“Because No One Else Can” is a textbook. But, some may want to read it as part textbook, part “Playbook,” part history book, part intelligence primer for the uninitiated and part Military Intelligence
Lynch (anthropology, Olin College, Needham, MA) examines how age is culturally constructed in the United States through a close, ethnographic study of Vita Needle, which employs elderly people. Divide
Nurses and other clinicians mainly from the U. of California San Francisco School of Nursing delineate clinical guidelines for advanced practice nurses, in 71 chapters devoted to pediatrics, women's h
David Ranney’s vivid memoir describes his work experiences between 1976 and 1982 in the factories of southeast Chicago and northwest Indiana, one of the heaviest industrial concentrations in the
Suitable for Grade 1 Theory Exams. Contents: Tempo Markings * More About Tones and Semitones * The Major Scales of C, G, D and F * Key Signatures * Cancelling Accidentals * Da Capo and Dal Segno * The
Searching for a "rational" workplace, turn-of-the-century engineers and industrial architects recast the factory itself in the image of the machine. Indeed, they considered the factory build
The newest campus of the Zurich University of the Arts was, until very recently, a dairy factory, known for its signature yogurt—packed in instantly recognizable small brown glass jars. After producti
Despite the myraid supply chain management approaches that have been spawned over the last decade or more, retailers have been unable to put a dent in out-of-stocks at store level, Why is that? Andre'
Poetry. Here is a poetry that explores the promise of public speech. What might we hear in poems that ask: if communities are built with weathered words, what is the sort of discernment that translati
Poetry. The latest volume from Tucson poet Dan Featherston. Featherston's work has appeared in a number of journals, most recently Aufgabe, Chicago Review, Cultural Society, Kiosk, and New American Wr
Two couples. Friendship, suspicion, deceit. And the truth. Florian Zeller's The Truth, in the English translation by Christopher Hampton, premiered at The Chocolate Factory, London, in association wit