Emergencies In...

This book is a collection of watercolours and sketches by Henrietta Alcock and her husband, the British Consul, Rutherford Alcock, along with the stories behind them. The more than 100 images in this book feature picturesque natural landscapes, traditional Chinese architecture, and scenes of consular life. They bring Henrietta Alcock out of the shadows, providing a unique picture of her as an amateur artist, the wife of a consul and, most importantly, a woman in empire. I is suitable for readers interested in a female artistic perspective on life in the early years of treaty port China.

Essentials of Contract Drafting and Negotiation for Construction Professionals is a practical and user-friendly guide to common practical contractual matters and is intended for construction professionals involved in contract drafting and negotiating. Knowing how to draft an effective contract is crucial in construction, particularly because of the complex and technical nature of construction projects. Divided into six chapters, this guide will enhance and refresh essential knowledge for lawyers and construction professionals who need to understand the principles of drafting and interpreting construction contracts, how to clearly identify and include key elements in these contracts, as well as how to avoid legal traps and pitfalls in contract negotiations and enforcement.

As a co-founder of the PRC’s first unofficial literary journal Jintian (Today) in 1978, Mang Ke was born in 1950. He began writing poetry as a sent-down youth in Baiyangdian, rural Hebei province, during the Cultural Revolution. One of the progenitors of what would later be called Obscure or “Misty” poetry, his spare, impressionistic poems were among the first to break free of the imposed discourse of Maoism towards an image-based literary style that left space for both expression and interpretation. He currently makes his living as an abstract painter and lives in Songzhuang, an artists’ colony on the outskirts of Beijing.

Taiwan’s Economic Security Since the 21st century, China’s rise has become a fact, and People’s Liberation Army has developed rather quickly. Thusso-called China’s military rise has become the most challenging phenomenon in world politics. Regarding to its army building and readiness many studies have shown that the People’s Liberation Army, in 2020, will form a complete (anti-access/area denial) capabilities, capable enough to turn China into a great military power in Asia-Pacific. It will have an impact on the Asia-Pacific regional stability, the cross-strait military balance, and under Untied States re-balance strategy. Under China’s military threat, Taiwan must be innovative in terms of strategic thinking and concept.

Since the 21st century, China's rise has become a fact, and People's Liberation Army has developed rather quickly. Thusso-called China's military rise has become the most challenging phenomenon in world politics. Regarding to its army building and readiness, many studies have shown that the People's Liberation Army, in 2020, will form a complete (antiaccess/area denial) capabilities, capable enough to turn China into a great military power in Asia-Pacific. It will have an impact on the Asia-Pacific regional stability, the cross-strait military halance, and under United States re-balance strategy. Under China's military threat, Taiwan must be innovative in terms of strategic thinking and concept.

This practical based research explores space, sites and interventions; in particular, site-specific installation of art works, involving the physical, virtual space and interactive theatre space within new media art.

U.S.-China Relations and the Changing Security Dynamics in East Asia collects 9 papers which were presented at the annual conference of the Graduate Institute of International Affairs and Strategic Studies, Tamkang University. Addressing the complex mix of cooperative and competitive elements in the U.S.-China relationship, the book focuses on regional responses to and Taiwan’s perspective on the rise of China and challenges to the U.S.-led international liberal order.

“This highly interdisciplinary work engages Chinese philosophy as a critical intervention to reframe existing scholarship in different gender issues and aesthetics.” —Robin R. Wang, Loyola Marymount University ---------------------------- Bodies in China uses Chinese philosophy to reframe Western scholarship on gender, body, and aesthetics. This book considers theoretical and philosophical discussions, reviews female aesthetical representations, and traces changing perceptions of femininity from imperial to contemporary China.

In A New Documentary History of Hong Kong, 1945–1997, Florence Mok, Fung Chi Keung Charles, and other contributors analyse newly released archival records from the National Archives in London, the Government Records Service in Hong Kong, and other sources across the world. This documentary collection provides an updated and improved understanding of basic aspects of the city such as governance, economy, society, and culture. It also aims at investigating topics that are under-exploited in previous sourcebooks, such as race and diasporas, gender and familial relations, medicine and healthcare, and environment and natural disasters. Overall, this book offers an innovative and comprehensive long-term perspective of Hong Kong’s colonial history.

Originally published in 1900, this book and its numerous images by American photographer Eliza Ruhama Scidmore provide an excellent foundation for understanding the physical setting and political climate in 19th-century China.

In 2018, authorities in Hong Kong seized a shipment from smugglers that contained 88 dead pangolins. Where did these animals come from, and why were they killed? Where were they going? Who was responsible? In classic true crime fashion, the book examines evidence, suspects, and legal perspectives related to this specific case and, through it, the plight of pangolins globally. The chapters detail the lives and natural history of pangolins across Africa and Asia while exploring clues that may reveal who is responsible for the endangerment of the species. The book also explores speculation surrounding the possible role of pangolins in the emergence of COVID-19 and, more broadly, the relationship between wildlife trade and zoonotic disease. The resulting tale is one of conservation researchers, public health experts, and global organizations across Asia, Africa, North America, and Europe fighting to create a world in which pangolins can thrive again.

A groundbreaking exploration of justice, democracy and Islamophobia, inviting us to reconsider our assumptions and build a more equitable future. Change has run amok! Technology advances by the minute, and much of what we think we know about the world fades in front of our eyes. How we are, how we know, how we live our daily lives—all shifting quicker than we can cope with. Anwar Ibrahim, Malaysia’s tenth Prime Minister, asks how we might rethink ourselves for these confusing, uncertain and volatile times, and shape fairer, more sustainable futures. Anwar’s passion is rooted in experience: he spent, in total, over a decade behind bars after three separate miscarriages of justice, from his days as a student activist to his time as Leader of the Opposition. Alongside reflections on his time in prison are critical investigations into truth, justice, post-colonialism, Islamophobia, democracy and global order. Anwar assembles ideas from East and West, North and South, to explore how we c

The rulers of the Ming dynasty enacted paradigms of hierarchical order. Like imperial families, households, and courts in earlier Chinese dynasties, they articulated patriarchal, patrilineal, and patrilocal organizational principles as exemplars for families and institutions throughout the empire. Women made indispensable contributions to the development of these paradigms and principles and to the social, cultural, and political fabric of the family and the state. And yet, in the existing literature in Chinese and English women are often burdened with stereotypes, positioned as peripheral, or rendered almost invisible. Reading available texts “against the grain,” and drawing on a trove of evidence from material culture, Soulliere shows how women defined a place for themselves in the multigenerational Ming imperial family, imperial household, and court. The Empress and the Dragon Throne spans the first Ming century from just before the founding of the dynasty in 1368 to the end of the

內容簡介 "In every matter, a lesson; in every step, a chance to grow." The Many Matters of Life is a collection of heartfelt reflections on how to live with wisdom, kindness, and purpose. Drawn from the teachings of Venerable Master Hsing Yun, each short article explores the choices we make, the relationships we build, and the values that shape our lives. More than just inspiration, this book serves as a practical guide to applying the spirit of Buddhism in everyday life. Through stories, examples, and thoughtful reminders, it shows how the Dharma can be lived, not only in temples, but in our homes, workplaces, and communities. A book to keep close. Read a page, reflect a little, and practice a little every day. 目錄 Table of Contents Acknowledgments.....................................................................iv About Venerable Master Hsing Yun..........................................viii Translator’s Introduction...........................................................x Forewor

COUPLET PAIR REBUS explores the principle of cause and effect in art, offering various approaches to this philosophical relationship. Based on the UMAG exhibition curated by Harald Kraemer, the COUPLET section is comprised of more than twenty calligraphic pairs of poetic lines, known in Chinese as duilian (對聯). Through the multi-layered texts, one discovers the multitude of voices that can be used to describe nature and the world and how content can be visualised through various forms of calligraphy. PAIR features artworks that form a balanced equilibrium through diverse visual languages along with objects that exemplify how mankind’s pursuits create objects in symmetrical harmony across genres. While works presented in the REBUS section form a network of diverse references that connect the objects. Individuals are then tasked with decoding these connections like a 3D puzzle. This publication features an essay by curator Harald Kraemer unpacking the issues of harmony, symmetry and c

Taking the “tidal wave” of memory in the late twentieth and early twenty-first century as its starting point, this monograph explores collective memory of World War II in East Asia (1937–1945) through film. Weiss argues that Chinese, Japanese, and American remembrance of World War II is intertwined in what she terms a “memory loop,” the transnational mediation and remediation of war narratives. Gender is central to this process, as the changing representation of male soldiers, political leaders, and patriarchal father figures within these narratives reveals Japanese and Chinese challenges to each other and to the perceived “foundational” American narrative of the war. This process continues to intensify due to the globally visible nature of the memory loop, which drives this cycle of transmission, translation, and reassessment. This volume is the first to bring together a collection of Chinese and Japanese war films that have received little attention in English-language literature. I

In Hong Kong Public and Squatter Housing: Geopolitics and Informality, 1963–1985, Alan Smart and Fung Chi Keung Charles trace two decades of development of squatting in Hong Kong. The authors reconstruct the government policy on squatting through both ethnographic and archival research. The book sheds new light on the consequences of various attempts to control encroachment on scarce urban space. It argues that intersecting policy agendas resulted in decisions that were often not desired, but which emerged as practical solutions from prior failures. The authors address the challenges of explaining confidential policy decisions and offer new approaches applicable in other contexts. Overall, Smart and Fung make an important contribution to the understanding of how public housing and squatting interacted in influential ways that have been poorly understood and offer new perspectives on the challenges of urban governance and housing problems.

It is written from an objective, external viewpoint and paints a colourful and lively picture of Sanguinetti in a voice that could almost be his own. Using Sanguinetti' s life experiences, the biographer touches on various historical events, including the Mau Mau revolution in Kenya and the 1957 riots in Hong Kong, and details the social and political problems of the times, such as lingering colonialism, class structure issues, and human rights violations, among others. These glimpses of history through Sanguinetti' s eyes are accessible, thought-provoking, and truly representative of the man himself.Offering a well-rounded image of the eccentric subject, this book fulfils Sanguinetti' s common response to questions about both his personal and professional life — “ more when I know you better” . It will undoubtedly be of interest to those who knew Sanguinetti as well as legal professionals, young barristers, and readers with an interest in post-war history in Gibraltar, Kenya, and espe

Death and Life of Nature in Asian Cities explores the encounter between two processes that are unfolding in diverse patterns across Asia—the rapid urbanization of Asia across big cities, smaller towns, and the newest urban concentrations; and the contentious debates and novel schemes by which nature is figured and emplaced in cities and their conurbations. Contemporary Asian cities displace nature by causing its death and withering, but also embrace it through acts of renewal and the pursuit of sustainability. Contributors to this volume gather case studies from across Asia to address projects of urban greening and reimagining nature in urban life. The book illustrates how the intersection of urban growth and urban nature is a place rich with fresh ideas about urban planning, governance, and social life. This book illuminates a continuing process of discovery and regeneration through which urban natures may well be moving from taken-for-granted infrastructures to more consciously exper

Leung Ping Kwan brought as much talent and inspiration to the writing of his short stories as he did to his poems. ‘I have drawn on magical realism to explore the absurdity of Hong Kong,’ he wrote of the story ‘See Mun and the Dragon’ (1975) in which we find him using a simple, clipped style. The later story ‘Drowned Souls’ (2007) was written in a more symbolic, lyrical and more complex manner. Although the two stories are separated by over thirty years, and are in many ways so very different, dragons play a prominent part in both. The dragon has always been a fascinating creature, a complex embodiment of the timeless soul of China, symbol of the universal power of the imagination, of the creative energy and transformative possibilities of the Tao. Both of these enchanting stories are anchored in the author’s idea of freedom and liberation.

Utopia and Utopianism in the Contemporary Chinese Context: Texts, Ideas, Spaces decisively demonstrates the extent to which utopianism has shaped political thought, cultural imaginaries, and social engagement after it was introduced into the Chinese context in the nineteenth century. In fact, pursuit of utopia has often led to action—such as the Chinese Revolution and the Umbrella Movement—and contested consequences. Covering a time span that goes from the late Qing to our days, the authors show that few ideas have been as influencing as utopia, which has compellingly shaped the imaginaries that underpin China’s historical change. Utopianism contributed to the formation of the Chinese state itself—shaping the thought of key figures of the late Qing and early Republican eras such as Kang Youwei and Sun Yat-sen—and outlived the labyrinthine debates of the second half of the twentieth century, both under Mao’s rule and during the post-socialist era. Even in the current times of dystopian

The Assassin tells the story of a swordswoman who refrains from killing. Hou Hsiao-hsien astonishes his audience once again by upsetting almost every convention of the wuxia (martial arts) genre in the film. This collection offers eleven readings, each as original and thought-provoking as the film itself, beginning with one given by the director himself. Contributors analyze the elliptical way of storytelling, Hou’s adaptation of the source text (a tale from the Tang dynasty, also included in this volume), the film’s appropriation of traditional Chinese visual aesthetics, as well as the concept of xia (knight-errant) that is embedded in Confucian, Daoist, and Buddhist worldviews. There are also discussions of the much-celebrated sonic design of The Assassin: the nearly exclusive use of a diegetic film score is a statement on the director’s belief in cinematic reality. Underlying all the chapters is a focus on how Hou reinvents Tang-dynasty China in contemporary culture. The meticulous

It is not often recognized that China was one of the few places in the early modern world where all merchants had equal access to the market. This study shows that private traders, regardless of the volume of their trade, were granted the same privileges in Canton as the large East India companies. All of these companies relied, to some extent, on private capital to finance their operations. Without the investments from individuals, the trade with China would have been greatly hindered. Competitors, large and small, traded alongside each other while enemies traded alongside enemies. Buddhists, Muslims, Catholics, Protestants, Parsees, Armenians, Hindus, and others lived and worked within the small area in the western suburbs of Canton designated for foreigners. Cantonese shopkeepers were not allowed to discriminate against any foreign traders. In fact, the shopkeepers were generally working in a competitive environment, providing customer-oriented service that generated goodwill, frien

The Confucian revival which manifests itself in the Modern Confucian current, belongs to the most important streams of thought in contemporary Chinese philosophy. The Rebirth of the Moral Self introduces this stream of thought by focusing on the second generation Modern Confucians— Mou Zongsan, Tang Junyi, Xu Fuguan and Fang Dongmei. These scholars argue that traditional Confucianism, as a specifically Chinese social, political, and moral system of thought can, if adapted to the modern era, serve as the foundation for an ethically meaningful modern life. In this most timely monograph, Jana S. Rošker is visionary in anticipating the role Confucianism might serve as a world resource in reshaping a newly emerging cultural order for our own time and place. She brings the complexity and heterogeneous nature of the philosophical contributions of the second generation of Modern Confucians into clearer focus, and documents the inspiration their discourses have given contemporary scholars eng

This work is written by Prof. C. T. Hsia, a renowned scholar of Chinese literature, on six major novels ranging from the Romance of the Three Kingdoms to the Dream of the Red Chamber, each a landmark in the development of Chinese vernacular literature over a five-hundred-year period. This erudite and thought-provoking study has proved the best and most comprehensive guide to the research in this particular branch of Chinese literature. Although written nearly fifty years ago, it reads as freshly today as it did then. It is still by far the single best introduction to the subject in the English—or indeed in any language. This remains the one book to place in the hands of any curious reader wanting to know what the masterpieces of classic Chinese fiction are like, what they are about, and why they are so special. ------------------------------------------------------------------------- Prior to the publication of this work, criticism on classic Chinese fictions had hardly begun its

Tang Chun-I Lecture Series The Tang Chun-I Lecture Series is based on lectures and seminars delivered by distinguished scholars who are holding the Tang Chun-I Visiting Professorship at The Chinese University of Hong Kong. This professorship was initiated in 2003 by the Department of Philosophy, The Chinese University of Hong Kong, in memory of the late Professor Tang Chun-I (1909-1978), a major figure in 20th century Chinese philosophy and the first Chair Professor of the Department of Philosophy. In Res Publica, Günter Zöller offers a concise and perceptive analysis of the influence that Plato’s Pepublic had on the political thought of three leading German philosophers rarely discussed together—Kant, Hegel and Fichte. He investigates how these three thinkers engaged with one of the founding texts of Western political philosophy to offer their particular interpretations of the forms and norms of the political organization known as the "commonwealth" or res publica. Professor Zöller c

In this handy book, Icy Lee and Paul Sze openly share their stories as nonnative English speaking educators in TESOL (Teaching English to Speakers of Other Languages). This collection of teachers’ stories provides a source of inspiration for both native and nonnative speaking professionals in the field, encouraging them to re-examine key issues in the profession and to reflect on their own practice critically. "Voices from the Frontline: Narratives of Nonnative English Speaking Teachers is a must-read for anyone in TESOL as it brings power through stories to inspire teachers, native or nonnative alike, to reflect, recharge and re-imagine what they do by confronting challenges with problem solving tactics, and devoting themselves to the profession with enthusiasm and passion." —Jun Liu, Georgia State University " 'Nativeness' is no magic bullet for effective and successful language teaching. Icy Lee and Paul Sze's exhilarating accounts of their learning trajectories and teaching exper

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and "disturbance" achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in

Toward the end of his first term, President Barack Obama's election promise to reduce the American military presence in the Middle East and Afghanistan led to a general re-evaluation of priorities. What eventuated was a series of phrases to describe the new foreign policy posture. These included "rebalancing to Asia", the "pivot to Asia" and the "pivot to the Pacific". The two principal drivers of the new posture were identified by then Secretary of State Hillary Clinton in a key November 2011 Foreign Policy article as winding down of the military engagements in Iraq and Afghanistan the "new global realities" of the Asia-Pacific Century. The juxtaposition of the two elements gave the American policy objectives a balance of power orientation with a military emphasis. The logic of "rebalancing" the balance of power in the Asia-Pacific in the wake of the growing ascendency of China is basic International Relations 101. The repositioning of US military assets into the Pacific has all th

Tsering Woeser and Wang Lixiong are widely regarded as the most lucid, insightful writers on contemporary Tibet. Their reportage on the economic exploitation, environmental degradation, cultural destruction and political subjugation that plague the increasingly Han Chinese-dominated Tibet Autonomous Region (TAR) is as powerful as it is profound, ardent and analytical in equal measure, and not in the least bit ideological. Voices from Tibet assembles essays and reportage in translation that capture many facets of the upheavals wrought by a rising China upon a sacred land and its pious people. With the TAR in a virtual lockdown after the 2008 unrest, this book sheds important light on the simmering frustrations that touched off the unrest and Beijing's relentless control tactics in its wake. The authors also interrogate long-standing assumptions about the Tibetans' political future. Woeser's and Wang's writings represent a rare Chinese view sympathetic to Tibetan causes. Their powe

Punctuated by a string of "surprising events" and even alarming incidents in the crucial "sunset era" of Donald Tsang, the second Chief Executive of the Hong Kong SAR, how shall we rate Tsang's performance during this 7-year term? This weighty monograph offers an authoritative academic critique of the HKSAR Government’s performance in various policy areas and state–society interactive topical dimensions under the Tsang years from 2005 to 2012. By inviting contributions from a number of scholars specialising in different research disciplines, the volume in 18 chapters covers a lot of key issues and public policy areas that constitute a very rich combination of analytical narratives from multi-disciplinary perspectives. The massive coverage of this book, while exemplifying the criticality of Tsang's era when handling challenges of these aspects, will provide readers with a thorough assessment of the government during the Tsang years in a broader comparative context and on a contemporar

Dimensions of Originality investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was qi 奇, literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of qi as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of th

Multiple Modernities approaches the concept of modernity through two historical phases of Norawy. The first study focuses on the interplay between Lutheran state officials and popular movements in the nineteenth century as an essential aspect of the growth of social democracy. The second examination of modernization centers on twentieth-century Norway after World War II. The book is balanced between theoretical remarks on conceptual issues, an assessment of modernization processes, and a study of basic epistemic and structural challenges that confront us in our time. Scandinavian countries are often noted as cases of successful modernization processes. However, these references to a “Scandinavian model” tend to focus on the mid-twentieth century after World War II. In Skirbekk’s view, the uniqueness of modernization processes in Scandinavia, for instance in Norway, is better conceived historically, not least by focusing on the nineteenth century with a continuation into the twentieth c

Written in real time during his ambitious trek, this book from 1911 documents British journalist Edwin J. Dingle's journey through China's Sichuan and Yunnan provinces to Myanmar.

In Lu Xun and World Literature, Xiaolu Ma, Carlos Rojas, and other contributors examine various aspects of Lu Xun, who is known as the father of modern Chinese literature. Essays in this book focus on Lu Xun’s works in relation to the notions of world literature and processes of literary worlding. The contributors offer detailed analyses of Lu Xun’s own literary oeuvre and of foreign works that engage with his writings. This volume also focuses on many facets of the publication and dissemination of Lu Xun’s works’, from printing and binding to the discussions and debates that followed their release in China and abroad. This book not only makes an important contribution to the field of Lu Xun studies, but also proposes a reexamination of the category of world literature.