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PRINTMAKING

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出版日:2008/12/10 作者:Ann D'arcy Hughes; Hebe Vernon-Morris  出版社:Chronicle Books Llc  裝訂:精裝
From the Publisher: Perennially popular, printmaking is enjoying a contemporary resurgence but no comprehensive up-to-date manual on the subject exists. At over 400 pages and packed with 1,000 full-c
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出版日:2001/03/01 作者:Julia S. Ayres  出版社:Watson-Guptill Pubns  裝訂:平裝
Now in paperback! The art of monotype has experienced a surge of popularity in recent years, and artists working in other mediums will enjoy exploring the creative potential this process offers them.
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出版日:2009/10/19 作者:Ray Campbell Smith  出版社:Dk Pub  裝訂:平裝
Fully restyled and revised for the twenty-first century artist. The Artist's Handbook is packed with information on the traditional art methods of drawing, painting, and printmaking together with sig
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出版日:2001/09/01 作者:Matthi Forrer; Suzuki Juzo; Henry D. Smith  出版社:Prestel UK  裝訂:平裝
This highly regarded survey of the works of a master of Japanese printmaking is now available in a convenient and attractively priced flexi edition. Utagawa Hiroshige holds an assured place in the his
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出版日:1999/06/01 作者:Carl Depauw  出版社:Random House Inc  裝訂:精裝
Like Dürer, Rembrandt and Goya, Anthony van Dyck (1599-1641) made a key contribution to the art of printmaking. He was himself a talented etcher, and prints after his paintings were cut by th
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出版日:2003/08/25 作者:Terrie Sultan; Chuck Close; Richard Shiff  出版社:Princeton Univ Pr  裝訂:平裝
Chuck Close--a man who describes himself as "an artist looking for trouble"--has for three decades consistently but variously challenged the accepted boundaries of the printmaking tradition. Published to accompany a retrospective of his prints opening at Blaffer Gallery and traveling to the Metropolitan Museum of Art and several additional museums around the country, this is the first comprehensive survey of Close's revolutionary prints. Featuring exquisite reproductions of the prints together with essays on Close's career and in-depth interviews with the artist and his master printmakers, the volume blends words and images to give readers unique insight into the creative process. The text highlights the intensely collaborative nature of Close's project and looks into the challenges posed by the unprecedented huge scale he prefers. Close may labor on a single print for as long as two years, working out aesthetic problems that might involve the retrieval of a centuries-old European meth
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