The Medieval Python

These interdisciplinary essays focus on animals as symbols, ideas, or images in medieval art and literature.

An informative English-language study of the history of medieval Provencal life and literature, offering insights into European musical culture.

Edward Augustus Freeman (1823–1892) was Regius Professor of Modern History at Oxford, and one of the pre-eminent historians of his generation. Politics was a constant interest for Freeman, who was also a regular contributor to the Saturday Review. While he wrote on a variety of historical topics, from ancient Greece to the German Federation, and had a great interest in architecture, this six-volume work, published between 1867 and 1879, was his magnum opus. Freeman reconsiders how the history of the Conquest is understood and examines its causes and results, examining the history of medieval England from the fifth until the twelfth centuries. Volume 6 provides a comprehensive index for the set. These volumes will interest both scholars of early England and the Conquest and modern historiographers.

This is a comprehensive study in English of political thought in Spain during the Renaissance. In the early sixteenth century Castile experienced two major constitutional crises caused by the accession of a Habsburg ruler (shortly to become Holy Roman Emperor) to her throne, and by the discovery and conquest of America. Politically, these circumstances created a bizarre situation in which the venerable idea of medieval empire was forced to co-exist with a novel, imperial vision made inevitable by expansion in the new world. The strain imposed on Castile's constitutional fabric stimulated the most significant developments of Spanish political thought in the Renaissance. Against this background, Professor Fernández-Santamaria surverys the contribution of a number of eminent writers from diverse intellectual traditions who endeavoured to apply established political assumptions to these unprecedented circumstances.

This volume in the highly respected Cambridge History of Science series is devoted to the history of science in the Middle Ages from the North Atlantic to the Indus Valley. Medieval science was once universally dismissed as non-existent - and sometimes it still is. This volume reveals the diversity of goals, contexts and accomplishments in the study of nature during the Middle Ages. Organized by topic and culture, its essays by distinguished scholars offer the most comprehensive and up-to-date history of medieval science currently available. Intended to provide a balanced and inclusive treatment of the medieval world, contributors consider scientific learning and advancement in the cultures associated with the Arabic, Greek, Latin and Hebrew languages. Scientists, historians and other curious readers will all gain a new appreciation for the study of nature during an era that is often misunderstood.

Describes Charles Martel's rise to power in medieval France and his involvement in the development of the feudal system.

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Traces the origin, development and practice of medieval witchcraft throughout western Europe, and describes the movement's social and religious significance

Looks at ancient and oriental music and traces the history of western music from medieval times to the twentieth century

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Ovid is perhaps the most important surviving Latin poet and his work has influenced writers throughout the world to the present day. This volume presents a groundbreaking series of essays on his reception across in the Middle Ages. The collection includes contributions from distinguished Ovidians as well as leading specialists in medieval Latin and vernacular literature, clerical and extra-clerical culture and medieval art, and addresses questions of manuscript and textual transmission, translation, adaptation and imitation. It also explores the intersecting cultural contexts of the schools (monastic and secular), courts and literate lay households. It elaborates the scale and scope of the enthusiasm for Ovid in medieval Europe, following readers of the canon from the Carolingian monasteries to the early schools of the Île de France and on into clerical and curial milieux in Italy, Spain, the British Isles and even the Byzantine Empire.

Ovid is perhaps the most important surviving Latin poet and his work has influenced writers throughout the world to the present day. This volume presents a groundbreaking series of essays on his reception across in the Middle Ages. The collection includes contributions from distinguished Ovidians as well as leading specialists in medieval Latin and vernacular literature, clerical and extra-clerical culture and medieval art, and addresses questions of manuscript and textual transmission, translation, adaptation and imitation. It also explores the intersecting cultural contexts of the schools (monastic and secular), courts and literate lay households. It elaborates the scale and scope of the enthusiasm for Ovid in medieval Europe, following readers of the canon from the Carolingian monasteries to the early schools of the Île de France and on into clerical and curial milieux in Italy, Spain, the British Isles and even the Byzantine Empire.

In this book, cofounder and lead developer James Gardner brings you a comprehensive introduction to Pylons, the web framework that uses the best of Ruby, Python, and Perl and the emerging WSGI standar

The English writer Agnes Strickland (1796–1874) began her career writing poetry and romances before turning to biographical studies. This eight-volume series, written in collaboration with her sister Elizabeth, and first published between 1840 and 1849, was her most ambitious project. It provides accounts of the queens of England from Matilda of Flanders to Queen Anne. Hugely popular in the Victorian period, Lives of the Queens of England and its sequel Lives of the Queens of Scotland remain important landmarks in the development of biography as a genre, and provide interesting perspectives on women's contribution to modern historiography. Volume 1 contains eight biographies of medieval queens, from Matilda of Flanders (c.1031–1083) to Anne of Bohemia in the fourteenth century. For more information on these authors, see http://orlando.cambridge.org/public/svPeople?person_id=striel and http://orlando.cambridge.org/public/svPeople?person_id=striag

Hastings Rashdall (1858–1924) first published The Universities of Europe in the Middle Ages in 1895. It has remained one of the best-known studies of the great medieval universities for over a century. Volume 1 contains detailed studies of the universities of Salerno, Bologna and Paris with in-depth analysis of their origins and constitutions, institutional development and specialised curriculum. It also includes sections on what a medieval university was; the learning and curriculum of the Dark Ages; the twelfth-century Renaissance; the respective places of Plato and Aristotle in the medieval curriculum; the development of Scholasticism; and the figures of Peter Abelard, Peter the Lombard, and John of Salisbury. Rashdall's study was one of the first comparative works on the subject. Its scope and breadth has ensured its place as a key work of intellectual history, and an indispensable tool for the study of the educational organisation of the Middle Ages.

Supplementing theological interpretation with historical, literary, and philosophical perspectives, The Weight of Love analyzes the nature and role of affectivity in medieval Christian devotion throug

Supplementing theological interpretation with historical, literary, and philosophical perspectives, The Weight of Love analyzes the nature and role of affectivity in medieval Christian devotion throug

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From early accounts of dance customs in medieval Ireland to the present, Brennan offers an authoritative look at the evolution of Irish dance.

Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture

50 medieval initial letters. Celtic floral interlacements, biblical scenes, scenes of war and play, knights, grotesque animals, martyrdoms, fanciful devices, more. Wonderful design inspiration.

Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine chur

Conscious of ancient modes of reading poetry 'for the life', Roman poets encoded versions of their lives into their texts. The result is a body of literature that cries out to be read in terms of lives in reception. Afterlives of the Roman Poets shows how the fictional biographies (or 'biofictions') of its authors have shaped the reception of Latin poetry. From medieval biographies of Ovid inscribed in the margins of his texts to republican readings of Lucan's death in periods of revolution to the 'death of the author' in Hermann Broch's Der Tod des Vergil, the book tells a cultural history of the reception of ancient literature as imagined through the lens of poets' lives. Putting modern life-writing studies and ancient poetry into dialogue, it brings biofictional reception to debates in classics, and puts antiquity and its reception onto the map of modern studies in life-writing.

The histories of Queen Anne's Bounty, created in 1704, and the Ecclesiastical Commissioners, established in 1836, run so closely together, and their functions, until their amalgamation in 1948 as the Church Commissioners, were so similar, that it would be impossible to study them separately. In this account of their foundation and growth, which was originally published in 1964, Dr Best shows how much they had to do with the great changes in the administration and political relations of the Church of England, which transformed the Church from the virtually medieval institution it was in the early eighteenth century, to the recognizably modern one it had become by the end of the nineteenth. Although Dr Best's book is primarily a study of two ecclesiastical bodies and of the Church reform movement, it is also an important and unusual contribution to English social and political history.

In the Middle Ages, liturgies, books, song, architecture and poetry were performed as collaborative activities in which performers and audience together realized their work anew. In this book, essays by leading scholars analyse how the medieval arts invited and delighted in collaborative performances designed to persuade. The essays cast fresh light on subjects ranging from pilgrim processions within Chartres Cathedral, to polyphonic song, and the 'rhetoric of silence' perfected by the Cistercians. Rhetoric is defined broadly in this book to encompass its relationship to its sister arts of music, architecture, and painting, all of which use materials and media in addition to words, sometimes altogether without words. Contributors have concentrated on those aspects of formal rhetoric that are performative in nature, the sound, gesture and facial expressions of persuasive speech in action. Delivery (performance) is shown to be at the heart of rhetoric, that aspect of it which is indeed b

This 1997 book describes the spread of new agricultural practice in the half millennium after 1350, and reconstructs a neglected part of Europe's agricultural past: the introduction of fodder crops, and the continuous reorganisation of traditional botanical inputs within a new system of farming. New agricultural systems, based on convertible husbandry, clovers, turnips and roots, were introduced to some areas of Europe from the 1750s, and gave new impetus to productivity. However this so-called 'agricultural revolution' had demanded a learning process in which recourse to ancient and medieval botany helped farmers and scholars to overcome a situation of stalemate in early modern technology. The book breaks entirely new ground by showing the distant historical origins of a major transformation in land potential and farm productivity. A vast range of evidence is cited from Italy, France, England and elsewhere to provide a history of the 'agricultural revolution' in Europe.

The history of the early 'Abbasid Caliphate has long been studied as a factual or interpretive synthesis of various accounts preserved in the medieval Islamic chronicles. Tayeb El-Hibri's book breaks with the traditional approach, applying a literary-critical reading to examine the lives of the caliphs. By focusing on the reigns of Harun al-Rashid and his successors, the study demonstrates how the various historical accounts were not in fact intended as faithful portraits of the past, but as allusive devices used to shed light on controversial religious, political and social issues of the period. The analysis also reveals how the exercise of decoding Islamic historigraphy, through an investigation of the narrative strategies and thematic motifs used in the chronicles, can uncover new layers of meaning and even identify the early narrators. This is an important book which represents a landmark in the field of early Islamic historiography.

Agard puts on the mask of medieval Jewish rabbi Moses Maimonides (from Moorish Spain) in provocative poems that resonate with the current climate of extremism.

Behind the scenes, stories, jokes and analysis of all the Monkey Island games, including many interviews of the creators. LucasArts has become a legendary developer in part because of The Secret of Monkey Island, which was created here in 1990. The Secret of Monkey Island, the world's most famous point-and-click adventure game, owes its reputation to its world of colourful, delightfully anachronistic pirates, to its Monty Python humour, but also, quite simply, to the fact that it revolutionised a genre. This book is a tribute to the adventures of Guybrush Threepwood, the great pirate. But it also aims to explain why Monkey Island represents a decisive step forward in the way a story can be told through a video game. It will also look back at the turbulent history of LucasArts and Telltale Games, discover a few recipes for voodoo toddy, learn interactive pirate reggae songs, shine at a social gathering of forty-something geeks and discover lines as sharp as a boarding sword (useful for

The third incredible volume in the Arthur trilogy, where medieval life and Arthurian magic transcends boundaries, with appeal for children of 9+ and older readers alike.

Originally published in 1968. In the pluralistic society of the medieval commune, informal and personal ties of obligation bound men together. In trecentro Florence this "gentle" communal structure gr

Originally published in 1963, this classic book is a rethinking of the history of Western political philosophy. Charles N. R. McCoy contrasts classical-medieval principles against the "hypotheses" at

A fascinating collection of medieval Arabic travel writing-in an important new translation. Between the ninth and fourteenth centuries, Arab explorers journeyed widely and frequently into the far no

Both now retired from the University of Reading, Barber (Medieval history) and Bate (classics) have assembled letters not previously published in English, or those in archaic and inaccessible translat

The present volume has been built up around fifteen papers presented at an international conference co-organised by the Department of Medieval Studies of the Central European University, Budapest, the

This revised and expanded volume brings together a carefully-selected collection of primary sources drawn from medieval and sixteenth-century texts. Particularly notable for its comprehensive coverage

This revised and expanded volume brings together a carefully-selected collection of primary sources drawn from medieval and sixteenth-century texts. Particularly notable for its comprehensive coverage

Canterbury Cathedral’s medieval Gothic image survived centuries of religious discord, neglect and Georgian "improvements." From 1800, a new generation was re-inspired by the prevalent architectural an

Like16 medieval B-movies,this collection offerscompelling characters and obscure imagery, from insane doctors and supernatural dogs to dead men and a real ninja turtle. Believing th

Drawing its inspiration from many spiritual traditions, including Celtic, Native American, East Indian, African, Medieval and Renaissance European, The Light and Shadow Tarot is an innovative collecti