人的作品。 ／ 作者羅蘋．荷布：「二十五年來，蜚滋從一個五歲的小屁孩，成長為一個刺客高手，再到歷經滄桑的六十歲男人。朋友、伙伴來來去去，他經歷過困苦和孤寂，享受過安詳和滿足。一本接著一本書，我和讀者一直陪伴著他……衷心感激你，在心靈騰出一個空間，給了我的人物角色一個家。」 奇幻大師喬治．馬汀盛讚：「羅蘋．荷布的書是海洋中的鑽石。」 亞馬遜網站讀者：「讀完這本書，我整個人筋疲力盡。我無法詳盡解釋自己的情緒；悲傷、絕望、憤怒、驕傲......這部作品我已經讀了三次，我真的很高興能藉由本書，認識羅蘋．荷布。」 ╳╳╳ 一段死而復生卻再也不完整的人生， 一條沒有選擇只有堅持的復仇之路， 關鍵時刻，人性善惡終於有了答案， 身為六大公國存續關鍵的蜚滋，將如何面對自己命運和這個世界…… 刺客正傳最終篇，感人肺腑，精彩絕倫！ 過來我這裡，過來我這裡…… 惟真烙印在蜚滋心中的請求，讓蜚滋不顧身上的箭傷，只得堅定意志往群山後方前進。沒有選擇，不能回頭。他能如願完成任務，返回莫莉和他的孩子身邊？ 水壺嬸到底是何許人？她的黑、白石棋局在蜚滋遭受精技狂潮誘惑、心靈即將迷失之際，扮演著什麼角色？ 弄臣的出現，不僅救了催化劑蜚滋的性命，也將與他擦撞出歷史關鍵的火花…… 紅船大肆劫掠，六大公國的命運一息尚存，眾人能即時喚醒古靈以拯救家園於災難之中嗎？ ╳╳╳ 媒體與讀者好評： 「在熱絡的奇幻文學出版市場上，羅蘋．荷布的著作就像鑽石般耀眼奪目。」—— 喬治．馬汀（George R. R. Martin）《冰與火之歌》（A Game of Thrones）作者 「懸疑緊張，步步玄機，結局絕佳，令人讚嘆，兼而各角色性格一貫，這部作品很可能會變成奇幻小說的經典。」——出版家週刊 「值得推薦的好書！荷布筆下的人物高潮迭起，他們的舉止也許不盡完美，卻更貼近人生，而且令人難忘。精技與原智魔法、宮廷密謀、不情願的英雄，以及尚未解開的祕密，在在令人欲罷不能地一口氣讀完這本精采好書。」——浪漫時代（Romantic