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A compilation of Ting Yin Yung's paintings and other artwork from his life in Hong Kong. University Museum and Art Gallery's exhibition is authoritative in its display of Ting Yin Yung's oil and ink paintings, watercolors, sketches, and seals, all of which cover the most productive decades of his working life in Hong Kong. The project is also highly community-centered, as the development of this project benefited greatly from the input of Ting's students, who continue to treasure their master's passion and the instructive lessons and conversations that nurtured a generation of local artists. A native of Maoming County in Guangdong province, Ting Yin Yung first studied Western painting in Tokyo at the Kawabata Painting School in 1920, and then at the Tokyo School of Fine Arts. He began working in mainland China in 1925, before emigrating to Hong Kong in 1949, where he developed his artistic practice as a painter, seal carver, and greatly admired teacher. Heavily illustrated in full colo

COUPLET PAIR REBUS explores the principle of cause and effect in art, offering various approaches to this philosophical relationship. Based on the UMAG exhibition curated by Harald Kraemer, the COUPLET section is comprised of more than twenty calligraphic pairs of poetic lines, known in Chinese as duilian (對聯). Through the multi-layered texts, one discovers the multitude of voices that can be used to describe nature and the world and how content can be visualised through various forms of calligraphy. PAIR features artworks that form a balanced equilibrium through diverse visual languages along with objects that exemplify how mankind’s pursuits create objects in symmetrical harmony across genres. While works presented in the REBUS section form a network of diverse references that connect the objects. Individuals are then tasked with decoding these connections like a 3D puzzle.This publication features an essay by curator Harald Kraemer unpacking the issues of harmony, symmetry and contr

In Man in a Hurry: Murray MacLehose and Colonial Autonomy in Hong Kong, Ray Yep explores the latest available archival materials and re-examines MacLehose’s pivotal governorship in Hong Kong (1971–1982). MacLehose arrived in the challenging 1970s, when there were expectations for social reforms, uneasiness in the relationship between Hong Kong and London, and the 1997 factor looming large. The governor successfully carried out various social reforms and he also handled various major issues, including the anti-corruption campaign, the Vietnamese refugee crisis, and the granting of land lease of the New Territories beyond 1997. Yep unveils the tension and bargaining between the British government and explains how interest of the colony could asserted, defended, and negotiated. This book is an important study of Hong Kong’s ‘golden years’ when the city’s economy took off. It is a significant contribution to our understanding of how local autonomy was defined.

In Redefining Heresy and Tolerance, Hung Tak Wai examines how the Qing empire governed Muslims and Christians under its rule with a non-interventionist policy. Manchu emperors adopted a tolerant attitude towards Islam and Christianity as long as political stability and loyalty remained unthreatened. However, Hung argues that such tolerance had its limitations. Since the mid-eighteenth century, the Qing court intentionally minimised the importance of the Islamic identity. Restrictions were imposed on the Muslims’ external connections with Western Asia. The Christian minority was kept distant from politics and the Han majority. At the same time, Confucian scholars began to acquire a new understanding of religion, but they were not encouraged to get in touch with the Muslims and Christians. This book demonstrates how, from the late eighteenth to the early nineteenth century, the Qing government prevented Confucian scholar-bureaucrats from interfering in the religious life of Christians an

In the third edition of Contemporary Hong Kong Government and Politics, Lam Wai-man, Percy Luen-tim Lui, Wilson Wong, and various contributors provide the latest analyses in many aspects of Hong Kong’s government and politics, such as political institutions, mediating institutions, and political actors. They also discuss specific policy areas such as political parties and elections, civil society, political identity and political culture, the mass media, and public opinions after the Umbrella Movement in 2014. The book also evaluates the latest developments in Hong Kong’s relationship with Mainland China and the international community. This new edition offers an up-to-date and comprehensive analysis of the main continuities and changes in the above aspects since 2014. This volume will help its readers grasp a basic understanding of Hong Kong’s political developments in the last ten years.

Widely respected and beloved as one of Hong Kong’s most original painters, Gaylord Chan (1925-2020) had a dynamic career that traversed cultural epochs and the boundaries of media. He made his first serious foray into painting only at the age of 42 after enrolling in an extra-mural studies art course organised by the University of Hong Kong in 1968. Chan’s late start, however, did not at all limit his potential. While he worked as an engineer for Cable & Wireless by day, Chan continued to experiment and refine his creative practice. The artist eventually developed a unique abstract language of bold colours and rustic forms that reflects on the simple wonders of daily life, science and metaphysics, and the contemporary human condition. Referencing an evocative painting by Chan from the 1990s, Never End: The Art and Life of Gaylord Chan, presented by Asia Society Hong Kong Center, is a tribute to the late master and his invaluable artistic legacy. It explores the development of Chan’

In this new study, Peter ten Hoopen reveals levels of virtuosity in the work of Sumbanese textile artists that remained overlooked for over a century of Indonesian textile research. Their richly decorated men’s wraps, hinggi, have commonly been described as symmetric along both axes. But as ten Hoopen’s investigation at Leiden University uncovered, this supposed canon only survived because crucial design elements were overlooked. Sumba’s noble weavers managed to create asymmetry by hiding tiny visual elements that disrupted symmetry and were made to be overlooked. They exploited insights in the way we process visual information by simulating regularity, while deceitfully tying in elements that break it. Ironically, they were so good at hiding these design elements that they remained unnoticed for generations. This virtuosity was a product of Sumba’s competitive culture, suffused by an ancient headhunting ethos and marked by secrecy. As the artists strove to outsmart each other, natural

From humble beginnings in Hong Kong, Yuen Kwok-Yung rose to international prominence as an academic, physician, and microbiologist. As an advisor to governments, he and colleagues made discoveries that helped the world cope in often controversial ways with unprecedented threats to public health, including the COVID-19 pandemic. In this compelling memoir, Dr. Yuen weaves personal stories with those from his extraordinary medical careers to take readers on an inspiring journey about perseverance, courage, faith, and the ongoing peril of infectious diseases. threats to public health, including the COVID-19 pandemic. In this compelling memoir, Dr. Yuen weaves personal stories with those from his extraordinary medical careers to take readers on an inspiring journey about perseverance, courage, faith, and the ongoing peril of infectious diseases.

2011年，作者出版了個人第一本首飾設計書《雅繪》，為人生帶出快樂的色彩。2024年再接再厲，編輯和出版《炫繪》，希望與大家分享更多靈感和創意。In 2011, Monita Choi published her first jewellery design book, Stroke of Grace to bring happiness that coloured her life.As the next stop, She edited and published Dazzling of Grace in 2024, in order to share more inspiration and creativity to everyone.

This fourth edition of Contract Law in Hong Kong is a comprehensive contemporary textbook on Hong Kong contract law written primarily for law students. The sixteen chapters of the book cover all basic contract concepts in a reader-friendly style and make ample use of case illustrations, including over 200 new cases in this new edition. The book deals with all the core areas of contract law. New legislative rules, notably the Contracts (Rights of Third Parties) Ordinance, have also been covered.The first two chapters introduce the major themes and explain the multiple sources of law in Hong Kong. The subsequent thirteen chapters cover the formation of a valid contract, its contents, “vitiating” elements, the consequences of illegality, the termination of contracts, and remedies for breach of contract. The book concludes with an explanation of the doctrine of privity and the legislative reform of the operation of privity in Hong Kong. Particular attention is given to what makes Hong Kong

South of the Yangtze starts with the protagonist, Qian Yinan, taking the high-speed train through the landscape of Jiangnan (“South of the Yangtze River”) with her American husband. Now in her mid-thirties, Yinan recalls her first trip along the same route in the late 1980s, as well as her Shanghai childhood with her “historical counter-revolutionary” grandfather, semi-literate grandmother, philosophy professor father and former “red guard” mother. Later in school, while receiving a nationalist education and witnessing the booming market economy, she becomes close to Jie, a classmate who aspires to join the Communist Party. And a few months before the new millennium, Yinan finds herself trapped in a secret love affair with her Mandarin-speaking high school teacher, who was once an activist during the political turmoil of 1989. In the midst of these formative relationships, Yinan contemplates the impact of the nation’s ideology, tradition and even it

Mountain Songs embodies the intersecting narratives of migration and how it shapes one’s identity.Mountain songs (山歌) are integral to Hakka culture – Tegan Smyth’s maternal heritage – and have been a way to keep stories by unknown authors alive in an oral tradition. As Hakka’s prominence as a spoken language gives way to other more widely spoken dialects of Chinese, it is in careful records that the cultural practices and stories are captured so they can be seen by future generations. This is true of the poems contained in Mountain Songs, which focuses on the accounts of different women in the writer’s family, whose existence and memories have been passed down only orally and never in writing. The movement of mountain songs sung across different terrains and milieus mirrors the movement of Hakka people themselves, a widely dispersed people, where migration is tied to the community’s experiences both within and outside China. The writer draws parallels to the migration of her grandparen

Battle of the Artisans tells the story of Tangtun, a conflicted, artistic twelve-year-old in 5th-century BCE China, who sets out to save his father from a killer. He crosses wits with his macho father and a vengeful king, armed thieves, and disgruntled villagers, and in the process, discovers new powers that rock his Bronze-Age world. In the end, what matters most is not Tangtun’s artistic abilities or his father’s muscles and might but that they realize the strength of acting together.This novel portrays the making of the very real Bells of Marquis Yi, a 2500-year-old National Treasure of China. No one knows exactly why these bells were made, but Bennett provides a well-researched and persuasive solution to the mystery through her story of Tangtun and his village on the Yangtze River.Every historical novel is an imagined introduction to a topic and a time. Battle of the Artisans invites readers to explore further the world and the science of the bells of Marquis Yi, to learn more abou

Sinoglossia places the terms of embodiment, mediality, and translation at the center of analytical inquiry into Chinese and Sinophone cultures. Converging in the rubric of Sinoglossia, the chapters in this volume introduce a theory defined by cultural formations not overdetermined by Sinitic linguistic ties. The concept of Sinoglossia combines a heteroglossic and a heterotopian approach to the critical study of mediated discourses of China and Chineseness. From the history of physical examinations and queer subalternity to the cinematic inscription of Chineseness-as-landscape, and from Sinopop to the translational writings of Eileen Chang and Syaman Rapongan, this book argues for a flexible conceptualization of cultural objects, conditions, and contexts that draws attention to an array of polyphonic, multi-discursive, and multilingual articulations. In this new horizon of understanding, place or topos necessarily constitutes the possibility of friction and source of innovation.“Sinogloss

An exploration of collective memory through the lens of East Asian film during World War II. Taking the "tidal wave" of memory in the late twentieth and early twenty-first century as its starting point, this monograph explores the collective memory of World War II in East Asia (1937-1945) through film. Weiss argues that Chinese, Japanese, and American remembrance of World War II is intertwined in what she terms a "memory loop," the transnational mediation and remediation of war narratives. Gender is central to this process, as the changing representation of male soldiers, political leaders, and patriarchal father figures within these narratives reveals Japanese and Chinese challenges to each other and to the perceived "foundational" American narrative of the war. This process continues to intensify due to the globally visible nature of the memory loop, which drives this cycle of transmission, translation, and reassessment. This volume is the first to bring together a collection of Chin

The Journal of Translation Studies is a double-blind peer reviewed bilingual journal (English and Chinese) devoted to all aspects of translation studies. While the journal has a special focus on the history, theory and practice of Chinese-English, English-Chinese translation, it also publishes high-quality articles on research regarding other language combinations and/or general theoretical aspects of translation. The Journal also publishes book reviews by invitation. Contributions may be submitted all year round.

New research on the history of public housing and squatting in Hong Kong. In Hong Kong Public and Squatter Housing, Alan Smart and Fung Chi Keung Charles trace the development of squatting in Hong Kong from 1963 to 1985. The authors reconstruct government policy on squatting through both ethnographic and archival research. This book sheds new light on the consequences of various attempts to control encroachment on scarce urban space. The authors argue that intersecting policy agendas resulted in decisions that were often not desired, but which emerged as practical solutions from prior failures. They address the challenges of explaining confidential policy decisions and offer new approaches applicable in other contexts. Overall, this book makes an important contribution to the understanding of how public housing and squatting interacted in influential ways that have been poorly understood and offer new perspectives on the challenges of urban governance and housing problems.

VERA MAGPIE explores the gap between childhood fantasies of adult life and the stark reality of life in a women's prison. The eponymous narrator, Vera Magpie herself, is serving time for the murder of her three husbands, including Larry, a good man whom she loved, but doomed to die at Vera's hands because she has acquired a taste for murder. In prison, Vera experiences the reality that here are politics and a pecking order, just as in society at large, but here also she finds redemption through literature. Like many women who kill, Vera is a product of her own flawed past. But aspects of this past also count towards her early release from prison, as her new female lawyer successfully argues Battered Women’s Syndrome as a defence.-------------------------------------------------“Vera Magpie depicts pure life, nothing has been included or excluded, only human attitudes, psychology and behaviours have been condensed.”—Muhammad Shanazar “A knockout. This book is a little gem.”—J

How do we situate ourselves when we navigate the city of Hong Kong—physically, and in our minds? Against a backdrop of bustling density and movement, the difficulties of making space have shaped our days. From the challenges of limited living space and the quest for personal space, to the everyday negotiations of our identities in the social space, we are constantly confronted with the question: How do we redefine the distance between the city, others, and ourselves, and between the selves within us? This collection features prose, poetry and artwork from writers and artists in or from Hong Kong, as well as those who have had a close connection with the city, that explore the (im)possibility of making space. How do we remake space in our lives and our creative practices? What does this (im)possibility mean in (or in relation to) Hong Kong today?

A pioneering and comprehensive study of recent Malaysian cinema. Malaysian Cinema in the New Millennium offers a new approach to the study of multiculturalism in cinema by analyzing how a new wave of filmmakers champion cultural diversity using cosmopolitan themes. Adrian Lee offers a new inquiry of Malaysian cinema that examines how the "Malaysian Digital Indies" have in recent years repositioned Malaysian cinema within the global arena. The book shines a new light on how politics and socioeconomics have influenced new forms and genres of the post-2000s generation of filmmakers and provides a clear picture of the interactions between commercial cinema and politics and socioeconomics in the first two decades of the new millennium. It also illustrates how the Malaysian Digital Indies functions as a site for questioning and proposing a new national identity in the era of advanced global capitalism and new Islamisation.

In Daily Giving Service: A History of the Diocesan Girls’ School, Hong Kong, Moira M. W. Chan-Yeung and her fellow contributors present a comprehensive history of one of Hong Kong’s oldest girls’ schools. As an alumna of the school, Chan-Yeung traces the history of her alma mater from its establishment in 1860, to its development over the last 160 years until the recent decade. Having experienced stability and turbulences in Hong Kong in the twentieth century, the school has become one of the most prominent girls’ schools in the city. In several chapters written by other alumnae, various aspects of school life of different eras are reconstructed and remembered.The author and other contributors focused on the postwar era in which Hong Kong grew from a small city to a global metropolitan. The expansion of the Diocesan Girls’ School largely followed this trend. The history of the school has also long been connected with the socio-economic development of Hong Kong society, sharing its happ

Entanglements: Physics, Love, and Wilderness Dreams, Jack Mayer’s second poetry collection, is a poetic mélange about relationships, from sub-atomic particles to our human family; the ties that bind. Mayer, a pediatrician, poet, and hiker, explores the metaphysics of cosmology and that particularly intense entanglement, love. At the macroscopic level, Mayer’s doctor poems, inspired by his pediatric practice in rural Northern Vermont, take the reader into the heart and soul of a healer inspired to find meaning in his patients’ often difficult lives. Unique connections are unearthed. As a wilderness hiker and canoeist, Mayer has experienced the healing power of wilderness; the mystery of belonging to wilderness, of independence and interdependence. His wilderness poems carry us into his beloved Green Mountains on Vermont’s Long Trail. On solo hikes he composes poems, then copies his first draft into the nearest shelter’s logbook under his trail name, “Mountain Poet.” A durable thread con

Daoism is a peer-reviewed international journal dedicated to the publication of original research articles exploring Daoism in its social and historical contexts from the pre-modern to the contemporary period. The journal encourages innovative research based on new documents and/or fieldworks.

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four issues per year starting from 2018; a scholarly journal covering various disciplines of study on Greater China and its people, namely, domestic politics and international relations; society, business and economic development; modern history, the arts and cultural studies. The only China-based English journal devoted to the study of Greater China and its people A vigorously refereed journal with international advisory and editorial boards Teachers, scholars, researchers, journalists and students interested in the developments of China will find this publication a comprehensive and indispensable tool. Indexed in Social Sciences Citation Index, Current Contents/Social & Behavioral Sciences, Else

In The First British Trade Expedition to China, Nicholas D. Jackson explores the pioneering British trade expedition to China launched in the late Ming period by Charles I and the Courteen Association. While utilizing the vivid and unique perspective of its commander, Captain John Weddell, this study concentrates on the fleet’s adventures in south China between Portuguese Macao and the provincial capital, Guangzhou (Canton). Tracing the obscure origins of Sino-British diplomatic and commercial relations back to the late Ming era, Jackson examines the first episodes of Sino-British interaction, exchange, and collision in the seventeenth century. His definitive narrative and original analysis constitute a groundbreaking study of early modern British initiatives and enterprise in the coastal areas of south China. The book begins by sketching the Tudor-Stuart historical background of British trade expansion in Asia before precisely reconstructing the voyages of East India Company and then

This book, Chiang Yee and His Circle: Chinese Artistic and Intellectual Life in Britain, 1930–1950, celebrates the life and work of Chiang Yee (1903–1977), a Chinese writer, poet, and painter who made his home in London, England during the 1930s and 1940s. It examines Chiang’s relationship with his circle of friends and colleagues in the English capital, and assesses the work he produced during his sojourn there. This edited volume, with contributions from eleven distinguished scholars, tells a story of a Chinese intellectual community in London that up to now has been largely overlooked. It portrays a dynamic picture of the London-based émigré life during the years that led up to the war and during the conflict that was the catalyst for many of them moving on. In addition, the book broadens our understanding of cultural interactions between China and the West in Hampstead, one of the most vibrant artistic communities in London.

Set against the backdrop of regional and international post–Second World War tensions, Grounded at Kai Tak is the most comprehensive account of the complex legal struggle for ownership of 71 airplanes belonging to the two main Chinese airlines, which were stranded at Kai Tak airfield in Hong Kong at the end of the Chinese civil war. The resulting contest for possession of them took place in the courts and among politicians and diplomats on three continents. In the process, the struggle became entangled with the anti-communist policies of the United States in the emerging ‘Cold War’, British hopes for restoration of her pre-war commercial position in China, disagreements between nations about recognition of the new government in Peking, and the delicate balance that the colonial government of Hong Kong had to keep to preserve that colony’s interests.Merry tells the tale of this legal saga by weaving together archival documents and news reports of the day, revealing the international ali

Sir Robert Ho Tung (1862–1954) is a compelling figure in Hong Kong history. He is regularly portrayed as the colony’s greatest philanthropist and wealthiest man of his day, the first Chinese to live on the Peak, and, at the end of his life, the ‘Grand Old Man of Hongkong’. The illegitimate son of a Chinese mother and European father, he was highly sensitive about his mixed heritage though he consistently made the most of his fate. He was a man perfectly in tune with his place and time, his success driven as much by his entrepreneurial talents as by his being Eurasian. This book shows him in all his immense variety―clerk with the Imperial Maritime Customs, chief compradore of Jardine Matheson, financial wizard, husband and lover, patriarch of a large family of five sons and eight daughters, loyal British subject but also, paradoxically, Chinese patriot. China’s president Yuan Shikai awarded him the Order of the Excellent Crop, and King George V knighted him.May Holdsworth’s thoughtful a

Hong Kong’s Link to the US Dollar covers the origins of the city’s currency crisis in 1983, the initial resolution of the crisis by creation of a traditional currency board, the subsequent problems leading to the Asian financial crisis of 1997–98, and the later reforms. A new final chapter traces monetary developments in Hong Kong between 2005 and 2020.This valuable compendium of articles, originally written in the bimonthly journal Asian Monetary Monitor between 1981 and 1989, includes the key article that formed the basis for the Hong Kong government’s decision in 1983 to peg the currency to the US dollar, as well as other important documents of historical record.The main contribution of the book is its detailed monetary analysis of Hong Kong’s unique financial system before and after the currency crisis of 1983. The book explains the collapse of the floating Hong Kong dollar under the pressure of capital outflows during the Sino-British negotiations (1982–84) over the future of Hong

More Than 1001 Days and Nights of Hong Kong Internment is the wartime journal of Sir Chaloner Grenville Alabaster, former attorney-general of Hong Kong and one of the three highest-ranking British officials during the Japanese occupation. He was imprisoned by the Japanese at the Stanley Internment Camp from 1941 to 1945. During his internment, he managed to keep a diary of his life in the camp in small notebooks and hid them until his release in 1945. He then wrote his wartime journal on the basis of these notes. The journal records his day-to-day experiences of the fall of Hong Kong, his time at Stanley, and his eventual release. Some of the most fascinating extracts cover the three months immediately after the fall of Hong Kong and when Alabaster and his colleagues were imprisoned in Prince’s Building in Central and before they were sent to the camp, a period little covered in previous publications. Hence, the book is an important primary source for understanding the daily operation

Case studies from contemporary Asia on the intersection of nature and urban spaces. Two processes are currently unfolding in diverse patterns across contemporary Asian cities: the displacement of nature in urban spaces, as well as the reimagining of nature's place in the urban sphere. The rapid urbanization of Asia has provoked contentious debates and novel schemes about the role of nature in cities. Contributors to this volume gather case studies from across Asia to address projects of urban greening and other models for the integration of nature in urban life. The book also illustrates how the intersection of urban growth and urban nature is a sector rich with fresh ideas about urban planning, governance, and social life as debates and efforts to recover nature in the city provoke moral and ethical evaluations of the human ecology of city life.

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four issues per year starting from 2018; a scholarly journal covering various disciplines of study on Greater China and its people, namely, domestic politics and international relations; society, business and economic development; modern history, the arts and cultural studies.The only China-based English journal devoted to the study of Greater China and its people A vigorously refereed journal with international advisory and editorial boardsTeachers, scholars, researchers, journalists and students interested in the developments of China will find this publication a comprehensive and indispensable tool. Indexed in Social Sciences Citation Index, Current Contents/Social & Behavioral Sciences, Elsevier Bibliographic Databases, Current Geographical Publications, International Political

The Journal of Translation Studies is a double-blind peer reviewed bilingual journal (English and Chinese) devoted to all aspects of translation studies. While the journal has a special focus on the history, theory and practice of Chinese-English, English-Chinese translation, it also publishes high-quality articles on research regarding other language combinations and/or general theoretical aspects of translation. The Journal also publishes book reviews by invitation. Contributions may be submitted all year round.

Jonathan Stalling’s experimental approach to bridging art, poetics, and linguistics imagines a world where individual value systems are no longer translated into the language of other mediums, but foster conscious “interlanguages.” Stalling writes, “Meeting in the middle, ‘interlanguages’ are spaces where one learns a new language without having left one’s home fully behind; these situations can result in richly generative interlingual and intercultural estuaries which provide new ways of imagining.” Stalling’s conceptual language art fuses Classical Chinese poetics and linguistics with modern algorithms to create art installations and poetry that transform Chinese into English and English into Chinese in new and surprising ways.With a visual gallery of Stalling’s work, an interview with the artist, a critical introduction by the editor, and critical chapters written by the comparative literature scholar Timothy Billings and Chinese Linguist Liu Nian, the volume provides readers with a

In New Asian Disorder: Rivalries Embroiling the Pacific Century, Lowell Dittmer and his team explore the recent political disorder in East Asia resulting from growing Sino-American polarization. The rise of China in recent years is widely regarded as a momentous shift in the global balance of power. China is now extending sovereignty into the East China Sea and the South China Sea, constructing a new set of global financial institutions and replacing “universal values” with technologically enhanced nationalism. The country’s “Belt and Road Initiative” is also tainted by the vast ambition to realize the “China Dream” within the foreseeable future. In response to China’s challenge, the United States has abandoned its “constructive engagement” policy towards the rising power and engaged in a trade war. Sino-American relations have been at a historical trough since the normalization of their relationship in the late 1970s. This book sheds new light on the current political disorder in the

The clinical practice of nephrology is intricately related to many medical disciplines and is a challenging subject for medical undergraduates and young clinicians alike. Integrated Systematic Nephrology is a clinical reference book that provides a comprehensive yet succinct and systematic coverage of topics in nephrology. This new edition has been thoroughly updated to cover recent advances in nephrology clinical practice and research, and has been expanded to include a vast array of subjects that are crucial to anyone interested in learning about the latest developments in renal medicine more broadly.This volume brings together contributions from highly experienced nephrologists, as well as leading specialists in related disciplines such as urology, radiology, pathology, and others. It is suitable for a wide audience, ranging from undergraduates, general physicians, to nephrology trainees.

Writing has always been a difficult subject to talk about, let alone writing an honest account about how one’s creative process is complicated by global lockdown and personal hardships. In Writing in Difficult Times, eleven young promising writers from Hong Kong wallow in some of their perhaps most confusing and troubling moments in life, and share their struggles. How do writers committed to crafted language maintain a dialogue with themselves? How does the dense urban living space affect creative outputs and thoughts? How do writers reflect on and evaluate gender roles, motherhood, and time? What roles does memory play in writing, if memory’s own language is not allowed to communicate? Each personal essay in this collection is available in both Chinese and English, hoping to build a timely and genuine connection with its readers, regardless of location and cultural background. Each word is a courageous sharing that makes a significant contribution to bilingual Hong Kong literary writ

The purpose of this book is to explain both the historical context and current practices of land administration in Hong Kong. Although Hong Kong has an open and business-friendly environment, it is underpinned by a socialist leasehold land tenure system. The government is landlord to virtually all land and so it plays a pivotal role in the administration of this scare, and therefore, valuable resource.As land administration is governed by private contract law rather than legislation, it is constantly evolving with the courts handing down significant decisions on a regular basis. Government practice has to respond to this, as well as the community’s concern on how best land can be administered. The fifth edition has some substantial and important updates which should continue to be useful to both students and practitioners of surveying, architecture, planning and law, as well as the wider business and financial community.

The China Review is a continuation of China Review, an annual publication of The Chinese University of Hong Kong Press since 1991. It publishes twice a year in April and October since 2001 and four issues per year starting from 2018; a scholarly journal covering various disciplines of study on Greater China and its people, namely, domestic politics and international relations; society, business and economic development; modern history, the arts and cultural studies.· The only China-based English journal devoted to the study of Greater China and its people· A vigorously refereed journal with international advisory and editorial boardsTeachers, scholars, researchers, journalists and students interested in the developments of China will find this publication a comprehensive and indispensable tool. Indexed in Social Sciences Citation Index, Current Contents/Social & Behavioral Scie

Amidst the reshaping of Hong Kong’s social, cultural, political and ideological landscape, how do we reenvisage a city that exists in our memories? For those who have left their hometown―or the place they once called home―the question, “What does it mean to be a Hongkonger?” marks a constant shift between conflicting realities, identities and perceptions. Beyond the act of remembering, how do we reimagine our relationship with Hong Kong in the present and the future? In this collection of prose, poetry and photography by eighteen writers and artists, we see a gathering of reflections on the profound changes and subtle transitions that have transpired in Hong Kong, both in recent times and over the past decades.